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Composters transform roadkill into landscape

Virginia Department of Transportation officials describe the latest project happening at their Hanging Rock Area Headquarters near Salem as a national model.

Yet, they also understand that the initiative — composting road kill carcasses — can turn some stomachs.

“We don’t necessarily want to put one of these right next to a subdivision,” said Jimmy White, VDOT project manager.

The Hanging Rock composter is set just inside a tree line on state property north of Interstate 81.

This breakthrough in highway-management technology is straightforward. A dead deer goes inside a bin. A month later, brown compost tumbles out.

The composting bin array off Thompson Memorial Drive and a unit near South Boston in Halifax County are an experiment designed to reduce the state’s $4 million annual cost incurred by driving dead animals to landfills.

Officials are becoming convinced on-site decomposition could be cheaper. A worker stacks wild or domestic dead animals collected on state property in concrete bins with lots of sawdust. Naturally occurring microbes do the rest, assisted by forced air jets in the floor.

But there is a side benefit. What was once waste becomes a fertilizer-like resource inside the composter, and VDOT has no intention of giving the valuable material away. It plans to spread it. Some of the Halifax-made compost, when spread on an eroding area along Virginia 360 outside Halifax, contributed to rapid grass growth, White said.

Applying composting, which farmers have used for years, to road kill management is exciting to state officials.

The completeness of the animal breakdown is “fantastic,” said Stan Philpott, superintendent of the Hanging Rock yard, who is also pleased that his crews no longer have to drive about 10 dead animals each weekday to the New River Valley. The animals went to the landfill near Dublin operated by the New River Resource Authority, which is still used by some VDOT regional offices that don’t compost.

Once usable quantities of the compost are produced, crews are expected to apply it as a fertilizer to stimulate vegetation growth where the ground has been disturbed or eroded. The agency will also employ it as a landscaping and flower bed mulch, White said.

The state’s composting venture complies with Department of Environmental Quality regulations, said DEQ solid waste permit writer Jenny Poland. The material is not required to be pathogen-free, though the pathogens “are at levels that should not be harmful to human health,” according to Poland.

“The compost will be used by VDOT. They have a lot of projects where they will be able to use that,” said Poland, “It has good soil amendment properties.”

Based on the project’s success so far, VDOT is contracting for four more composting units at $115,000 apiece at locations yet to be announced. Barring a glitch, the state could someday operate enough composters to serve large tracts of the state, White said.

Highway workers are on course to collect more than 5,000 dead animals in the Roanoke and New River valleys and nearby communities this year, most of it roadkill. The statewide count could exceed 50,000. VDOT must dispose of the carcasses but wants to lower the cost. The annual, average disposal cost was $4.1 million from fiscal 2007 through fiscal 2011 for personnel, transportation costs and landfill fees. The mileage alone, to and from landfills, averages 252,000 miles yearly.

When White ran a VDOT yard in Rockbridge County 20 years ago, sometimes the carcasses were fed to the big cats at the Natural Bridge Zoo, he said.

Those days are long gone.

VDOT workers have buried roadkill beside highways. However, that system worked better before utilities placed infrastructure along highways, where it is tracked and safeguarded by Miss Utility, and environmental regulations came into force that further regulate digging. It isn’t done much any more.

In recent years, the best available solution was to drive the carcasses in a pickup to landfills. But White said some Virginia landfills charge a lot, perhaps $60 to $100 a deer, and have become reluctant to accept animal carcasses because “it hurts their management of the landfill.”

Joe Levine, who directs the New River Resource Authority, said the waste-management agency’s facility continues to accept dead animals without any operational issues at the municipal waste rate of $32 a ton. That said, the authority is in favor of recycling, waste reduction and reuse.

“All compliant composting systems are great ideas,” Levine said.

Convinced the state needed a new plan, the Virginia Center for Transportation Innovation and Research, an arm of VDOT, studied composting and decided the state should try it as a possible new, long-term solution to animal disposal. After some early attempts, and input from Advanced Composting Technologies LLC, in Candler, N.C., the state focused its efforts on rectangular bins equipped with blowers. Microbial action, which requires food, water and oxygen, can rot a batch of animals in a month or two in such a container, according to White, who said temperatures hit a pathogen-killing 160 degrees or more.

A crew built the state’s first forced-air, animal composter in 2012 at a VDOT yard just outside Halifax, a small town near South Boston. Workers converted three steel roll-off garbage containers at a cost of $48,000. In a sign of the tool’s versatility, it processed a couple of donkeys in addition to the usual roadkill of primarily deer but also bears and smaller animals, White said.

Halifax Mayor Dick Moore recently heard about the system.

“It didn’t bother me. There was no odor involved that I can tell by just riding by there,” he said.

To further the experiment, crews retrofitted four concrete material storage bins at the Hanging Rock VDOT yard for $28,000 and the state started up that composter in July. Each bin can hold about 10,000 pounds of animals, about 100 deer. The temperature inside of one of its bins stood at 150 degrees Wednesday morning.

The system features forced-air jets that fuel decomposition and a trough that routes the run off from the topless bins into a tank underground. Using a hose sprayer, an attendant applies a couple of spritzes of the fluid every so often to help keep the piles cooking.

VDOT thinks the money it saves in avoided disposal expenses will cover the cost of each forced-air device in as few as five years for those VDOT yards at least 25 miles from a landfill. The payback period is likely to be longer, but well within the composter’s lifetime, for VDOT yards closer to a landfill, a VDOT research report said.

Cristina Siegel, who directs the Clean Valley Council, a Roanoke-based nonprofit organization dedicated to litter prevention, recycling, waste stream reduction and stormwater pollution prevention, reacted positively to VDOT’s composting project. She said DEQ approval likely means VDOT has demonstrated it can ensure the proper heat and moisture recipe for full decomposition of organic matter — a breakdown much greater than area residents may achieve in backyard composting piles.

“There certainly is an initial ‘yuck’ factor when you hear the idea,” she said. However, given the exacting standards VDOT appears to be using, “a compostable plate or a head of old lettuce or a road-killed deer ultimately break down to the same organic components.”

To report a dead animal on a highway, call 800-367-7623 (800-FOR-ROAD).

Janet Moyer Landscaping Offers Complimentary Upgrade to Next Level of Toro …

SAN FRANCISCO, CA–(Marketwired – Oct 11, 2013) – Janet Moyer Landscaping (JML), a full-service landscaping company in San Francisco devoted to addressing the unique challenges of urban gardens, announced today its partnership with Toro to make a complimentary one-time upgrade for JML’s current users of the Intelli-Sense™ WeatherTrak® enabled controller to Toro’s latest “SMART” controller technology. The new system eliminates the need for a remote download, yearly subscription fees, and interruptions of service due to inconsistent data communication.

The new system, called Irritrol® Climate Logic® (Irritrol is a brand of The Toro Company), works by combining real time data from a compact, wireless weather sensor installed on site with 40 years of historic weather data that is zip code specific and loaded into a new control unit. It also has the benefit of providing immediate feedback to the controller when a rain event occurs, or temperatures drop close to freezing.

“We are grateful that Toro has partnered with us to provide the new controller to current JML users,” says Michael Hofman, JML executive vice president and Certified Irrigation Designer.

He explains, “The previous system became problematic for a number of reasons. It required the use of one-way pager technology, a system that is being reduced to only the centers of major metropolitan areas. This means that some neighborhoods would get inconsistent service, so we were happy to work with Toro to come up with a viable solution to this problem for our clients.”

Mike Baron, national specifications manager for Toro, added, “Toro values its business relationships with landscape contractors, especially those who have consistently installed Toro irrigation products over the years. Because of our mutual trust, commitment to the relationship and our joint focus on the end customer, we worked together to address the situation in a manner that was acceptable to both our companies and real a plus for the homeowners.”

About Janet Moyer Landscaping
Founded in 1990, Janet Moyer Landscaping is an award-winning, full-service landscaping company based in San Francisco, CA. It has designed and installed more than 600 unique and customized gardens in San Francisco’s varied terrain. The company specializes in the creation of custom residential landscapes that address the unique challenges posed by San Francisco’s climate, significant grade changes and architectural constraints. Owned and managed by Janet Moyer and Michael Hofman, JML applies sustainable practices to its residential landscape design, installation and maintenance services. In 2012, JML received an “Outstanding Achievement” award from the California Landscape Contractors Association. It was a 2013 sponsor of the Garden Bloggers Fling held in San Francisco in June. For more information, visit www.jmoyerlandscaping.com or call 415-821-3760. Become a member of the JML community at http://www.facebook.com/janetmoyerlandscaping

Master Gardeners: Sun-blocked landscapes call for thoughtful approach

I DON’T KNOW about you, but I have a north-facing house on the edge of a redwood forest with one-third of the yard getting sun exposure for about five to six hours each day.

You may have a similar situation — either because you live in a forested area or have shade trees in your yard or just have an area of your garden that’s under an eave or large deck. If what to plant in shady areas has you perplexed, you are not alone. Fortunately, there are options.

The soil under trees benefits from fallen leaves, which provide good mulch and compostable material. Dense leaf coverage, however, limits the amount of water that falls to the ground, which can cause thirsty tree roots to out-compete many plants for nutrients and water.

One type of “plant community,” as defined by StopWaste.org, is called redwood forest. According to the group’s website, “Redwoods are adapted to snag moisture from the summer fog with their leaves, which adds to precipitation and soil moisture. A distinctive group of understory species is adapted to the deep shade of the redwood groves.”

Shady garden areas also can exist because of how a house is situated in relation to the sun’s path or because a large tree blocks or greatly reduces the amount of sun exposure on a portion of your garden.

Whatever your situation, there are plants that can still thrive in these seemingly challenging conditions.

My garden’s dry shade condition is more of a combination of woodland shade site (redwood forest plant community) and reduced sun exposure because of the orientation of my house and garden in relation to the sun’s path. I’ve experimented with various plants and some have worked well, such as native western columbine, Iris of all sorts and a surprisingly sturdy Helleborus, part of the Ranunculaceae family.

For a fence that I’d like to be vine-covered, Clematis proved tempting for the deer but it’s still hanging on, although a bit shabby. Next, I’m going to try the California Dutchman’s pipe to see how it covers the fence and stands up to the deer.

I plan to add more shrubs into my landscape too, since I have huge redwoods. Some nice medium-sized shrubs — such as western azalea that come in many lovely colors, coffee berry with fruits the birds enjoy and Ceonothus, “Ray Hartman,” known for its lavender flowers — could work well.

It should be no surprise that several ferns have been successful in my shaded environment. The western five-fingered fern and western sword fern are just a couple of them. While I appreciate the texture of the ferns, I’m always on the hunt

for more color and variety. This year, I’m going to add some coral bells for their delicate red flowers and scarlet coyote mint for its unique low-to-the-ground shape and bright scarlet trumpet-shaped flowers. I’ll also introduce a few perennials, such as native yarrow and hummingbird sage, for a mixture of textures, shape and color. As a final hurrah, maybe I’ll mix in a few splashy Kaffir Lily, feathery native coastal wood fern and California Fescue.

When planting, there are several things to keep in mind:

• Dig very carefully so you don’t damage root systems of nearby mature trees.

• Dig a hole about three times the size of the root ball’s diameter so the plant’s new roots can have extra room to spread.

• Add good organic compost to the top layer of your infill soil so your new plants have healthy nutrients to get themselves established.

• Water your plants in well initially. Once plants become established, you should water less often but more deeply to encourage deeper root growth that will increase its drought tolerance.

When getting started, take time to consult reference books such as “California Native Plants for the Garden” by Carol Bornstein and David Fross (280 pages, Cachuma Press, $29.95) and websites such as the Bay-Friendly Landscaping and Gardening Coalition (bayfriendlycoalition.org) and Marin Master Gardeners (marinmg.org) for plant options and suggestions.

Whatever your shade condition, be brave, do a bit of research and add some plants to enhance your garden rather than lamenting the lack of sun. Embrace the adage “grow where you are planted” and work with what you have. You may be surprised at how beautiful and low maintenance shade gardens can be.

The University of California Marin Master Gardeners are sponsored by UC Cooperative Extension. For questions about gardening, plant pests or diseases, call 473-4204 from 9 a.m. to noon, and 1 to 4 p.m. weekdays, or bring in samples or pictures to 1682 Novato Blvd., Suite 150B, Novato.

if you go

What: “The Shady Business of Gardening without a Lot of Sun”
When: 7 p.m. Oct. 14
Where: Corte Madera Recreation Center, 498 Tamalpais Drive, Corte Madera
Admission: $5
Information: 473-4204

There’s No Place Like Om

Yearning for a place to unplug, meditate and pray, some people are transforming parts of their homes into houses of worship.

These latest spiritual spaces are no longer relegated to a single altar in the corner of the room. Homeowners are creating meditation gardens, yoga and tai chi studios and private chapels. Rather than tacking these spaces on as afterthoughts, architects and builders are incorporating them into home plans from the start.




More homeowners are turning their homes into houses of worship, creating custom meditation gardens, Tai Chi studios, and even private chapels. Sanette Tanaka has details on Lunch Break. Photo: Jason Henry for The Wall Street Journal.

Tony Hanslin of Grantham, N.H., built a 225-square-foot Asian-inspired tea house three years ago. The space features sliding doors and a mahogany floor, and is surrounded by Japanese gardens, a stream and a dry pond consisting of natural-colored pebbles. Mr. Hanslin, who spent about $400,000 on the tea house and landscaping, says he goes there for one or two hours nearly every day.

“It’s very sparsely furnished so there’s room to meditate, teach tai chi and do tai chi, and have the occasional cocktail party,” says Mr. Hanslin, a former builder who is 70 years old.

House and Om

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Yankee Barn Homes

Tony Hanslin spent about $400,000 on a tea house and landscaping at his Grantham, N.H., home.

Builders and architects say homeowners typically want clean lines, Asian-inspired detailing, natural materials and light-colored woods, like maple, bamboo and oak. They also want water features, such as fountains and waterfalls, and a view of the outside, says Walid Wahab, president of Miami-based Wahab Construction, who sees 50% more requests for meditation spaces now compared with five years ago.

Joji Yoshimura and his partner, Michael Kronstadt, built a 1,100-square-foot addition to their ranch-style home in Sunnyvale, Calif. Inside are a tea room; mirrored studio for yoga, tai chi and qigong, an ancient Chinese healing art; a master-bedroom suite and a media room. The addition, designed by architect John Lum in San Francisco, was completed in 2006 and cost roughly $400,000. The interiors feature handmade sliding screens and tatami mats. Outside is a 15-foot by 15-foot koi pond and bonsai tree display.

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Mr. Yoshimura, age 62 and a clinical psychologist, grew up in a traditional Buddhist family and meditates daily. Mr. Kronstadt, 66 and a project manager for a biomedical-device firm, began meditating regularly about four years ago—in part because of the tea room. “It was easier, or more right, or less awkward to actually have a real meditation space, so I didn’t feel as self-conscious as I might have if I just started meditating at the kitchen table,” Mr. Kronstadt says. Now, every day after work, he practices “walking meditation” in the tea room or simply sits on the cushions.

Mr. Yoshimura likes the tea room for another purpose. “It’s set up to entertain. I have people over for snacks or dinner,” he says.

Private spaces in the home for prayer have been around in the U.S. since the colonial period but went out of style in the 1960s, when communal worship became more popular, says Duncan Stroik, professor of architecture at the University of Notre Dame who studies sacred spaces. In the past 10 to 15 years, luxury homes, in particular, have seen a resurgence in private prayer spaces. “What we’re seeing is some people who believe in prayer are willing to spend significant money to have a beautiful room dedicated to that in their house,” he says.

Prof. Stroik says meditation spaces are an outcry against our increasingly mobile age. “People need to get away. You might not be able to get into the country, but you can go into a room and pray and meditate,” he says.

Johnny Miller, owner of OakBridge Timber Framing, is building an 860-square-foot chapel for a Presbyterian couple in Howard, Ohio, northeast of Columbus. The free-standing chapel will have wooden pews that can seat 60 people and a curved, cathedral-style ceiling that will be high enough “to make it feel like a church,” Mr. Miller says. The timbers will have several Bible verses carved into them. The chapel will likely cost about $400,000, he adds, noting that the price per square foot is higher than many luxury homes due to the extensive amount of detailing.

Once the chapel is completed in the fall of 2014, the couple plans to use it for worship, weddings, christenings and even funerals. “They’re busy with their lifestyles. They want to have it located on site and close by,” says Mr. Miller, adding that he gets twice as many requests for spiritual rooms now than he did five years ago.

The owners, Jeff and Debi Johnson, are building the chapel on the property where their weekend home is located. Mr. Johnson, a jeweler, says he modeled the chapel off the church where his family attends services. “We have always gone to church, but when we’re at the farm, we’re far from a church,” says Mr. Johnson, age 62. “I wanted something on our property that represented that feel and my faith.”

Although simple in their essence, these spaces can require a high level of customization. Experts, such as a feng shui specialist, are sometimes consulted about design principles or asked to conduct special ceremonies.

Aarthi Jain’s Houston home, built in 2004, was influenced by Vastu Shastra principles, a Hindu design method that focuses on the home’s directional alignment. For instance, the front door couldn’t face south because it is believed to bring bad luck, and the 36-square-foot prayer room had to be located on the top floor so no one could walk above it. “Having something touching your feet is considered taboo,” says Dr. Jain, a 50-year-old physician.

The tricky part was making sure her architects, Natalye Appel and Stuart Smith, could balance Vastu principles with city regulations. “Last minute we had to completely flip the house east to west because the city didn’t catch that the driveway wasn’t where they wanted,” Dr. Jain says. “It was difficult to apply principles of one culture to the restrictions of another.”

She tried to incorporate outdoor elements as much as possible. The house curves around a backyard courtyard, and the rooms downstairs face the pool. The prayer room, which has an antique teak Indian door frame, opens into a larger gathering space. In total, the house cost $1.6 million.

Still, Dr. Jain didn’t follow every rule. For example, she put windows in the prayer room even though prayer rooms in India are typically windowless.

“It’s so much a part of our way of living in Indian culture, in Hindu culture. Religion is part of everything you do. We want to encourage our daughters to remember these things and remember where they come from,” Dr. Jain says.

Last year, designer Safura Salek of Mass Studio created a 4,000-square-foot modern home following Vastu Shastra principles for an Indian family in West Hollywood, Calif. Though the house cost more than $800,000, the 24-square-foot prayer room, tucked under the stairwell, is simple. The owner “prays every morning. For her, it’s a very private space. She didn’t want it to be out in the open or ostentatious,” Ms. Salek says.

When it comes time to sell, marketing a home with a meditation room can be sensitive because the spaces could potentially turn off buyers of a different faith or background, says Stephanie Bissett, an agent with Premier Sotheby’s International Realty in Sanibel, Fla. The upside is that prayer spaces are usually open and sparse, so they can easily be converted for other uses.

Recent sales include a 94-acre property in Austin County, Texas, with an outdoor chapel and church bell that sold in the spring for more than $3 million, according to Dave Wyatt, the listing agent. A three-story home in San Marino, Calif., with a designated meditation room sold in September for $8.88 million, says listing agent Sarah Rogers.

Patty LaRocco, an agent with Town Residential, has a $39 million listing for a co-op apartment on Manhattan’s Upper West Side with a silk-paneled meditation room adorned with tatami mats and Moroccan lanterns. She promotes the room in all her marketing materials. “Most people are neutral, but some find it super cool. I had a buyer yesterday who came through and loved it,” she says.

A version of this article appeared October 11, 2013, on page M1 in the U.S. edition of The Wall Street Journal, with the headline: There’s No Place Like Om.

Constance Craig Smith gardening tips: Tackle these 8 tasks now and your …

By
Craig Constance-smith

16:31 EST, 11 October 2013


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16:31 EST, 11 October 2013

We British are supposed to be a nation of gardeners, but a recent survey that asked people how they felt about their garden produced some dismaying statistics.

Some 40 per cent of  respondents said they were embarrassed by their garden, while 12 per cent said they never set foot in it.

None of this surprises me because when I tell people I write about gardens, they often look embarrassed and mutter that theirs is ‘a bit of a disaster’.

If you fall into this category, take heart, because autumn is just the time to tackle a neglected one.

Tackle these eight easy tasks now and your garden will look glorious next spring

Tackle these eight easy tasks now and your garden will look glorious next spring

Put in a bit of work now, and by next spring your garden will give you a glow of pride instead of making you wince with shame. Here are some simple steps to get your garden back on track.

● Be ruthless about cutting back overlarge plants or shrubs. It won’t damage them and it will bring light and space into your garden.

● Remove any plants that you don’t like. Give them away, and plant something you really like instead.
● Declutter the garden. Store ugly things out of sight or throw away.

● Make sure you have easy access to a tap and invest in a good hose. If you have to lug watering cans around, chances are your garden won’t get watered enough.

● Sheds are invaluable but often unsightly. Transform yours with a coat of paint, or put wires along the sides and grow climbers such as sweet peas or sunflowers up it.
● Improve your patio with some attractive containers and colourful plants. Container gardening is a quick way to give your garden a lift.

● Love your lawn. An immaculate lawn looks beautiful but it’s a huge amount of work. Don’t worry about having weeds such as dandelions – call it a wildflower lawn. And if you don’t have time to mow often, just keep the edges neat to give the illusion of a well-kept lawn.

● Think long-term. Annuals are often the most eye-catching plants in the garden centre but perennials and shrubs are the best value and reduce the work you have to do. n


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Sustainable gardening tips shared at meeting in Chico – Enterprise

CHICO — Chico Horticultural Society will meet Wednesday, Oct. 16 at the Chico library, East First and Sherman avenues.

The meeting will begin at 9:30 a.m. with refreshments, the program will start at 10:00 and the business meeting will start at 11:00. The public is welcome to attend.

The presentation will be on “Sustainable Gardening for California Landscapes.”

Presenter will be Pam Geisel, former director of the Statewide Master Gardener Program and county director of Glenn County. She is a professor emeritus in environmental horticulture, and obtained her master’s in Plant Science from CSU Fresno. Geisel has also written numerous publications on a variety of horticultural topics.

She will discuss recommendations for the Top 10 sustainable garden practices that gardeners can implement without having to make drastic changes in their gardening lifestyle. These practices and tips will help your garden become more sustainable and can, over the long run, save you money.

If you have questions, call Margaret at 520-0067.

Gardening Tips: Preparing for first frost


Posted: Friday, October 11, 2013 11:01 am


Gardening Tips: Preparing for first frost

By Matthew Stevens

The Daily Herald, Roanoke Rapids, NC

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0 comments

After a long summer, it seems fall is finally here. While we haven’t had a frost yet, the first one doesn’t seem far, as the Roanoke Valley has often had a first fall frost around Oct. 15. The weather for the next week doesn’t seem to indicate an immediate risk of an overnight frost, but we all know the weather can change quickly.

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Friday, October 11, 2013 11:01 am.

Gardens: prairie garden

When I bought a house with a blank canvas of a garden, I wanted to pay homage to one of my horticultural heroes. Having admired the ethos and designs of plantsman and designer Piet Oudolf, I decided to emulate his style by creating my own prairie garden, composed entirely of herbaceous perennials and grasses.

I used to garden piecemeal – a plant-it-in-the-flowerbed-and-see-how-it-looks approach – but I changed my philosophy after doing a garden design course. My previous garden was a mixture of shrubs and herbaceous plants, but I wanted a space that looked as if nature had created it, inhabited by insects and birds, and that was also functional for my family.

The space is about an acre, surrounded by fields, with a few ancient apple trees upon which I anchored my design. Creating such a garden entails a leap of faith. To be a prairie gardener means embracing plants at every stage of their life, whether they are resplendent with colour or starkly bleached by the vagaries of winter. The ebb and flow of the seasons is beautifully captured in a prairie garden, which provides months of interest and a constantly changing palette. After late February’s annual cut-back, the garden bursts into life from mid-May onwards. What follows is a slow burn of successional flowering, reaching a crescendo in late summer, when everything is in flower.

The theory sounded wonderful, but I spent hours deliberating. I worried about how my paradise would look in winter. Would it be awful to look out at brown foliage for three months of the year? Should I take the safe option and incorporate shrubs to provide reliable structure? Eventually my heart won out. This type of planting needs straight lines to provide a framework and curved ones to encourage slowness and contemplation. More mundanely perhaps, my sweeping curves of Breedon gravel make the most fantastic cycle track for my children.


Gardens: gravel path
Gravel paths lined with (from back) Stipa gigantea, Perovskia ‘Blue Spire’, Sedum ‘Autumn Joy’, herb fennel and Achillea ‘Cloth of Gold’ (on right) provide a framework and a way through the garden

The plants were placed, observed and finally planted. The speed with which perennials begin to grow is one of the joys of prairie planting; within weeks the perovskia and eryngiums mushroomed in size, while bumblebees and butterflies danced attendance. Stipa tenuissima bobbed around in the wind like bleach-haired surfers. For maximum effect, plant types are repeated around the garden with each of the sections echoing the others. All parts contain achillea, nepeta and, most notably, Stipa gigantea. This has become my signature plant; it begins flowering in June with a proliferation of floating heads. It is dotted around the garden in ones or threes, and between June and September the setting sun infuses it with a golden light, transforming the seed heads into horticultural popping candy. It creates a focal point and rhythm, and provides a stately punctuation point above frothier planting beneath.

Successful prairie planting demands careful planning; ironically, creating something that looks natural requires thought and discipline. I’ve banned myself from making spontaneous plant purchases. Sometimes, though, the garden has its own ideas. Last summer, the Turkish sage (Phlomis russeliana) prolifically self-seeded and created a planting plan of its own; the Macedonian scabious (Knautia macedonica) did the same. Now that I have the backbone in place, I enjoy letting the garden make up its own mind.

I had to replace a mass of Deschampsia ‘Goldtau’ with new planting this year, after it was rotted by the clay soil and two wet winters. One year, numerous foxgloves magically appeared and are slowly expanding their territory. Cow parsley has also made its way in. It may be a weed, but I struggle to think of other umbellifers to rival its impact. So it stays: the garden has become its own little ecosystem, where humans happen to hang out, too.

How to plant a prairie, by Jane Perrone

Prairie garden designs employ a pared-down palette of grasses such as stipa, deschampsia, calamagrostis and deschampsia, along with herbaceous perennials that look their best in late summer: sedums, echinacea, achillea and the like.

Rather than dotting plants about, plant masses of them in sausage-shaped drifts: contrasts of height, texture and form are more important than colour. Group a tall, airy grass such as Stipa gigantea with the fleshy leaves and flattened flower heads of Sedum ‘Matrona’, for instance.

Choose a sunny, open spot – prairie plants don’t like shade – and remove all weeds before planting. You don’t need a huge garden to get the look: in smaller gardens, prairie expert Noel Kingsbury suggests planting 1m-wide prairie “strips”.

Once established, all that’s required is a decent haircut in late winter or early spring.

• For more pictures of Kirsty Grocott’s prairie garden, go to guardian.co.uk/gardens

Ganna Walska Lotusland Receives Mayor’s Award for Design/Accessibility

Ganna Walska Lotusland is the recipient of the Santa Barbara Mayor’s Award for Design and Accessibility for inclusive docent training and creativity in providing access to the garden.

Gwen Stauffer, executive director, and Dorothy Shaner, director of public programs, accepted the award.

Ganna Walska Lotusland strives to provide access to a diverse population and enhance the community’s ability to experience this valuable horticultural resource, despite the fact that Lotusland must operate under a Santa Barbara County conditional use permit that severely restricts the number of visitors to 20,000 people annually.

Of that, Lotusland has dedicated 5,000 slots to school children in kindergarten through 12th grade, providing education programs at no cost to the students and the schools in Santa Barbara County. This includes its acclaimed Fourth-Grade Outreach Program that serves all fourth-grade classes, including Title One schools, for free, in Santa Barbara, Goleta and Carpenteria.

Lotusland also teams with Santa Barbara nonprofits to host free educational opportunities for children and underserved populations, and to provide free tours targeted specifically for community populations that otherwise would not be able to visit Lotusland because of their disabilities or income bracket. Of the county’s 20,000 visitor’s limit, Lotusland gives back to the community — for free — 6,000 to 7,000, or 30 to 35 percent, of the available slots every year.

Lotusland has purposefully modified parts of the historic gardens to provide accessibility for anyone with a disability, and ensures a fulfilling experience for every visitor by conducting a rigorous docent training program that includes instruction for guiding family tours, people in wheelchairs, and those who may be slow-moving or vision impaired.

Lotusland is one of the few remaining examples of great American estates built in Santa Barbara during the Golden Age, and only one of two that is still intact and open to the public. It was created by some of the most influential taste-makers in Southern California’s estate building and garden design professions.

As a private estate with narrow, winding paths for strolling by a few houseguests — but now a public garden — we have made modifications and created ways for every citizen to enjoy the garden, no matter their condition, without compromising the critical historic and aesthetic integrity of the garden.

Lotusland is committed to sharing this very important and historic garden to as many people as we can, we are grateful for all our collaborators who helped us build our programs, and we are honored by this award.

“We have worked to create access points so as many people as possible can experience the garden, not only as a source for inspiration, but an opportunity for learning,” Stauffer said.

— Bob Craig is the director of marketing and communications for Ganna Walska Lotusland.