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Garden news: May 21, 2014

A section of the South Hadley Community Gardens on Route 47. 

Edible perennials Chicopee – Naturalist and landscaper John Root will present a program on “Edible Perennial: Gardening and Landscaping” on Thursday, May 29 at 6:30 p.m. at the Chicopee Parks Administration Building, 687 Front St. Learn how to establish and maintain a variety of perennials, including trees, shrubs, vines, canes, and herbaceous plants. Admission is free, all ages welcome.

Garden club plant sale Springfield – The Springfield Garden Club will hold its annual plant sale, rain or shine, from 9 a.m. to 1 p.m. on Saturday, May 31 at the Quadrangle at the Springfield Museums, 21 Edwards St. Parking is in the Edwards Street lot. This spring tradition and fund-raiser for the club’s scholarships will offer area gardeners a selection of annuals, perennials, herbs, shrubs, and container plantings from members’ gardens and area nurseries, a vintage garden boutique and an auction of prime plants.

Send items for Garden news to pmastriano@repub.com two weeks before publication.

Soggy Spring Delays Landscaping

If you’re waiting for some landscape work to get done this spring you are not alone.  Soggy conditions have landscape companies backed up more than a month behind schedule.

In 46 years of landscaping, Ken Schuster, owner of Greenleaf Landscaping Gardens, has never seen a spring quite like this.

“I think the word for this year would be frustration. It’s been terrible, extreme wet, a lot of cold and late season warm up, the ground is really soggy, you can’t get equipment in and out,” says Schuster.

At Greenleaf Landscaping and Gardens though, equipment has to be used.

“This is our haul trail for bringing in our evergreen trees and burlap trees, normally this is rock hard clay soil in mid May,” says Schuster.

This spring the haul trail is a quagmire.

“A yard would look just like this if we were to go in on it at this time of the year with the conditions.,” says Schuster of the muddy mess.

Right now, Schuster says he’s at least a month behind schedule.

Customers browsing around his business tonight understand why their landscaping plans are on hold.

“It’ll have to wait, she’s pretty wet back there, we’ve had an awful spring, it’s been rain, rain, rain and before that it was snow, snow, snow,” says Al Mueske from Brillion.

“Everybody is aware of it and mostly everybody is cooperative and understanding and cutting us a little slack,” says Schuster.

Schuster knows customer patience won’t last forever.

He’s expecting, and hoping, to have crews working extra hours in the days and weeks to come.

“People have graduations and weddings and deadlines we have to meet, so yeah they’re be lots of overtime I thing when the sun shines.,” says Schuster.

Great nurseries on Long Island

Johanna Saltiel, 3 of Plainview, takes in some(Credit: Howard Schnapp)

Johanna Saltiel, 3 of Plainview, takes in some spring flowers at Hicks Nurseries on Saturday, Feb. 22, 2014 in Westbury.

Originally published: May 19, 2014 11:45 AM
Updated: May 19, 2014 2:37 PM

These Long Island nurseries have everything from healthy shrubs and pretty perennials to gardening supplies and backyard decor.

Van Bourgondien Nursery


(Credit: Van Bourgondien Nursery via Facebook)

833 Deer Park Rd., Dix Hills

Started by a family with roots in Holland horticulture, Van Bourgondien Nursery has grown into a full-service nursery and garden store with a unique supply of annuals, perennials, trees, shrubs, and soils. They also sell gifts, pottery, garden decor and supplies for gardening and ponds.
More on Van Bourgondien Nursery

Dee’s Nursery


(Credit: Dee’s Nursery)

69 Atlantic Ave., Oceanside

Family owned since 1958, Dees is a great place to pick up flowers, gardening supplies and vegetables, which include tomatoes, peppers, cucumbers, a full selection of herbs and more. You can also shop for your garden at home using the nursery’s online store.
More on Dee’s Nursery

Peconic River Herb Farm


(Credit: Peconic River Herb Farm via Facebook)

2749 River Rd. Calverton

The specialty retail plant nursery and scenic 14-acre riverfront gardens features herb, vegetable, and flower seedlings; trees, shrubs, herbs, spice blends, and hot sauce. The garden shop sells unique decor and refurbished vintage garden and home furniture.
More on Peconic River Herb Farm

Hicks Nurseries


(Credit: Hicks Nurseries, Inc. via Facebook)

100 Jericho Tpke. Westbury

Selling a huge selection of annuals, perennials, trees, shrubs, water and bog plants, gardening supplies, tools, home decor and outdoor furninture, Hicks Nurseries also commemorates the seasons with special events, beginning with its annual Flower Garden Show every March. The 10-day show attracts hundreds of visitors daily and features temporarily erected garden vignettes, cooking demonstrations, gardening lectures and presentations and special appearances. Visitors also can bring soil samples for testing by master gardeners from the Cornell Cooperative Extension of Nassau County; the master gardeners also are on hand during the show to answer questions and offer advice.
More on Hicks Nurseries

Bloomin Haus Nursery


(Credit: Bloomin Haus Nursery via Facebook)

816 Waverly Ave., Holtsville

This expansive nursery encompasses both sides of Waverly Avenue. It has home-grown vegetables, a wide variety flowers, more than an acre of perennials and entire greenhouses dedicated to specific plants. It is also home to a garden shop, petting zoo, gazebos and waterfalls.
More on Bloomin Haus Nursery

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Atlantic Nursery



(Credit: Barbara Alper)

250 Atlantic Ave., Freeport

Family-owned and operated since 1929, Atlantic Nursery is a full-service nursery and garden shop with 2.5 acres of trees, shrubs, annuals, perennials and tropical plants. They also sell gardening tools, gift baskets and garden decor and offer landscaping services.
More on Atlantic Nursery

Martin Viette Nurseries



(Credit: Martin Viette Nurseries)

6050 Northern Blvd. East Norwich

This full-service garden center offers landscaping, indoor and outdoor plants, gardening tools and accents on its 42 acres. They also host lectures and workshops for kids.
More on Martin Viette Nurseries

Dodds Eder



(Credit: Proven Winners)

11 Bridge St. Sag Harbor and 221 South St. Oyster Bay

Dodds and Eder is stocked with annuals, perennials, trees, shrubs and is staffed by knowledgeable garden consultants. They also have landscaping services, garden ornaments and statues, gardening tools, bird feeders, patio furniture and more.
More on Dodds Eder (Sag Harbor); More on Dodds Eder (Oyster Bay)

Photo by David Speckman

If you’re renovating in or relocating to Northern Michigan and need a little outdoor inspiration, there are two words for you: Bob Drost. Drost, Northern Michigan’s landscaping legend, teamed up with his family, his crew and a slew of longtime colleagues, to build this Northern Michigan home for the ages on the shores of Lake Charlevoix.  The following home profile was first featured in the April 2014 issue of Traverse, Northern Michigan’s Magazine.


Charlevoix homeFor the sixth year in a row, Petoskey-based landscaper Bob Drost brought home a Grand Award from the Michigan Nursery and Landscape Association industry competition in January. His first place entry, for the “design and installation over $30,000” category, was a rock vignette that encompasses a rock garden and a steamy rock pool that sits below a fireplace set into the rock wall. It all blends into the landscape naturally; as if a glacier melted and left it behind.

This emphasis on rock in landscape design is Bob’s signature style. He’s been enamored with rocks as long as he remembers—an innate fascination fostered by his childhood in Charlevoix, a town famous for its mid-1900s whimsical stone homes designed by local architect Earl Young. The first time, years ago, that someone told Bob that one of his stone designs was reminiscent of Young’s style, Bob recalls nearly busting a button. Since then, Bob has gone on to hone his own style manifest in man-made streams, gardens, outdoor fireplaces and elaborate outdoor living areas—all set into some of the finest properties in Northern Michigan.

NHC0414_DROST-18Not surprisingly, the handsome home Bob and his wife, Diane, built for themselves on Lake Charlevoix has an emphasis on stone—300 tons of it. “That’s 30 truckloads,” Drost says, with a trace of awe in his voice. From two fireplaces crafted from massive Lake Huron boulders and built by the Drosts’ son Dustin to the foundation, to the rock slabs that lead to the breakwall, rock stars in the Drost home.

While Drost acted as his own contractor, he and Diane hired Mapleridge Construction to do the framing, siding and trim. The couple turned to Jill Rowley of Glennwood Custom Builders and Interiors to design the home. Since Bob and Jill have worked together on a number of projects, the Drosts knew she could help them capture the feel they wanted of a venerable, early 1900s cottage. The finished product is a tan-trimmed-in-black shingle-style home with Craftsman accents. In keeping with the lot size, the home is not massive—though anchored in stone and rising three levels, it feels very substantial.

On the interior, elements like carefully crafted woodwork, oiled white oak floors with a French bleed accent and formal cabinetry combine to parlay the feeling of a fine cottage with Victorian and Craftsmen influences. The home exudes careful detail, right down to old-fashioned cast iron pipes the Drosts opted for because of the way they block the sound of water rushing through them.

One of the most enjoyable parts of the construction process was the way Bob’s longtime friends in the Northern Michigan construction business took a personal interest in the home. Builder and woodworker Andre Poineau made it a point to drop by from time to time to check on the process, following up with suggestions for Bob. Jeff Collins of Glennwood Builders provided guidance and painting. The couple found a deal on the stunning cabinetry thanks to a tip. “It was exactly what I’d wanted,” says Diane.

Click the images to enlarge; press “Escape” on the keyboard to exit full-screen:

The rest of this home’s story is about how Bob’s talented landscaping crew (that includes his son Dustin) did a large part of the actual homebuilding. Bob still marvels at the way his crew managed complicated tasks like installing the 100 galvanized pilings that the home sits on and fashioning a barrel vault in the ceiling of the master bedroom to mimic the shape of a window that arches over a picture-perfect view of Lake Charlevoix.

The Drosts have been in the home for two years—time filled with small, daily luxuries like going to sleep in a bedroom that feels as if it’s floating over Lake Charlevoix; Sunday breakfasts at a table situated so that the waterscape seems to pour out across the window; watching the annual Boyne Thunder high-performance boating event from their balcony. It’s probably no surprise that a home created by a cast of people who have mostly spent their entire lives around Lake Charlevoix embraces its setting in such a comfortable, classic way. This home built on rock, lives very well indeed.


More Northern Home Cottage

Letter: Spreading the word about desert landscaping

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Birds and your garden — a new book



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    Jim Williams has been watching birds and writing about their antics since before “Gilligan’s Island” went into reruns. Join him for his unique insights, his everyday adventures and an open conversation about the birds in your back yard and beyond.

    Birds and your garden — a new book

    Posted by: Jim Williams
    under
    Bird books,
    Birds in the backyard

    Updated: May 18, 2014 – 9:23 PM

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    Birdscaping in the Midwest: A Guide to Gardening with Native Plants to Attract Birds, Mariette Nowak, University of Wisconsin Press, soft cover, 335 pages, index, heavily illustrated, $34.95

    About once a year I receive for review a book purporting to guide birders to a yard/garden/landscape that attracts birds. This book, “Birdscaping in the Midwest,” is the first to deliver fully on the promise, plus more. 

    It covers far more topics than other books I’ve seen, in greater detail, with better text. It has illustrations not only beautiful (check the Tufted Titmouse photo on page 161) but also helpful. It has diagrams that show you not only which plants to use but how to place them in a garden for best effect. There are lists for everything, and sources for everything, the latter including books and websites.

    If the book was a bird it would be a big bird. If it was a flower it would be a gorgeous flower.

    The author, Mariette Nowak, is a professional, leader of a native plant and landscape group and for the Lakeland Audubon Society in Milwaukee. She is a public speaker on landscaping, native plants, and birds. Before retirement she was director of the Wehr Nature Center within the Milwaukee County park system.

    The book offers an education on native plants and birds. It would be interesting even if you have no plans for a garden. However, once you’ve page through it, the urge to make a plan and find a shovel could be strong. 

    Here is the table of contents: 

    Birds and Plants: an ancient collaboration, going native, the case against exotics.

    Gallery of Bird-habitat Gardens: photos.

    Native Habitat for Birds — the basics: getting started, planning and design, site prep and planting.

    Bird-habitat Gardens for Specific Birds: gardens for hummingbirds, prairie birds, migratory birds, winter birds, and birds of the savanna, woodlands, wetlands, and scrublands. Plus birdbaths and water gardens.

    Midwestern Plants that Attract Birds: trees, shrubs, vines, wildflowers, ferns, grasses, sedges, and rushes.

    Maintaining and Enhancing Your Garden, with information on bird housing and bird feeding, and advice on solving problems should they occur.

    Have you ever bought a packet of assorted wildflower seeds? I have. Bad idea, Ms. Nowak tells us. She writes of tests that have shown the average such packet to contain as much as 30 percent exotic-plant seed (you don’t want these!), and germination rates as low as 40 percent. The author advises buying seed from nurseries that specialize in native plants.

    There is a particular article discussing a Minnesota yard, one cursed with buckthorn. The removal and replacement is clearly and thoroughly discussed. I read this with interest. I’m in the midst of buckthorn removal, given the almost 100 percent viability of every seed in every berry, a project that might last a lifetime.

    The book would be valuable for a gardener who has no pointed interest in birds as well as birders, even those who don’t garden but want to know more about habitat, a key to finding birds. I suspect it would lead either in the direction of the other. There is almost as much information here about birds as there is about plants. This book deserves a place on the shelf next to your favorite bird guide book.

    Editor’s Note: We have made changes to our comment system. You can now post direct replies to comments. Comments are no longer available on articles and blog posts dated before May 1.

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    Chelsea Flower Show 2014: a welcome breath of fresh air

    But will this swath of new designers cut it? Are they too “green”? One of them
    graduated from design school only last year. Ironically, perhaps, most of
    the newbies are playing it relatively safely, creating naturalistic gardens
    with romantic appeal and a strong structure, the kind of thing we have seen
    a lot of at Chelsea in the past decade. You can’t really blame them, given
    the amount of sponsors’ money an ambitious Chelsea show garden eats up
    nowadays – stratospheric amounts in some cases. Therefore it falls to the
    old-stagers – who as well as finding themselves in the minority also have to
    put up with such things as being described as “old-stagers” – to take some
    risks.

    Read: Chelsea Flower Show 2014: the best and worst
    celebrities

    Cleve West won best show garden in 2011 and 2012, and can generally be relied
    upon to avoid clichés. His garden for M  G (MA15) is an
    Islamic-inflected paradise garden focused on an octagonal terrace in pale
    limestone with a futuristic fountainhead – it looks like something you might
    find inside the Tardis. Four rills (narrow canals) provide the water, while
    a quartet of zelkova trees shade corner beds that are richly planted with
    perennials – as they must be for any Chelsea garden to stand a chance of a
    gold medal. The design is laterally aligned, in that it is intended to be
    viewed primarily from one, long side of the rectangular plot. It’s a
    strategy used by several experienced Chelsea designers this year, again
    perhaps to ring the changes, and it leads to a more open aspect to a number
    of the designs. This year there will be a more meadow-like flavour on Main
    Avenue.

    Islamic-inspired: Martin Cleve in his paradise garden (MARTIN POPE)

    Another dramatic structural trend for 2014 is the absence from nearly all
    gardens, including M  G’s and the Telegraph’s, of a pavilion or
    shelter – something I have dubbed a “super-shack” in the past, since this
    structure usually bears little resemblance to anything in the real world and
    always unbalances the design by being too large for the space. (Often it is
    there mainly to provide storage for the sponsors’ champagne.)
    “Shack-at-the-back” syndrome is now in decline, it seems, which will make
    for better gardens.

    Proudly shack-less: the Telegraph garden

    Read: Chelsea Flower Show 2014: place your bets on
    the winners

    Luciano Giubbilei’s garden for Laurent-Perrier (MA18) reflects the designer’s
    new-found interest in a more naturalistic, English planting style – he has
    been working recently with Fergus Garrett at Great Dixter. Chelsea designers
    have been playing “adopt your own umbellifer” in recent years (hence Ammi
    majus’s meteoric rise), and for Giubbilei it is Orlaya grandiflora, or
    white-lace flower, that provides a visual link between two meadow areas. The
    garden has a strongly geometric ground plan and features modernist
    terracing, a pool and associated rill, all inspired by the work of the
    Italian master Carlo Scarpa. The garden feels more modern than Giubbilei’s
    other Chelsea gardens to date, which have occasionally betrayed a certain
    opulent vacuity. This feels much more daring and interesting, with concrete
    walls covered in patinated metal panels.

    Scarpa has also been a reference point for del Buono Gazerwitz, whose garden
    for The Telegraph (MA17) draws on modernism but with a softer, more
    traditional feel than Giubbilei’s, featuring low domes of box and romantic
    perennial plantings. Indeed, the potential issue of sameyness rears its head
    again this year because yet another of the more experienced design teams at
    Chelsea this year, Wilson McWilliam Studio, has designed a
    “modernist-structure-with-romantic-planting” garden, featuring rectangles of
    planting and a formal rill, for the sponsor Cloudy Bay (MA3). But there is a
    rougher, more organic feel here, courtesy of the massive slivers of charred
    oak – apparently exuding a scent redolent of pinot noir – that line the
    space. Up-and-coming Matthew Childs has been selected by the sponsor Brewin
    Dolphin (MA19) for his Main Avenue debut, and his design also features the
    safe rills’n’rectangles formula, although the two patinated copper arches
    that punctuate a zigzag path through lush planting are sure to lend the
    garden individuality.

    The Cloudy Bay garden has a ‘rougher, more organic feel’ (MARTIN POPE)

    The planting of Chelsea gardens can be properly assessed only on the first
    morning of the show, partly because so many designers make up the planting
    scheme as they go along, regardless of pre-publicity plant lists. Bricks and
    mortar (or white marble and glass panelling) is another matter.

    The most exciting garden at Chelsea, structurally speaking, is Hugo Bugg’s for
    the Royal Bank of Canada (MA13). Bugg (26) is one of the fastest-rising
    stars in garden design, and his design incorporates concrete-lined raised
    beds in strikingly modern forms, and a rusted Corten steel walkway. All this
    hovers above an iris-planted sunken “rain garden” of filtration beds.

    Other young designers to watch this year are the Welsh brothers Harry and
    David Rich (aged 26 and 23), who have made a rural stargazing garden for
    Bord na Móna (RHW1), featuring what they hope will be a stellar mix of
    traditional stone walling with more modern artefacts that trace the shapes
    of the constellations.

    Brothers Harry and David Rich have created a stargazing garden (MARTIN
    POPE)

    The naturalistic feel continues across the majority of show gardens, whatever
    the theme. It is there in Adam Frost’s rustic family garden for Homebase
    (MA20), which features a natural pool and heather-clad gazebo, and it
    provides the basis for the Nicole Fischer and Daniel Auderset’s Extending
    Space (MA7), their first show garden anywhere (who would have thought the
    RHS would ever sanction that?) , which “explores the spatial experience
    found in the forest edge”. Patrick Collins is an old hand – that rare bird
    this year – and his garden themed on the work of the St George’s Hospital
    neonatal unit, First Touch (RGB10), is based on the concept of a meandering
    stream shaded by trees. There is a special intensity to this design, as
    Collins’s own daughter spent the first four months of her life being cared
    for in this unit.

    Charlotte Rowe is an established designer trying her hand on Main Avenue for
    the first time, with a garden on the theme of No Man’s Land for ABF The
    Soldiers’ Charity (MA21). There is a positively wild feel to this garden
    space, which reflects how the battle scars of the chalky downlands of the
    Somme have healed.

    No Man’s Land: Charlotte Rowe in her garden for ABF The Soldiers’ Charity
    (MARTIN POPE)

    Equally green and pleasant is the garden created by Matt Keightley (yet
    another Chelsea first-timer) for Help for Heroes (RHW8). But here the
    greenery is deceptive. One can sense why the charity chose this design from
    a relatively unknown designer. Keightley’s brother served four tours of duty
    in Afghanistan, and he has been the inspiration for the garden (no doubt to
    his embarrassment), which features an avenue of hornbeams and solid granite,
    rough-hewn cubes that represent the soldiers’ physical state, while the
    planting suggests their psychological wellbeing (or otherwise).

    Chelsea is awash with trite corporate symbolism , but there is an authenticity
    to this design born of personal experience (as with Collins’s garden), which
    could make it as powerful and memorable as the South Korean DMZ
    (demilitarised zone) garden was a few years ago.

    Two strong strands in Chelsea’s main show-garden arena over the past decades
    have been historic gardens and exotically themed gardens. Perhaps it is
    indicative of the changes at the RHS that this year these themes are each
    represented by a single garden. Paul Hervey-Brookes fills the historic slot
    with an Italian Renaissance-inspired garden for BrandAlley (MA16), promising
    fountains and water tricks, green-walled rooms and an arcaded pavilion. The
    “foreign” garden is a Cape Cod-themed sand-dune extravaganza for the
    Massachusetts Office of Travel Tourism (RHW4), designed by Catherine
    MacDonald and Susannah Hunter. It features a raised wooden artist’s retreat
    and an intriguing planting mix that reflects the coastline flora
    (Arctostaphylos uva-ursi, anyone?).

    ‘Sand-dune extravaganza’: the Massachusetts garden (MARTIN POPE)

    Another Chelsea staple is the town-council garden, and Stoke-on-Trent returns
    this year with Positively Stoke-on-Trent (PR3) – which is perhaps slightly
    desperately titled (why do we have to be encouraged to be positive about
    Stoke?).

    Finally there is Alan Titchmarsh’s effort on behalf of RHS Britain in Bloom
    (have you noticed how the RHS has added its name to it?), which is not
    eligible for judging. From the Moors to the Sea (MA2) proposes to present
    precisely that: a range of planting styles suitable for everything from
    moorland to coastal regions. With scarcely any “hard landscaping”, this
    garden is all about the plants – which will please a good proportion of
    Chelsea visitors, for sure.

    Read all our coverage of the 2014
    Chelsea Flower Show

    Tar Heel of the Week: Michelle Wallace helps Durham community garden take root

    — After being plucked from the life of a typical American teenager to pick kiwi fruit on an Israeli kibbutz, Michelle Wallace might be forgiven for eschewing agriculture as a career.

    Instead, the Durham County horticulture extension agent says working the land drew her in – much as it has the growing number of gardeners and urban farmers across the country in recent years.

    “Our whole history started with farming, and it’s a large part of our heritage, even if it’s somewhere deep, deep down,” she says. “When you grow up on a farm, people want to forget it, but it finds you.”

    Cooperative extension, established to bring the knowledge acquired at land-grant universities to the public, is celebrating its 100th anniversary this month, nationally and in North Carolina. Wallace is one of its devoted foot soldiers.

    Her job includes educating professionals and the public on topics as varied as pesticide use, landscape design and aquatic weeds, as well as managing a team of 90 volunteer master gardeners who help residents grow plants and food sustainably.

    But she’s best known in Durham for her work establishing the Briggs Avenue Community Garden, a shared space that opened on donated land in East Durham four years ago.

    Wallace has also helped unite a forum of 150 gardening enthusiasts and expanded her office’s outreach through more frequent public appearances and the establishment of a blog and hotline for master gardeners.

    “She’s just this enormous reservoir of knowledge and expertise, in gardening as well as in how to reach out to people,” says Jan Little, director of education and public programs at the Sarah P. Duke Gardens, where Wallace regularly conducts classes and other programs. “She has developed a really dynamic group of people that assist this community greatly.”

    Plenty of independence

    Wallace, 44, spent the early years of her life in Georgia and Florida, where her father worked as a psychologist and professor. When she was 14, her parents sought to “get away from the rat race,” she says, by moving to a kibbutz, a type of cooperative village unique to Israel.

    She was the only American in a community of 450 people that was run as a pure democracy, with each adult weighing in on matters such as running the farm, providing health care, and maintaining facilities such as roads and the community pool.

    It was a tough transition. All the children lived in a home separately from their parents, and she had to start high school in a foreign language. But there were some benefits, including a close relationship with her parents.

    “We didn’t have the normal issues you have with teenagers because they’re all about wanting independence,” she says. “And we had independence.”

    Her kibbutz was a top producer of kiwi fruit, and she worked in the fields alongside her father, who continued to practice psychology part time. She picked fruit, pulled weeds and cleared rocks for a few hours a week and for half of each summer during high school.

    After graduation, she did military service, required of all Israelis, and national service, which is common for kibbutz residents.

    She returned to the United States for college, choosing N.C. State University for its strong programs in both horticulture and landscape architecture.

    She earned bachelor’s and master’s degrees and worked an extension agent briefly in Montgomery County between degrees; she loved the job, she says, but not the commute.

    So she got a job with a landscape architecture firm in Raleigh and started her own business while her children were small. But when the Durham job came open, she was eager to return to extension work.

    Staying flexible

    Cooperative extension agents work in all of North Carolina’s counties to educate the public on topics ranging from agriculture to health to home economics.

    It’s a job that requires deep expertise as well as the ability to share that knowledge with all kinds of people.

    Wallace regularly consults with landscapers and farmers on problems with plants and organizes information sessions at libraries, schools and businesses across the county.

    Every square of desk calendar is filled in with scrawled plans. One day, she’s attending a presentation by a student at UNC-Chapel Hill who completed an impact study on Durham’s master gardener program. The next day, she’s offering pruning advice on muscadine grapes or teaching senior citizens about container gardening.

    Flexibility is also key. Last week, a shipment of bees showed up at the garden on short notice, and her day was spent setting them up.

    “The person who has this kind of job has to be able to go with the flow,” she says.

    For Wallace, the Briggs Avenue garden also came with the job – a huge effort, starting with the initial planning and gathering of community support to get it going.

    The land was donated as a conservation trust, so that it cannot be developed. In 2006, Wallace took on the project of figuring out how to use it for the community’s benefit.

    Local college students created a survey, and she gathered local leaders and residents to weigh in. Gardens and trails topped the list.

    The garden now is made up of a quarter acre of rented 4-by-10-foot plots. Durham Technical Community College maintains a slightly larger plot; a demonstration orchard and vineyard showcase other local crops.

    She helped find grants and other funding sources and has worked side by side with volunteers at weekly work sessions to add fences, a shed with a rooftop garden and a well for irrigation.

    Her public efforts with the garden have made Wallace a well-known figure – not always the case for even the hardest-working extension agents, whose roles are likely to change in the years to come.

    The state budget passed last year included significant cuts in salary money for extension agents, and the state office is working on a plan to continue providing its services with fewer people.

    “We’ve been around for 100 years, and we do great things in communities,” she says. “A lot of times we really work in the shadows to help other people be great.”

    Know someone who should be Tar Heel of the Week? Contact us at tarheel@newsobserver.com or find Tar Heel of the Week on Facebook.

    Alan Titchmarsh: my very own Chelsea Flower Show garden

    Read: Chelsea Flower Show 2014 shopping guide

    Most show garden designers have 18 months to plan their design. Kate and I had
    five. Kate listened patiently as I explained that I would like the moorland
    that occupied the rear of the garden to slope downwards through pines and
    birch trees – with a meandering beck coursing between them – and that
    I would like lumps of millstone grit, drystone walls and wild flowers,
    bracken and heather, to merge into a coastal scene with a beach hut, sand
    and even waves lapping on a shore that was planted with maritime plants and
    cabbage palms. To her undying credit she batted not an eyelid, and went away
    to sort out the supply of such esoteric horticultural requirements at 20
    weeks’ notice.

    But the one thing that all three of us – Mark, Kate and myself – felt from the
    outset was excitement. We knew that our garden was not to be judged
    alongside the other show gardens and that it would, therefore, not be
    eligible for an RHS Gold Medal – the highest accolade of all. This was to be
    an “exhibit” on behalf of the RHS, and yet we knew that our garden would be
    judged every bit as much as the others by anyone and everyone who walked by.
    That’s how it was during the build – we would turn around to see other
    contractors eyeing us up. Most of them smiled.

    We began building on May 1 – a day that turned the Chelsea showground into
    something resembling the Somme. But the weather bucked up – with occasional
    lapses into torrential rain and high winds – and progress was made more
    quickly than we had envisaged.

    Read: 10 things you didn’t know about the Chelsea
    Flower Show

    The raised moorland area at the back of the garden was erected within the
    first week – held up by great sections of concrete that became known as the
    “Great Wall of Chelsea”. But the concrete soon disappeared under a bank of
    huge boulders weighing as much as 12 tons apiece – heavy enough to bend the
    prongs of our forklift truck. A length of drystone wall was dismantled in
    Yorkshire and shipped down to London SW3, where it was rebuilt on top of the
    boulders – moss and all – snaking its way down towards the coastal part of
    the garden. It was finished within three days by Andrew Loudon and his small
    team who spend their working lives building these works of art in the
    Yorkshire dales and wolds. Among the team was Lydia Noble, a 19-year-old
    apprentice who, with bare hands, quietly set to work creating some of the
    finest drystone walling I have ever set eyes on.

    “Is it true,” I asked her, “that once you pick up a stone, you don’t put it
    down until you have found a place for it?”

    “Ah,” she replied, “the trick is not to pick it up until you know where it’s
    going.” Neat that.

    We planted woodlanders and wild flowers, cabbage palms that towered over our
    beach hut – to be painted in a fetching shade of pale green and cream – and
    spires of echiums and foxgloves, carpets of heather and rugs of samphire to
    reflect our own love of the British countryside and the folk who tend it so
    passionately.

    And passion is what this garden is about – the passion of Mark and Kate and me
    for the job, and in sharing that love of growing things and creating those
    bits of man-made landscape we call gardens.

    We have almost finished it now, and the excitement has reached fever pitch.
    The butterflies have begun fluttering deep inside, for tomorrow I’ll show
    our garden to the Queen. I hope she likes it. On Tuesday, the gates will be
    opened to members of the Royal Horticultural Society, and to the public on
    Thursday right through until Saturday. The tickets are sold out, they tell
    me; they sold faster than those for Eminem’s concert. That’s nice.

    I am not involved with the television presentation this year. I shall miss it,
    but what my absence from the screen (barring an interview or two) has
    allowed me to do is to remind myself of the thrill of working with a group
    of people of like mind in making a little bit of garden magic. An
    inspiration. A snapshot of perfection. It will be a chance for folk to see
    if I really can do the thing I have been wittering on about for all these
    years.

    Next week I’ll let you know how it went. In the meantime, wish me luck. You
    may not see me on the garden, but you will see my wellies just inside the
    beach hut. With any luck, this week, I won’t be needing them.

    Read all our coverage of the 2014 Chelsea
    Flower Show

    Rain gardens relieve sewer main system

    The heavy rain we’ve seen over the past few days usually means a lot of storm water run-off in the sewer system.