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The Demoulas Trap

Secret tape recordings. Clandestine meetings. Fake identities. Nothing was off-limits when supermarket tycoon Telemachus Demoulas’s desperate legal team hatched its plan to squeeze Paul Walsh.


It was a muddy spring day when a two-bit lawyer and his private-eye sidekick met in a secluded glade deep inside the pastoral Forest Hills Cemetery in Jamaica Plain. They sat on a granite bench under the Citizen Soldier statue, an 1867 memorial to Roxbury’s Civil War dead, a spot where they hatched schemes to dig up dirt for their clients.

Their assignment on that April day in 1997 was to get the drop on flamboyant Superior Court Judge Maria Lopez, who was making things difficult for their increasingly desperate patron, supermarket tycoon Telemachus Demoulas. Her recent rulings were about to cost Telemachus’s family $1 billion in assets. She had to be stopped.

Kevin Curry and Ernest Reid were likely a little desperate themselves. A former lawyer in state Attorney General Robert Quinn’s patronage-heavy regime, Curry had worked for two decades with Reid, a self-styled Mickey Spillane who drove a big blue Impala loaded with antennas and made it up as he went along. They apparently snaked into the Demoulas case through a Lowell lawyer who tipped them off to the high anxiety in Telemachus’s camp. For two years the pair stoked their client’s paranoia, and used smoke and mirrors to explain their lack of real progress. But now they had to deliver something hard and fast—or they were out. Their options were dwindling: They needed to flip the clerk.

Back in 1995, Lopez’s then clerk, Paul Walsh, had helped write the latest decision in the endlessly contentious Demoulas supermarket case. It was the final step in the judge’s doing the unthinkable: She had ordered Telemachus’s side of the family to turn over stores and stock it had hidden and stolen over nearly two decades from the addled widow and spoiled children of Telemachus’s late brother, George. What’s more, the Supreme Judicial Court had recently affirmed Lopez’s handling of the 1995 hearing, rejecting Telemachus’s appeals that she had prejudged the case based on an earlier jury trial that also went against Telemachus. The whole thing was all but over.

But Curry had other ideas that would keep the meter running toward the $140,000 or so in fees he and his partner would ultimately collect. If he could get Walsh to turn on Lopez and admit that she had decided the winners before the case began, the Superior Court might grant Telemachus a new trial in front of a new judge.

The plan was simple but creative. Curry had learned that Walsh had his sights set on a job overseas in corporate law. With Reid’s help, he decided to confect Walsh’s dream position and lure him to a fake interview. They’d spring the trap in Nova Scotia—where secret tape recording is legal—and get Walsh talking about the Demoulas case. Then they’d use whatever stuck to the wall to go after Lopez.

Curry and Reid had no idea the plot they were hatching in the cemetery would roil the Boston legal community for the next decade. They only knew they had a frantic client, and this muddy road looked like the last avenue left. They easily sold it to Telemachus Demoulas’s only son, Arthur T., who was scrambling for options from the family bunker in Tewksbury. Then they headed north.

Paul Walsh arrived at the Citadel Halifax Hotel in Nova Scotia’s capital on June 5, 1997, buoyant about his sudden prospects for moving up in the world. A corporate headhunter, a guy named Reid, had called out of the blue and described Walsh’s dream job: in-house counsel for a London-based global firm with offices in Boston and Bermuda. He gave Walsh a plane ticket and $300 cash for the trip.

In the hotel conference room, Walsh was welcomed by a man dressed all in black. The man handed him a business card that read “Kevin P. Concave, director of operations” for a company called British Pacific Surplus Risks Ltd. I put out the fires, he explained.

Concave told Walsh he was an expatriate who had fled to Canada to dodge the Vietnam War. “We’re both a pair of Irishmen,” he said. “The last guy Reid sent me weighed 300 pounds, had yellow teeth and a Dutch-boy haircut. You’re a good-looking guy. We’re going to get along.”

Later, Walsh would testify, Concave wandered into some weird territory, mentioning not wanting to work with lesbians or gays. At one point, after Walsh said he enjoyed surfing in Costa Rica, Concave launched into an odd riff about dark-skinned and light-skinned blacks. Concave wondered if Walsh had observed whether darker blacks were poorer in Costa Rica. Walsh blinked back confusion and said he hadn’t noticed.

Finally, they started talking business. Concave focused on Walsh’s writing skills and the preparation of the complicated Demoulas decision, which Walsh had sent to Reid as an example of his work. But then their conversation drifted again: Concave wanted to know what Walsh thought about Lopez as a judge and as a person, and about her Cuban ancestry.

Walsh said he had written the Demoulas decision alone, and then foolishly he cut up several judges, including Lopez, for being lazy. Afterward, Walsh headed back to Boston, blithely unaware that “Concave” was Kevin Curry, a lawyer with offices on Congress Street.

Once home, Curry presented the harebrained subterfuge as a smash hit. He debriefed Arthur T. at a needlessly furtive meeting on a hillside near the Demoulas headquarters. Walsh said he’d written the Demoulas decision “word for word,” Curry gushed, and that Lopez had predecided the case’s outcome. “I think we got him,” he said.

The Demoulas family’s Greek tragedy began in a neighborhood grocery store in Lowell. Telemachus and his brother, George, got rich after expanding the family supermarket into a chain in the ’50s and ’60s, and after George’s sudden death in 1971, the avuncular Telemachus dutifully tended the finances of George’s wife and four children. He bought them liquor stores and expensive condos. Then an innocuous inquiry from a state auditor in 1987 unraveled nearly 20 years of familial perfidy. It was eventually shown that some of the documents Telemachus had his brother’s family sign had stealthily transformed the 50-50 business into a 90-10 one.

George’s sons sued “Uncle Mike” for fraud, and the civil case mushroomed into the costliest and nastiest in state history. One cousin punched another in the back of the courtroom. At one point, a lawyer heaved a law book across the room when a ruling didn’t go his way.

But the Walsh affair took the case to new depths. It blared the question seldom asked in even a whisper in legal circles: How low can you go?

Gary Crossen entered the Demoulas fray in the summer of 1991, not long after a stint with the U.S. Attorney’s Office. His first assignment for Arthur T. was a long-shot case in federal court, making claims that family foes had bugged the Demoulas headquarters. The headline-grabbing move—one of the key witnesses was a former stripper—temporarily diverted attention away from the grubby fraud case against Telemachus. But a jury quickly shot it down.

Crossen took command of the Walsh affair a few days after Nova Scotia. None of Demoulas’s attorneys really trusted Curry—one of them dismissed him as a “bottom dweller”—so Arthur T. looked for more-seasoned litigators to turn Curry’s handiwork into something usable. Crossen fit the bill perfectly. A partner in the old-line firm of Foley Hoag Eliot, he was a former ethics adviser to Governor William Weld, and head of the judicial nominating commission that screens lawyers seeking appointments to the bench. He also had a decade’s worth of experience running undercover operations. For all of this, Arthur T. was willing to pay top dollar: Foley Hoag ultimately took in between $1 million and $2 million from the case.

Crossen was paired with Richard Donahue, a graybeard who had once served as president of the Massachusetts Bar Association and chairman of the Board of Bar Overseers (BBO), the legal profession’s discipline committee. He was close to the Kennedy family and had made a fortune as president and chief operating officer of Nike. A distraught Telemachus had hired him to coordinate courtroom strategy and handle PR. But mostly, he got out of Crossen’s way.

The notion that Lopez had predetermined the result of the case before her, if true, would be a clear demonstration of judicial misconduct. Crossen viewed it as “troubling and important,” with alluring potential as a legal strategy. Though not everyone on the Demoulas legal team agreed, just maybe the issue could be used to force a new trial.

A fast, fateful decision was made. Crossen would pull a second job-offer ruse, but he’d take it up a notch: a new, higher-ranking executive from British Pacific, at a meeting that would take place at the Four Seasons in New York City (where secret taping is also legal). Sure, it was high-risk but, well, the game was already under way, and the client seemed to like where it was going. And besides, anyone got a better idea?

Donahue appeared to make a fateful decision of his own—to defer to Crossen’s experience in running undercover investigations and to disregard concerns about the plan voiced by members of his own team. Edward Barshak, former president of the Boston Bar Association, was serving as a consultant to Telemachus’s lawyers. He had strong reservations about Curry’s character and argued against continuing the British Pacific caper at all. Ultimately, Crossen and Donahue ignored those concerns. Big money was on the table. “We have a client and the client wants to proceed and it’s necessary to at least pay some attention to the client,” Donahue later said. “Otherwise, you won’t have any.”

A fortnight after Nova Scotia, a Mercedes limousine picked Walsh up at LaGuardia. He was ushered into a suite at the Four Seasons and greeted by a man named Peter O’Hara, whose card said he was a general manager at British Pacific. He told Walsh the catastrophic-risk insurance company was looking for new blood. After some job interview small talk, the discussion swerved into the Demoulas case. O’Hara—really Peter Rush, a former U.S. Secret Service agent with a tape recorder strapped to his back—peppered Walsh with questions. Walsh conceded that Lopez had decided early on who was telling the truth, but he added that she had been fully engaged, participating in an editor-reporter kind of way and discussing the evidence as it came in. “I think she kept some sense of open-mindedness,” Walsh said.

This wasn’t what Crossen, sequestered in the next room, was looking for. Not at all. He needed Walsh to say unequivocally that Lopez had her mind made up in advance. O’Hara pushed harder. Of the final 84 questions, nearly half concerned the Demoulas decision. Another six concerned a certain letter that had supported Walsh’s application to the Massachusetts bar. Such character reference letters are supposed to come from someone who knows the applicant personally, but because one of Walsh’s sponsors backed out at the last minute, this one was signed by a friend of a friend. O’Hara’s questioning about it struck Walsh as strange, but he’d talk about whatever O’Hara wanted if it would get him and his young wife on a plane to London.

Burly and baby-faced, Walsh grew up in a close blue-collar household in Milton, the seventh of eight children and youngest son of plumber-nurse parents. His high-energy mother, Margaret, was the stationmaster of a bustling house where the trains ran on time, and on a budget. Eating out meant an annual visit to the old European Restaurant in the North End. But his grandparents had a summer house in Marshfield, and after learning to surf there, he caught the travel bug. His passion for surfing would eventually take him around the world, from Nantucket to Hawaii to Costa Rica. He found himself inexorably drawn to exotic cultures.

As a teenager Walsh spoke with an intractable and stigmatizing stutter that held him back until his senior year, when his sister Meg, then at nursing school at Boston College, found out about a speech program in Woburn. Walsh commuted two hours a day for a month of intensive therapy. For the first time, he felt he was learning something useful about the impediment, studying breathing techniques that made it easier to unclog his speech and coordinate his thoughts and enunciations. “People would say, ‘Hey, slow down.’ But it’s much more complicated than that.”

After high school, Walsh went on to BC in 1986, stringing together student loans to cover his tuition. In his freshman year, a classmate from Milton High asked if he and his friends were interested in blind dates. Well, semiblind—she showed them the girls’ pictures. Walsh zeroed in on an attractive girl of Filipino descent named Jackie Fangonil. “I’ll take that one,” he said. Their relationship began in fits and starts, and fully blossomed that spring and later that summer on Nantucket. They married in 1994. “She’s smart and fun and Asian,” he says now. “I was intrigued by her.”

Jackie was a go-getter. She set her sights on law school at BC and encouraged Walsh to do the same. “You really think I could do that?” he asked. “In case you haven’t noticed, I stutter, and lawyers do a lot of talking and presentations. Haven’t you seen the movies?”

Jackie just laughed and told him to think about it. As the notion grew on him, he decided to try to use his disability to his advantage. He got into Suffolk University Law School, writing an essay about how his struggle to surmount his stutter defined who he was.

He took on law school like it was the dawn-to-dusk landscaping summer job he had worked for several years. He did his work and drank beer on Friday nights and eventually tiptoed into the moot court classroom. After graduating in 1993, Walsh couldn’t find work with any of the Ivy-dominated firms in Boston, and took a Superior Court clerkship that exposed him to both the city’s best lawyers and the inner workings of the judicial process. He re-upped for a second year and joined Lopez for the final phase of the long-running Demoulas case. When the clerkship ended, he applied to all the major firms involved in the case but was turned down cold. Eventually Lopez helped Walsh land a job at the small Boston firm of Sullivan Associates, housed above a cigar store squeezed between a flower shop and a Freedom Trail trolley stop on Park Plaza.

But the routine stuff Sullivan had Walsh tackling at Boston Municipal Court was a chilling glimpse of an unappealing future where practicing law devolved into squabbles over bad checks and broken contracts. He began thinking about combining his vocation with his curiosity about different cultures: a job as in-house counsel at an overseas firm that wanted to get something done and not just shuffle papers around.

During a meeting in Ed Barshak’s office on June 23, 1997, members of Arthur T.’s defense team grasped at straws. There were starkly different views of Walsh’s value: Crossen felt the New York material was an 8 out of 10, but Barshak saw it as “zero or less than zero.” Most team members preferred to seize on rumors of Lopez’s fraternizing with Robert Gerrard, counsel for the other side of the Demoulas family, at the Charles Restaurant, a Beacon Hill bistro owned by Lopez’s husband, Boston Phoenix publisher Stephen Mindich. A month later, after Lopez angrily rejected Barshak’s motion to withdraw herself from the case because of her alleged socializing, Crossen and Donahue went after the clerk again.

In late July, Reid, still in character as a headhunter, notified Walsh that the job was his, but for a final perfunctory interview. It was scheduled for Saturday, August 2, at the Four Seasons in Boston.

Walsh showed up ahead of time and calmed himself down on a bench in the nearby Public Garden. This was to be the entrée into the world of international business he’d daydreamed of for years.

When “O’Hara” ushered him into a fifth-floor suite, Walsh noticed he was more solemn this time, less affable. Something was up. He revealed himself as Peter Rush, then introduced the other man in the room as Richard Donahue, a lawyer for the Demoulas family. Then Crossen joined them, and it hit Walsh in the gut: He’d been set up.

Walsh reeled, as two of Boston’s go-to attorneys began threatening to reveal embarrassing admissions he had made during his supposed job interviews. He was at a total loss. No British Pacific? No Peter O’Hara? No job? And just what had he said during those earlier meetings? His brain whirred. Then he remembered all the inquiries about his questionable bar-application letter. Was that really such a big deal? He looked at the two baleful lawyers across from him. They seemed to think it was.

“We are here to get to the truth [about Lopez],” Crossen said.

As the confusion and humiliation set in, Walsh’s stutter kicked up. “B-b-bastards!” he yelled as he rushed out.

“It was a shattering thing. I just wasn’t thinking straight and I was struggling to keep my shit together,” Walsh says now. He stumbled up Boylston Street to the law office over the cigar store, where he found the firm’s founder, Robert Sullivan, at his desk, doing some Saturday morning paperwork. Sullivan tried to calm Walsh down. Walsh called Jackie, who rushed to the law office to find her husband pacing and wondering, What’s going to happen to my life?

By the end of Walsh’s disjointed story of betrayal, Sullivan concluded that the kid needed more than a lawyer; he needed the best lawyer Sullivan knew.

Harry Manion is the rare trial lawyer who may be as good as he says he is. A heavyset man who talks seamlessly and with boundless confidence, he was exactly what Paul Walsh needed: someone authoritative to tell him he hadn’t done anything wrong, and wasn’t going to be disbarred by sundown.

On the afternoon that Walsh’s world crumbled, Manion spoke to Sullivan and then did some quick legwork. He reached out to a Suffolk County prosecutor he trusted, who urged him toward the U.S. Attorney’s Office: “Less leaky,” the prosecutor confided. Manion got in touch with Mark Pearlstein, then first assistant U.S. attorney, who saw the situation as a job for the FBI.

A few hours later, Walsh was sitting across from Manion in a poolside cabana at Manion’s Framingham house. The former clerk was still agitated about his traumatic meeting, as well as the obvious surveillance on the Commonwealth Avenue Mall near his apartment—guys in Hawaiian shirts carrying clunky cell phones. Jackie was especially upset.

As dusk descended, Manion slowly talked Walsh off the ledge. Then he told him his options came down to two extremes: Do nothing, and hope it goes away. Or strike back.

“First, though, are there skeletons in the closet to worry about here?” Manion asked. “Any bad surprises down the road for both of us?” He was okay with the minor things from the sham interviews—the bar letter and smart remarks about lazy judges—but, he said, “I need to know: You got a broad stashed? Doing coke in clubs? I gotta know because they are going to use it against you. They’re ruthless and enormously well-financed.”

“You’re looking at what you’ve got,” Walsh replied. “There’s nothing. Some high school beer-drinking. That’s it.” Finally, he added, “I can handle anything they’ve got.”

Manion studied Walsh for a moment. “No turning back,” he warned. “Once the toothpaste is out of the tube, no fuhgeddaboudits. It’s become a very serious assault on a sitting judge.”

They hooked up with the FBI that Monday and provided an account of what had happened. After taking it all in, the agents asked Walsh to think about wearing a body wire.

Two weeks later, Walsh was wired up and ready to see where Gary Crossen would take them all. The strategy was to get him talking about the consequences of Walsh’s not cooperating and to produce hard proof that the New York meeting had indeed been taped, which could be viewed as evidence of a conspiracy.

After some phone tag, Crossen agreed to meet with Walsh at Foley Hoag’s offices in One Post Office Square. A little after 8 a.m. on August 20, the square’s park resembled a scene ripped from John LeCarre: A man in a plain dark polo watched the building’s entrance from a bench across the street; FBI agents watched him.

Once inside, Walsh sat down opposite Crossen in a windowless conference room with deep rugs and a long mahogany table. This was a big-league law firm, the kind that rejected Walsh over and over. No cigar stores in sight.

“I think what you guys did to me is despicable,” Walsh began. “I just couldn’t imagine doing something like that to another attorney. If in fact you do have tapes…then I probably am ruined. And I wanna hear what’s on the tapes before I can make any kind of decision.”

Crossen, sensing danger in Walsh’s focus on the secret taping, became evasive. “At some point in time you oughta hear the tapes,” he agreed. “Today is not that point in time.” Pressed again by Walsh, he snapped back, “Okay, that is just not going to happen, okay?”

“It just doesn’t seem right, it just doesn’t seem fair to me,” Walsh said.

Crossen softened briefly and then inched forward. “Well, you may not like the way we approached this,” he said, “but…that’s life in the fast lane, Paul….What I want is a candid conversation with you about, ahem, the predisposition issue…that she decided the case in advance. That’s what I want.”

Crossen was edging closer and closer to an incriminating quid pro quo: You give us what we want, and we go away. Then, with Walsh’s hidden recorder rolling, Crossen hung himself by tying his objective to a threat: “If there is a way for Paul Walsh to deal with this, that’s, that’s, ahem…not harmful to your career, it probably is for you to have the candid conversation with me…an acknowledgement that the judge was way out in front on a determination of the facts here, that she predetermined it.” (Crossen and Donahue maintain they never threatened Walsh.)

Walsh wasn’t about to concede anything until he heard the tapes from the sham British Pacific interviews. The meeting broke up with neither side yielding. But the next day, Crossen agreed to play a short segment of the New York interview and summoned Walsh back to Foley Hoag. Once again Walsh wore a wire into a conference room, where he was surrounded by a menacing circle of Demoulas lawyers and detectives. Unsurprisingly, the three-minute snippet Crossen played focused on Walsh’s Achilles’ heel—his admission that his bar-application letter had come from a lawyer he didn’t know. Walsh listened to “Peter O’Hara” ask him about the letter: “And actually you didn’t know him, but he knew a friend of yours? You don’t see that as a problem, do you?”

At the time of the recording, Walsh had not. It had been just another job interview question that went nowhere and meant nothing. But now, inside Foley Hoag, surrounded by well-heeled adversaries, Walsh did indeed see it as an issue. “So, you aren’t bluffing,” he said.

“No. We aren’t bluffing,” Crossen replied. “The train is ready to pull out of the station, okay?” he warned. “Um, I’m gonna respectfully suggest to you, okay, that you try to block out Monday and come visit us.”

In truth, the road was a dead end, and the lawyers had to know it. Most of the Demoulas defense team had already decided the Nova Scotia information was unreliable at best, and the New York meeting, useless. But Crossen and Donahue were desperate enough to bluff with a pair of deuces, in the hopes it would get them back in the courts. At that point, who knew where it could go?

A few days later, Walsh left a message for Crossen that he was going out of town and would call when he returned.On August 29, the FBI served grand jury subpoenas on Ernest Reid and Peter Rush, a.k.a. Peter O’Hara. Crossen, the former assistant U.S. attorney, must have deduced instinctively that his former legmen at the FBI had been monitoring him. He’d been beaten at his own game.

As the story seeped out of Suffolk County Courthouse and into the Globe, Manion took center stage—right where he liked to be. He held a packed press conference in his office—“a complete zoo,’’ he happily recalls—where he and Walsh explained their side of the story, and how the FBI and U.S. Attorney’s Office were investigating the case. Mike Wallace of 60 Minutes called, Manion remembers, and said, “We’re gonna lead with you, Harry. It’s a great story. All you need to do is give it to us exclusively.”

Manion reluctantly held his fire, persuaded by the FBI’s desire to keep things under wraps until the investigation was over, and by Walsh’s not wanting to be seen as a publicity hound. Then, slowly, the white-hot story fizzled. By October 1997, Walsh and Manion’s high hopes were dashed when U.S. Attorney Donald Stern recused himself because Crossen had once held a high post in the office. From there, the case was punted to the Department of Justice (DOJ) in Washington, where an internal scuffle broke out. Two DOJ committees and then–FBI Director Louis Freeh reportedly pushed for prosecution. But Crossen’s allies also flexed their muscle. Department records list correspondence from colleagues such as former U.S. Attorney Wayne Budd and former Suffolk County DA Ralph Martin. Another sponsor was former Governor Weld, who once called Crossen “the greatest and the straightest.” (The department recently refused a long-standing Freedom of Information Act request to release the leniency letters, on the basis they were part of personnel and medical files whose disclosure would “clearly” constitute unwarranted invasions of privacy.)

Four years after the gripping Foley Hoag meetings, in the final hours of Janet Reno’s term as attorney general in 2001, the lawyers escaped indictments. Despite the tape-recorded evidence, the cases were dropped.

It looked like another clean sweep for lawyers with the right connections and deep pockets. Crossen had resigned his position on the judicial nominating commission, but everything Walsh had gone through ultimately seemed like a waste.

Nearly a year later, when a formal ethics complaint against Curry, Crossen, and Donahue was filed with the Board of Bar Overseers, Walsh remained wary. Boston’s legal community has a reputation for favoring big firms over the little guy, and the pedigreed defendants insisted their actions were nothing more than the zealous defense every client deserves.

The board’s counsel, however, saw the case as a clear-cut example of misrepresentation and deception and came down hard on the Demoulas lawyers. Last year, after 25 days of testimony spread over nearly two years, the BBO hearing officer said Crossen and Donahue’s actions bordered on “outright extortion.” She noted that because of their accomplished careers, they “should have known better than to involve themselves in Curry’s seamy ruse.” Donahue did himself no favors with tone-deaf wisecracks during his testimony, joking about how they put the bad news to Walsh “as cold as a stepmother’s kiss right on his cheek.” In the end, the hearing officer determined the most powerful aggravating factor was the trio’s total disregard for how their actions would affect Walsh. She called for disbarment for all three. This October, the full board affirmed the recommended punishments for Crossen and Curry, but cut the ailing 79-year-old Donahue slack for playing a more passive role, calling for a three-year suspension. Crossen and Curry are expected to appeal to an unsympathetic Supreme Judicial Court; the board’s counsel, meanwhile, is considering appealing the leniency of Donahue’s penalty.

“Shit, they were going to run me over,” Walsh says now. “I decided early on I wasn’t going to let them.”

Walsh can still recall the excitement after Nova Scotia, the humiliation in Boston, the tense thrill of wearing a wire. His mind goes back easily to the sweet moment when he felt the ground shift beneath Crossen, leaving the seasoned prosecutor as clueless as Walsh had been when he went into the Four Seasons in Boston in his new blue Brooks Brothers suit. But the moment that sears still is the ride home with his parents just before all hell was about to break loose at Manion’s press conference. Walsh showed his mother the affidavit outlining the entire affair. “Read this while you’re sitting down,” he told her. He could see she didn’t understand it at first. But when she finished, she looked at him wanly and began to cry.

Walsh soon found solace in the birth of his three sons and a delicious twist of fate. A year after his dream job seemed to have vanished forever, he landed a position with a Needham-based high-tech firm with far-flung offices. By 2000, he was in Hong Kong—overseas, exactly where the imposters from British Pacific had said he would be.



Gardens showcased in Fox Valley

APPLETON – With Saturday’s nice weather, it was a great day to be outside, smelling the roses.

The 23rd annual Garden Walk took place in Appleton.

Eight local gardens were shown.

The event is sponsored by the Emergency Shelter of the Fox Valley.

Proceeds from the garden walk benefit the shelter, which helps homeless people.

Gardeners were also on hand to answer questions about their private gardens.

“This is their backyard, so each one is a little bit unique, it’s, however, the homeowner kind of has designed it and what their taste is. It’s a really interesting opportunity if you are a gardener, novice or advanced, to kind of get ideas of how to make your yard a little bit better,” said Jennifer Dieter with the shelter.

 The Garden Walk featured different planting styles, annual and perennial plants, and other landscaping scenes.

Glendale helps property owners irrigate efficiently

Water pipe

Water pipe





Posted: Friday, July 12, 2013 2:00 pm


Glendale helps property owners irrigate efficiently

STAFF REPORT

Your West Valley

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July is traditionally the month of peak demand for outdoor watering in the Valley.


The city of Glendale Conservation and Sustainable Living Program is celebrating Smart Irrigation Month by helping residents save water, money while keeping their landscapes attractive.

Smart Irrigation Month is a public awareness campaign to promote efficient water use. The national campaign highlights simple practices and innovative technologies to help homeowners:

• Minimize overwatering while keeping lawns, gardens, and landscapes healthy.

• Save money on utility bills.

• Help protect community water supplies for today and the future.

Homeowners typically overwater lawns and landscapes by as much as 30 percent, city officials said. By selecting and planting carefully, watering wisely, and maintaining and upgrading automated irrigation systems, homeowners can save money save water and see better results, offiicals said.

Residents can improve water efficiency in their landscape through free print and online resources, offered by the city of Glendale Conservation and Sustainable Living Program:

• Order Landscape Watering by the Numbers: A Guide for the Arizona Desert to help you determine how much water to apply and how long to run your irrigation system. Call 623-930-3535 or order online at www.glendaleaz.com/WaterConservation/brochures.cfm#FreePacket.

• Use the new on-line Water-Smart Landscape Guide to complete your landscape renovation plans, get ideas from hundreds of Glendale-area garden pictures, and find that perfect desert-adapted plant. Visit www.glendaleaz.watersavingplants.com/.

• Participate in the landscape rebate program by removing grass and converting to desert-landscaping. Receive a rebate up to $750 by calling 623-930-3760.

• Find a Smartscape or Irrigation Association certified professional to design, install, maintain or audit your irrigation system at www.smartscape.org or www.irrigation.org/hirecertified.

For information, call 623-930-3535 or visit www.glendaleaz.com/WaterConservation/.

on

Friday, July 12, 2013 2:00 pm.

Sidebar podcast: Columbus, City of Bros

In this episode of Sidebar,
The Columbus Dispatch‘s podcast on Columbus-focused events, movies, music, dining and
more…

Dispatch staffers Susannah Elliott, Kevin Joy and Ally Manning discuss Columbus’
suitability as a bro haven, the city’s secession options, Columbus Documentary Week and adopting
dogs in Franklin County.

Download
this podcast

Sidebar is also available on
iTunes and
Stitcher.

 

Got something to say about Sidebar? Tweet with the hashtag #614sidebar or tweet this week’s
podcasters,
@allymanning,
@kevjoy or
@XanaE.

 

Links from this week’s topics:

 

And last but certainly not least, from the
Columbus Dispatch archives comes this story about the 1996 proposal for Columbus’ own
SERPENT BRIDGE…

March 19, 1996, by staff reporter Mary Stephens:

The giant snake proposed for the Broad Street Bridge is probably dead, and Franklin County
Engineer John Circle has blue glass scales all over his boot heel.

An application for $700,000 in federal money to put artwork – either a giant, blue-glass
serpentine canopy or a series of bronze globes and cartoonish figures – on the bridge was ranked
dead last out of 34 hopefuls by a review committee of the Ohio Department of Transportation.

Only the top nine applications in the category of historical or archaeological projects were
awarded money.

Although Circle technically was the applicant for the funding, he helped put the kibosh on
the project by telling the transportation department he thought either of the proposed artworks,
but particularly the snake, would be difficult to maintain and inappropriate for the 6-year-old
bridge.

A department spokesman confirmed that Circle’s reservations about the two art proposals,
chosen by a jury impaneled by the Greater Columbus Arts Council, influenced the selection
committee’s decision.

When the selection committee considered the bridge art proposal, “neither (artwork) was felt
to be compatible with the historic district” in which the bridge lies, said Howard Wood, spokesman
for the department’s Bureau of Environmental Services.

Failure to get the federal money doesn’t automatically kill the idea of art on the bridge,
but it means supporters will have to beat the bushes much harder for private donations.

Fund-raisers faced an uphill battle even if the federal funding had been approved. Initial
estimates called for the project to cost $1 million, but the two designs chosen as finalists were
both expected to cost more than $3 million.

“I’m glad that the air has been let out of this thing, ” Circle said yesterday.

While Circle supported the idea of art on the new bridge from its inception, and his office
gathered $140,000 in corporate and private donations several years ago, he wasn’t happy with the
direction taken after he turned the art selection and fund-raising over to the Arts Council.

Circle said he found plenty to love in the more than 50 artists’ ideas that had been
submitted for the bridge over the years. But when the art jury’s formal competition narrowed the
field to the snake, the bronze figures and a large lighted abstract sculpture that looked like a
ski jump, he was less comfortable.

“I was suddenly in the minority, but I couldn’t back out then, ” Circle said. “I couldn’t do
it on the basis of the art alone, because that’s not my area.”

Circle said he is obligated to spend at least the $140,000 on art for the bridge but doesn’t
have immediate plans.

Historic preservation consultant Nancy Recchie, who is coordinating the bridge art project
for the Arts Council, was disappointed and frustrated yesterday.

While the council probably will go ahead with plans for the two finalist artists to present
more-refined versions of their proposals in May, “there aren’t a lot of sources for public art
funding, ” she said.

Recchie called it “interesting” that ODOT rejected the project based on incompatibility with
the bridge’s historic district, citing the fact that historic preservationists served on the art
jury, and that the Arts Council made every effort to explain to ODOT how the project fit into the
bridge’s historic theme.

The two finalists – serpent designer Todd Slaughter, an associate professor at Ohio State
University, and New York sculptor Tom Otterness, who designed the bronze figures – were each given
$25,000 last fall by the Arts Council to refine their ideas.

Circle said he found it “atrocious” that the federal Intermodal Surface Transportation
Efficiency Act is setting aside 15 percent of highway funding for such enhancement projects in the
first place.

“It was way out of proportion, ” he said of the percentage.

The federal law was authorized for six years and generated about $13 million each year in
Ohio for such things as landscaping, bike and pedestrian paths and historic preservation, Wood
said.

In this final round, the transportation department approved $2.43 million for historic
projects, $3.85 million for scenic improvements and $3.89 million for bikeways and pedestrian
paths.

Winning Franklin County projects include $443,885 for landscaping 1.54 miles of I-670 between
I-71 and Leonard Avenue and $710,900 for 4 miles of bike path along Rt. 745 in Dublin.

 

Passing a Law Is the Easy Part: The Challenge of Building Complete Streets

If Ontario Street in Cleveland, Ohio, is any indication, a complete streets policy is no guarantee you’ll get a safe place to ride a bike, or even a comfortable place to walk.

Now that Cleveland has a complete streets policy, the city is taking this eight lane road and … drum roll … adding sharrows. Image: Rust Wire

Ontario is one of those roads designed to simply funnel traffic to and from a highway — and in fact there’s not much to distinguish the street from a highway. It’s eight lanes wide and devoid of landscaping, or any obstacles to fast driving, really. The most tragic part is, it’s right in front of where the Indians play, Progressive Field, which was sold to taxpayers as a way to enliven the city.

This road just came up for resurfacing, and with the city’s complete streets policy, now two years old, it seemed like an ideal time to correct this mistake. Instead, Cleveland’s traffic engineering department punted, leaving the road basically as is but adding shared lane bike stencils, or sharrows. (Actual bike lanes would compromise the street’s ability to accommodate cars during rush hour, you see.)

And there you have it. A complete streets policy should be a fabulous thing that elevates safety, the economy, and social equity in cities, but it can also amount to nothing more than a few new rules that are easily ducked if officials don’t want to follow the spirit of the law.

Some 500 communities and states across the United States now have complete streets policies, so the good work of enacting these laws is well underway. Implementation is the next frontier.

And it’s not easy, especially in communities like Cleveland where these ideas still feel new. But some cities are doing a better job than others, says Stefanie Seskin at the National Complete Streets Coalition. Charlotte, for example, developed six key steps to the project development process. Seattle passed a special tax levy to help support safe streets improvements for active transportation. San Francisco, in its “Better Streets” guide, prioritizes pedestrian concerns.

“The cities that I listed are leaders because they’ve changed a lot in their decision-making process,” says Seskin. “It’s not like sexy and you don’t have pretty pictures, but when you set a goal for an agency and you realign practices to achieve that goal, I think that makes a big difference.”

Cleveland, meanwhile, has a complete streets task force, but in practice the decisions still lie with the Department of Traffic Engineering — the same folks who designed an at-grade highway for the front of the city’s baseball stadium.

Indianapolis measures how many kids are biking and walking to school as part of its complete streets performance measures. Image: SFbike

Having good city staff — people who are committed to seeing complete streets implemented and understand why it’s important — is crucial. Or, like Charlotte, you can develop and train a working group or committee to oversee the process.

“You have a lot of people that have been around for years that are used to doing things the way they have been doing them,” Seskin said. “You have to change the problem and make them understand they’re solving for a new problem.”

Another key element is performance measures. What does success look like? Boulder, Colorado, set a goal in the 1990s to reduce traffic. Since then, the city has invested heavily in transit and reduced the percentage of trips taken by car, said Seskin. Indianapolis incorporated a lot of easily “countable” performance measures into its complete streets plan, including the percentage of children walking or biking to school and the number of transit stops that are accessible with sidewalks and curb ramps.

If decision makers in your city are still under the impression that moving cars is the most important factor in street performance, your streets probably won’t get a whole lot safer. But some progress is possible even if cities still try to accommodate “peak hour” traffic. Charlotte, for instance, decided to define “peak hour” as the full two hours around rush hour, not the most congested 15 minutes during that period. As a result, they didn’t consider it so imperative for streets to be dangerously wide.

Cities should also be sure to update their design guides. Many communities, after passing complete streets ordinances, develop design manuals that serve as a rough guide for the physical geometry of streets across the city. That way, safety improvements can be applied according to a consistent set of principles whenever streets are repaved, instead of starting from scratch with every street.

“Then, every time a project comes up, it’s not a question of whether this is going to be a complete street or not,” said Seskin. “It’s, ‘How can we accommodate all these users.’”

Alternative dining: Pop-up restaurants are on the rise

John Perkins thought up a perfect motto for his pop-up restaurant — or, rather, pop-up restaurants, four different concepts he is rotating seasonally through his catering firm’s event space:

“Don’t call it a pop-up. We’ve been here for months.”

Perkins laughs at the silliness of the line. He admits, though, “I still don’t like the term ‘pop-up’ for what we’re doing.”

What would he call it?

Again, he laughs. “I don’t know. A restaurant with a limited engagement? It doesn’t roll off the tongue.”

Perkins is one of several St. Louis chefs redefining what the term “restaurant” can encompass. In some cases, these chefs are embracing the pop-up ethos, offering a one-time-only event inside of another restaurant’s space.

Others have experimented with forms that defy easy categorization, from a dinner series forcing chefs to cook without their usual tools to Perkins’ rotating concepts.

Call it the rise of the alternative restaurant.

In this, St. Louis follows a trend that in recent years has spread across the nation, and even the world, touching some of the highest circles of the culinary scene.

From the latter half of last decade into this one, Los Angeles chef Ludo Lefebvre won critical acclaim for LudoBites, a series of pop-up restaurants. Thomas Keller, perhaps America’s most renowned chef, in 2011 ran a 10-day pop-up version of his restaurant, the French Laundry, inside London’s famous Harrods department store.

After wowing gourmands with his avant-garde restaurant Alinea, Chicago chef Grant Achatz opened Next, a restaurant that offers an entirely different concept every three months. Next’s menus have ranged from early 20th-century Paris cuisine to Thai street food to its current incarnation serving gourmet vegan dishes.

Unsurprisingly, as an alternative restaurant by its very definition exists outside the mainstream, it’s difficult to pinpoint an exact moment when the trend began in St. Louis. One reasonable starting point might be the Dorm Room dinner series at 33 Wine Bar Tasting Room in Lafayette Square.

Since the summer of 2009, the monthly (approximately) Dorm Room dinners have challenged local chefs to prepare a multicourse meal for 80 to 100 diners using the kinds of equipment found in a college dorm: microwaves, toaster ovens and hot plates.

Jeff Stettner, who sold 33 earlier this year, says the dinners arose from a conversation at the bar with Kirk Warner, the former King Louie’s chef who now runs a private-events culinary venture called Kirk’s Traveling Kitchen.

“He was talking about these (private) dinners he was doing across the country,” Stettner recalls. “I said it would be awesome if (33) had food like that. We didn’t have a kitchen.”

Warner’s response?

“I don’t need a kitchen.”

The Dorm Room dinners attracted many of the highest profile St. Louis chefs, among them Gerard Craft of Niche, Kevin Nashan of Sidney Street Cafe, Kevin Willmann of Farmhaus and Josh Galliano of Monarch.

As the dinner series progressed into its second year and beyond, it became less about the college-dorm limitations and more about the spirit of experimentation and friendly oneupsmanship.

“It really became a fun night at 33,” Stettner says. “A bunch of cooks would get together, break bread and drink great wine.

“I knew we’d hit on something when chefs who’d completed a dinner peer-pressured other chefs into doing it.”

SECRET CHEFS

Around the same time that the Dorm Room was gaining steam, Perkins was making a name for himself with another culinary trend: underground dinners.

Or, rather, he wasn’t making a name for himself.

He operated anonymously as the Clandestine Chef. His press appearances didn’t include photographs of his face and referred to him, at most, as Chef John.

Perkins abandoned the anonymity as his catering business, Entre, gained a higher profile. In 2011, Entre opened an event space on North Boyle Avenue, near Gaslight Square in the Central West End. Perkins didn’t intend to turn this space into a pop-up restaurant, let alone a series of pop-ups.

“The whole thing has been a little bit of an accident,” he says.

In January, he launched the first pop-up, called Le Coq because most of the dishes featured chicken (often as an accent rather than the main ingredient), because his catering business had entered a slow period.

Its popularity with diners inspired him.

“Well, I’m stupid if I don’t do more of this,” he told himself.

After Le Coq, he opened A Good Man Is Hard to Find, named for the classic short story by Flannery O’Connor and featuring Southern comfort food. Out went the chicken-themed décor; in came a striking wall painting inspired by O’Connor’s narrative.

In June, A Good Man Is Hard to Find gave way to what Perkins describes as its “polar opposite”: a vegetable-focused concept called the Agrarian. 

A fourth concept will open after the Agrarian ends its run in early fall. Perkins plans to repeat the same four concepts next year.

Since he already offers year-round dining, why not just open a restaurant?

“I don’t have the finances to run a full restaurant,” he says. “I don’t have a real bar. We still use paper tickets. We just got soup spoons.”

Perkins points to the tables and chairs arranged around Entre. “This is not mine; this is my landlord’s. I’m just using them.”

Perkins continues, “The convenience of something like a pop-up for me is it allows me to do what I can do and — this sounds terrible — hide under that banner a little bit.”

SELLING AN EXPERIENCE

Thanks to his critically acclaimed stints as executive chef at An American Place downtown and Monarch in Maplewood, chef Galliano was guaranteed an audience for the three pop-up restaurants he ran last year.

He says he undertook his first pop-up, All-Star Fried Chicken Fish, last summer in part because he was “aching” to get back into a restaurant after Monarch closed. It also served as a dry run of sorts for a Southern-themed restaurant concept.

All-Star ran for a single Monday evening at Michael Randolph’s Clayton restaurant, Half Half. The crowd was large, the waits for both a table and takeout long. And though Galliano doesn’t lack for restaurant experience, the realities of a pop-up operation surprised him.

“I was coming at it as a restaurant chef, instead of as an event coordinator,” he says. “The one thing I took away from it: We served good food, but we were selling a dining experience.”

Galliano followed All-Star Fried Chicken Fish with two more focused pop-ups (that is, with tighter, less ambitious menus) based out of Pint Size Bakery Cafe in Lindenwood Park and 4 Hands Brewing Co. in Soulard.

With pop-ups in general, “it’s kind of enticing to be able to say, ‘I have these different thoughts and ideas, but I don’t have a vehicle to put it together,’” Galliano says.

Though he has returned to the kitchen full-time as executive chef of the Libertine in Clayton, he says pop-ups are the sort of thing he’d do again.

MATCHING PASSIONS

Currently, the most active pop-up restaurant is Kitchen Kulture, a partnership between Dressel’s executive chef Michael Miller and Chris Meyer, a server at Blood Sand.

The two had previously worked together at Monarch as well as on landscaping projects. They originally envisioned Kitchen Kulture as a business that would sell kitchen-themed T-shirts for cooks to wear under their chef’s whites and aprons.

Eventually, they decided it would be appropriate to pair a food product with the clothes. They focused on prepared dishes made from locally sourced ingredients, which they introduced last year at the Tower Grove Farmers Market.

When it came time for the market to end, Meyer says, “We didn’t want to go dormant.”

Thus the Kitchen Kulture pop-up restaurant was born. Though to call it a restaurant might not be exactly accurate. Meyer and Miller stuck to the idea of prepared or, as Meyer calls it, containerized food.

“We got used to being creative with containterizing,” Meyer says. “How do you take that skill set and make the food mobile? We are bringing everything (to the site of the pop-up) three-fourths of the way finished and then finishing it (there).”

Kitchen Kulture teamed up with Sump Coffee for a series of brunches. Sump lacks a traditional kitchen and was a perfect match for Miller and Meyer’s approach.

“Everything was run off one extension cord,” Meyer says.

Diners didn’t seem to mind or even notice.

“I feel like more people are focused on the food itself,” Meyer says. “What we take as a really good sign is when people think the food looks great” in spite of its atypical preparation.

Now Kitchen Kulture is also partnering with the Fortune Teller Bar on Cherokee Street for the Preservation Dinner Series. The first dinner, titled Humo (smoke) and featuring smoked foods, took place on July 1.

Meyer says the spirit of collaboration — of matching business with a similar passion for food and drink — is an important part of the Kitchen Kulture experience.

As an example, she says, Sump owner Scott Carey “treats coffee as an agricultural (product), (just as) we’re trying to source the best ingredients we can.”

For the Preservation Dinner Series, Kitchen Kulture is drawing on the Fortune Teller Bar’s unique Cherokee ambiance. Also, a small local firm, Sprouted Designs, is supplying custom napkins.

Galliano agrees that collaboration is key for pop-up restaurants in St. Louis.

“In so many aspects, in this industry you need to make a name for you, and it’s your name that goes on the award,” he says. “We work so much we don’t get to see our friends.”

He says pop-ups, on the other hand, “become a chance to cook with your heroes and have fun.”

Will pop-ups and other alternative restaurants go the way of the underground dinner fad, from which even Perkins himself has retired?

Maybe. But if Perkins is any indication, the alternative restaurant — whether a one-time event or an ambitious plan of rotating concepts or something as yet unknown — speaks to a deeper need among chefs: “I’m trying to cook and make a living and find out how to do that.”


What The Agrarian • Where Entre, 360 North Boyle Avenue • More info entrestl.com/presents; 314-632-6754 • Hours 5:30-10 p.m. Wednesday-Saturday

What Kitchen Kulture • More info kitchenkulture.co

Mountain Spirit Astrology – The Mountain

By Jove
Karen Anderson
Nederland

imgresHappy Birthday to all of the people who are born with the Sun in the sign of Cancer. Cancerians are the sign of the early summer, embracing the archetype of the great mother.
Nurturing and the earth and gardens and homes that we have manifested on earth are celebrated at this juncture of the turning of the wheel of the year.
By Jove, luck is arriving for the Moon Children in the year ahead. The fortunate planet, Jupiter spends one year visiting each sign of the zodiac in turn. He has just entered Cancer, bringing luck to this sign for a whole year, and Cancer’s opposite sign, Capricorn, will experience good fortune in partnerships.

Aries March 21 – April 20

The first sign of the zodiac welcomes the powerful god of antiquity, Jupiter, who has now entered the sign of Cancer. This placement will bring luck and fortune to you in terms of your house and home over the next year. Gardening and landscaping are particularly favored.

Taurus April 21 – May 21

The plush summer unfolds around us. The Sun is in the earth goddess sign of Cancer, and Jupiter, the chief of all the gods, has just entered this sign as well. In the course of the year ahead, luck will enhance your thinking processes. Start cleverly planning your year ahead.

Gemini May 22 – June 21

Mercury, the messenger of the gods, and your ruling planet, continues reversing through the stars. The messenger is delivering email to wrong addresses, causing confusion. You can research all that you would like, but wait until the beginning of August for major purchases.

Cancer June 22 – July 22
The Moon Children are welcoming the great Roman God Jupiter into their villas. The large, fortunate planet visits each sign for one year. This is, therefore, a fine year for expansion.
You might consider enlarging your business, or your home, or your concept of your abilities.

Leo July 22 – Aug. 22
You are next to enter the birthday circle in the heavens. This is the final week before the sign of Leo rules over the entire zodiac. This is the ideal time to examine your past year and congratulate yourself for all that you have accomplished, as you start to plan your year ahead.

Virgo Aug. 23 -Sept. 23
Oftentimes Virgo is so involved in life that the sign does not have the opportunity to overview all that you have accomplished. Jupiter, the fortunate planet in astrology, is offering you the chance to review all that you have done and to gain a perspective on your future.

Libra Sept. 24 – Oct. 23
Career expansion is the theme that Jupiter, the lucky planet, is granting you in the year ahead. Now that the big guy has entered the sign of Cancer, you are enjoined to move your career forward, perhaps through new partnerships, enhanced ideas, an expanded website or new capital.

Scorpio Oct. 24 – Nov. 22
The whole wide world is beckoning to the sign of Scorpio. Every year Jupiter, the large and fortunate planet enhances a new area of our lives. Now that he has moved into Cancer, a sign that favors travel and education for you, you become intrigued by the concept of adventure.

Sagittarius Nov. 23 – Dec. 21
By Jove, the sign of Sagittarius is ruled or inspired or directed by the large fortunate planet, Jupiter. The Sun is in each sign for one month, but your ruler spends one year in each sign. He has just left Gemini, favoring ideas, and is moving into Cancer, expanding action.

Capricorn Dec. 22 – Jan 20
The lucky planet Jupiter has just moved into your opposite sign of partnership, Cancer, for one year. You are already experiencing career expansion, power struggles and corporate success. Now you can add powerful allies to the list of astrological themes in your life.

Aquarius Jan. 21 – Feb. 19
The geniac braniac sign of the zodiac, Aquarius, notices the current astrological trend with interest. Jupiter, the fortunate planet, has just moved from his idea base, Gemini, into the action career sign of Cancer for one year. Market your inventions and ideas to a willing world.

Pisces Feb. 20- March 20
The glorious golden gateway of Summer is hosted by the current sign in the center of the stars, Cancer. Jupiter has followed the Sun into this sign for a one-year visit. You will realize that you are the creative expression of all of life during this fortunate interval in the year ahead.

Karen Anderson is available for readings at 303-258-7258.

Berlin to receive grant for Main Street improvements

BERLIN — Plans for decorative crosswalks, hanging flower planters and safer pedestrian access to Main Street and Farmington Avenue got a boost Thursday when Gov. Dannel P. Malloy announced that the town will be one of 14 communities receiving a Main Street Investment Fund Grant.

The town will get $259,270 for Main Street streetscape improvements that have been in the works for a decade, said Mayor Adam Salina who was on hand at Town Hall for the announcement.

“This is going to go a long way in our downtown revitalization,” Salina said.

The money, administered through the state Department of Housing, was part of a $4.9 million pool designated for Main Street revitalization projects throughout the state.

“These grants will help local governments attract additional jobs so desperately needed in Connecticut,” Malloy said. 

The towns of Ansonia, Killingly, Griswold, Cornwall, Colchester, Canton, Canaan, Burlington, Essex, Mansfield, New Canaan, Wesport and Fairfield also received grant money from the same Main Street Investment Fund for similar projects.

“I understand that this is a tool that breaths new life into downtowns,” said stae Department of Housing Commissioner Evonne Klein, who later explained that “there is a vital link between housing and community development.”

The grants are designed to help projects that revitalize and beautify downtown areas in the hopes of stimulating local economies with shopping and pedestrian traffic, officials said.

The local grant will help spruce up the Main Street and Farmington Avenue area near the train station which is also undergoing a facelift. The town is in the process of purchasing “Depot Crossing,” a large building on Farmington Avenue that was never completed as the project went belly up in the 2008 recession.

The finished building will include first-floor retail shops and housing on the two floors above. The town has been working for a decade to reshape the downtown area from Farmington Avenue to New Britain Road and Main Street into a pedestrian-friendly walkway which will encourage small shops to move in, Salina said.

The streetscape renovations will extend to the new police station being developed at the former Kensington Furniture building on Farmington Avenue. The project will include hanging flower baskets in the area of Main Street and Kensington Road, ornamental light poles, decorative crosswalks, curbing and sidewalk amenities and landscaping.

The town has already received two Brownsfield redevelopment grants to clean up areas of Farmington Avenue, a $500,000 grant for Veterans Park and a $500,000 façade grant to allow storeowners to give their buildings facelifts.

“It’s wonderful that the governor continues to invest in our ideas,” Salina said.

Lisa Backus can be reached at (860) 225-4601, ext. 306, or lbackus@newbritainherald.com.

Medals for APL Low Cost, High Impact gardens

The Association of Professional Landscapers (APL) is proud to announce all four of the Low Cost, High Impact gardens have won medals at this year’s RHS Hampton Court Palace Flower Show, taking place this week.

Mid Century Modern, designed by Adele Ford and Susan Wilmott and built by Outdoor Creations won Best in Category and Gold for their 1950’s inspired garden. The design featured shapes, patterns and colours from advertising of the time. It had a large central feature with hanging furniture and bold, large leaves and structural plants to compliment the bold, bright design of the garden.

A Room with a View, designed by Mike Harvey and built by Arun Landscapes also won a prestigious Gold. Built on a budget on £15,000, the garden design consisted of a secluded, raised seating area with a view. It comprised of muted tones of weathered oak and rusty ‘curtain’ combining with the greens, browns, whites and greys of the planting.

Fresh from Moscow Flower Show, Surrey Gardens added another medal to their belt by winning Silver for Bugs in Boots. The garden was inspired by the work undertaken by the RHS Plants for Pollinators project and provided an ecological space for insects, birds and other wildlife. It is designed to flood in heavy rainfall, allowing water to slowly permeate into the soil as opposed to passing water on to other attenuated water systems.

Silver also went to In at the Deep End designed by Monty Richardson and built by Living Gardens. Created on a budget of £7,000, the focal point of the garden was a floating patio seating area and steps surrounded by bog style borders with beautiful planting and a paddle stone water feature. The garden highlighted solutions to the drainage issues experienced in many gardens.

HTA Director General, Carol Paris said: “It is pleasing to see APL members get such high recognition in the Low Cost, High Impact category again this year. We hope the gardens inspire the public’s imagination and with the warm weather now upon us, there is no reason why people’s gardens cannot still look great this summer.”

The Low Cost, High Impact category, now in its second year is a joint initiative between the RHS and APL and aims to provide visitors with ideas for achievable and believable gardens with a wow factor, based on a fixed budget for hard landscaping, plant material and labour. This year a total of four gardens were selected to showcase what can be achieved for £7,000, £13,000 and £15,000 (x2).

It is backed up with Landscaping Live, a brand new feature from the APL and a first at RHS Hampton Court Palace Show. Against the backdrop of a typical urban home, members of the APL will be doing a number of public demonstrations throughout each day which will include how to lay turf, how to build decking and how to plant a trees and shrubs successfully.

RHS Hampton Court Palace Flower Show is taking place from 9 – 13th July.

NEST UP – with the latest in building and remodeling trends for a stylish home …

THE WOODLANDS, TX – July 10, 2013 – All the resources needed for a home project – big or small, classic and chic or trendy and smart — will be under one roof during the 11th Annual Fall Home and Garden Show at The Woodlands.


Scheduled Saturday and Sunday, August 24 and 25, the show will feature experts and exhibitors who will share new ideas and products that beautify both the interior and exterior of the home. The event will be held at The Woodlands Waterway Marriott Hotel and Convention Center located at 1601 Lake Robbins Drive.

Tony Wood, president of Texwood Shows, Inc. and producer of the event, said that there will be more than 200 exhibitors, as well as a line-up of entertaining presenters.

“This is definitely the place to find some inspiration for your home or patio,” Wood said. “We have a great line-up planned and the best vendors around, showcasing the latest products for your home or garden project.”

One presenter that attendees will not want to miss is Dr. Lori, featured on Discovery Channel’s “Auction Kings,” and syndicated columnist.

Dr. Lori, who describes herself as part arts and antiques appraiser and part comedian, offers lessons on flea market and garage sale finds paired with humorous anecdotes. She will provide free antiques appraisals and invites visitors to bring in their prized antiques, or a photo of the piece for her to evaluate.

Other presenters featured at the show include Randy Lemmon, host of the KTRH 740 GardenLine Radio Show, and John Ferguson and Mark Bowen, organic gardening experts.

Organizing consultant Ellen Delap, kitchen and bath designer John Johnston, energy expert Gary Parr, and home-stager extraordinaire Mary Scalli will also be featured speakers at the event. Other popular speakers include LaVerne Williams, nationally acclaimed green architect, and Joann Ontiveros, merchandise manager for Carol’s Lighting. Certified Color expert Sara Scheele, ASID, will also be speaking at the show.

Brandon Lynch, a certified Aging-in-Place Specialist, will discuss options for seniors who want to update their homes. Lynch, owner of Keechi Creek Builders, will show new products such as walk-in tubs and control centers to adjust lighting and make life more comfortable, featured in the Easy Living by Design exhibit.

Visitors to the Fall Home and Garden Show can also stop by the Whirlpool Cooking Stage for live cooking demos on the latest Whirlpool Appliances by Molly Fowler, “The Dining Diva,” who will share her favorite quick and easy recipes.

For attendees who work up a thirst walking around the show, the Cycler’s Brewing Tasting Tent will be the perfect spot to relax. This craft brewer from Montgomery will offer samples of some local favorites – the Breakaway IPA, Ryed Hard, 55-11 Imperial Red, Palmarès Russian imperial stout or Dom’e’stique Wit Belgian wheat ale.

Vendors at the show will display the latest green products, flooring, home-organizing tools, outdoor living trends, interior and exterior finishes, countertops and designer goods. There will also be several booths featuring professional remodelers, custom home builders and contractors for construction and home repair.

There will be contemporary landscape ideas by Stewart Land Designs, and Bello Domani Outdoor Design will showcase pool and exterior project plans.

The Billiard Factory will present game room fun, Big Tex Tree Nurseries will cover landscaping needs, and Wilsonart Laminate will offer affordable, yet upscale countertops.

“Wilsonart designers create one-of-a-kind laminate surfaces through digital or silk-screen printing processes,” Wood said. “These countertops rival the high end granites and marbles that are so popular today, without the sticker shock.”

The new line of Wilsonart HD countertops will be on display, along with samples of a new product, Cambria Quartz. These surfaces, edges and sinks offer an affordable and beautiful, complete design solution for the home.

Final Touch Granite is one of the stars of the show – with their “Timeless with a Twist” booth featuring an eclectic mix of French and New Orleans-themed traditions and the best of today’s styles and trends, showing off a sampling of gorgeous granites. The skilled craftsmen on staff can fabricate everything from kitchen countertops and bathroom vanities to floors, walls, mosaics, columns and much more.

Other featured exhibitors include Cunningham Gas Products, Wonderful Windows and Siding, Carol’s Lighting and Fan Shop, Designer Kitchens and We Got Rock – Outdoor Living.

“We are showcasing the latest and most interesting ideas in gardening, landscaping, outdoor living, kitchen and bath, and interior décor,” Wood said.

Wood is also proud to announce that The Woodlands Children’s Museum is the nonprofit partner for the event. Angela Colton, the museum’s executive director, said her booth will offer a taste of the museum and a fun activity for children attending the show. And as part of its fundraising activities, the museum will be taking pre-orders for its popular fresh Christmas wreaths.

The 11th Annual Fall Home Garden at The Woodlands will be held from 9 a.m. to 7 p.m. on Saturday, August 24 and from 10 a.m. to 6 p.m. on Sunday, August 25. Tickets are $9 for adults, $7 for seniors and free for children under 12. Parking is free. The event takes place at The Woodlands Waterway Marriott Hotel Convention Center, 1601 Lake Robbins Drive, 77380. For more information, visit www.WoodlandsShows.com.

Speaking schedule will be posted soon at WoodlandsShows.com, along with a complete list of exhibitors.