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Garden Walls Can Come Alive With ‘Living Pictures’

Looking for a fresh way to liven up your garden walls? Think plants, not paintings.

Living pictures — cuttings of assorted succulents woven together in everything from picture frames to pallet boxes — have caught on among garden designers and landscapers this spring as an easy, modern way to add color and texture to an outdoor space.

“Living pictures composed of succulents have a gorgeous sculptural quality that work surprisingly well in a number of different aesthetics — contemporary, bohemian, Southwestern and more,” says Irene Edwards, executive editor of Lonny home design magazine. “They’re great for urban dwellers with limited space.”

Living pictures are also nearly maintenance-free (i.e. hard to kill). So even beginners or those with the blackest of thumbs can look like the master gardener of the neighborhood.

Here’s how you can create your own living succulent picture:

PICK YOUR STYLE

There are a few ways you can go.

For a larger living picture, you can use a wooden pallet, framing out the back like a shadow box. Large, do-it-yourself living wall panels are also for sale online through garden shops like San Francisco’s Flora Grubb Gardens and DIG Gardens based in Santa Cruz, Calif.

But going big right away can be daunting, and bigger also means heavier, so many newbies like California gardening blogger Sarah Cornwall stick with smaller picture or poster frames.

Go vintage with an antique frame or finish, or build your own out of local barn wood. Chunky, streamlined frames like the ones Cornwall bought from Ikea give a more modern feel.

You’ll also need a shadow box cut to fit the back of the frame, and wire mesh or “chicken wire” to fit over the front if you’re going to make your own.

First, nail or screw the shadow box to the back of the frame. A depth of 2 to 3 inches is ideal. Set the wire mesh inside the frame and secure it with a staple gun, then nail a plywood backing to the back of the shadow box.

TAKE CUTTINGS

Almost any succulent can be used for living pictures, though it’s usually best to stick with varieties that stay small, like echeverias and sempervivums, says DIG Gardens co-owner Cara Meyers.

“It’s fun to use varieties of aeoniums and sedums for their fun colors and textures, but they may need a little more maintenance, as they may start to grow out of the picture more,” she says.

Cut off small buds of the succulents for cuttings, leaving a stem of at least 1/4-inch long.

No succulents to snip? You can always buy some at a nursery or trade with other gardeners in your neighborhood.

“They grow so easily, don’t feel embarrassed knocking on a door to ask for a few cuttings,” Cornwall says.

Make sure any old bottom leaves are removed, then leave the cuttings on a tray in a cool, shaded area for a few days to form a “scab” on the ends before planting.

ADD SOIL

Set the frame mesh-side up on a table and fill with soil, using your hands to push it through the wire mesh openings.

Be sure to use cactus soil, which is coarser than potting soil for better drainage.

Some vertical gardeners place a layer of sphagnum moss under and over the soil to hold moisture in when watering.

FILL IN WITH PLANTS

Now comes the fun and creative part.

Lay out the succulent cuttings in the design you want on a flat surface, and poke them into the wire mesh holes in your frame.

You can start either in one corner or by placing the “focal point” cuttings in first and filling in around them. Waves or rivers of color are popular living-picture designs, although Cape Cod-based landscaper Jason Lambton has gone bolder with spirals of green and purple.

“We painted the pallet different color stripes to go with the color theme of the back of the house,” says Lambton, host of HGTV’s “Going Yard.” ”It looked like a cool piece of living, reclaimed art.”

Using just one type of succulent is also a simple yet elegant option, says Kirk Aoyagi, co-founder and vice president of FormLA Landscaping.

“Collages with some draping and some upright plants can create a more dramatic look and feel,” he says.

CARE AND MAINTENANCE TIPS

Keep the living picture flat and out of direct sunlight for one to two weeks to allow roots to form along the stems, then begin watering.

“If you hang it up right away or it rains a lot, that dirt will just pour right out. … I made that mistake once,” Lambton says.

Mount your living art once the succulents are securely rooted, which can take four to eight weeks depending on climate.

After that, water every seven to 10 days by removing from the wall and laying it flat. Be sure to let the water drain before hanging your living picture back up, to avoid rotting.

Waterford Garden Designer Gerard Mullen to Bloom this June Bank Holiday

Wednesday, 1st May 2013

Bord Bia is delighted to announce that a submission by Waterford Garden Designer Gerard Mullen has been given the Bloom judge’s seal of approval and will feature at the Bloom 2013 festival this June bank holiday. The event – which attracted some 80,000 visitors last year – will take place at the Phoenix Park in Dublin from Thursday May 30th to Monday June 3rd.

Gerard, from Dungarvan, has won several awards and international recognition with two previous Gold medals at Bloom in 2007 and 2008. He will create a Large Garden called ‘Venture into the Wild’ in association with Waterford City Council. The design was inspired by the Comeragh mountains in Co. Waterford.

Gary Graham, Bloom Show Manager, Bord Bia said “Bloom is now in its seventh year and, as always, we have a range of stunning showgardens for the public to enjoy. The gardens have been created by top horticultural talents both from Ireland and abroad and while much of the focus this year is around the areas of sustainability and recycling, there’s also a good mix of fun, food and fashion. I hope visitors to Bloom 2013 will be both entertained and inspired by the beauty of what’s on display.”

Features Attractions at Bloom 2013

The hugely popular Bord Bia Food Village will once again offer visitors the opportunity to sample some of the finest artisan foods produced around the country. At the Bord Bia Quality Kitchen stage, we’ll be joined by some of Ireland’s best loved chefs with live cooking demonstrations from the likes of Neven Maguire, Catherine Fulvio, Martin Shanahan and Donal Skehan, among others. Meanwhile, fans of craft beer and whiskey will enjoy a visit to the ‘Bloom Inn’ and cheese lovers will appreciate that Bloom will host the Irish Cheese Awards for the first time this year.

Because it’s a family event, kids go free to Bloom and there will be a variety of entertainment options for all the family to enjoy including music and a dedicated children’s play zone with games and activities.

A new feature from Active Retirement Ireland will include fitness and exercise displays, an outdoor bowls green, bird box making and flower arranging. In-keeping with tradition, the Bloom showgardens will be complemented by a spectacular floral pavilion, featuring displays of the best of Irish flowers and plants while leading experts in the horticulture, gardening and floristry industries will appear on the Garden Expert Stage.

Other new features this year include an expanded ‘concept garden space’ allowing garden designers to explore creative ideas, ‘postcard garden exhibitions’ created by community garden groups from all around Ireland and a Botanical Art Exhibition.

Gary Graham added “There really is something for everyone to enjoy at Bloom 2013 – whether it’s flowers, food, music, crafts or family time. The involvement of organisations like the Cystic Fibrosis Association of Ireland, the Asperger Association of Ireland and Our Lady’s Hospice with show gardens ensures that Bloom is used, as it should be, to fully engage with the public and to bring important issues to their attention.”

Sponsors

New and returning sponsors for this year’s event include the Irish Independent, Fáilte Ireland, Love Irish Food, OPW, Woodies, Bord na Móna, Dublin City Council, Calor Gas and Keelings.

Tickets are on sale now and intending visitors are encouraged to book early for discounted rates by visiting http://www.bloominthepark.com

Follow Bloom 2013 on http://www.facebook.com/bloominthepark

Landscape designer to speak at Holly Springs Garden Club

Alais Fankhauser, a landscape designer with Greenscape Inc. in Holly Springs, will be speaking to Garden Club members on Garden Design. The event will take place at the Garden Club’s May monthly meeting, scheduled for May 8 at Bass Lake Park located at 900 Bass Lake Rd. from 7 to 8 p.m. The event is open to the public.

“Coming up with a design for a garden is intimidating for some people,” says Fankhauser. “Should it formal or informal? What do people mean when they talk about Charleston style gardens? What if you have a very small yard? There is not one right design that works for everyone. Garden design is very personal and should really be a reflection of the property owner.”

Fankhauser has been a landscape designer for more than 12 years. In addition to residential landscape design, she also traveled to Japan to rebuild homes and design the landscaping for the community center and the churches in Utatsu and Ishinomaki that were devastated by the tsunami.

Greenscape Inc. (www.greenscapeinc.com)was founded in 1979 and is headquartered in Holly Springs, N.C., outside of Raleigh. Greenscape’s Green Team consists of professional landscape architects, designers and horticulturists who specialize in residential and commercial landscape design/build, landscape management, and landscape specialty services including irrigation and landscape lighting. Under the Weed Man brand, Greenscape provides a full range of lawn care services customized for each property, including weed, insect and disease management, as well as aeration and seeding. Greenscape owns Weed Man® franchises in the Triangle area and Wilmington, North Carolina.

Garden city a plan for capital future

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April 30, 2013

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Chief architect Alastair Swayn welcomes public suggestions on a new Canberra


NEWS - Chief Minister Katy Gallagher announces The City Plan, City to Lake plan's to transform the city centre and surronds in the future at the National Museum ,  Acton, Canberra.                                                                                                             26th March  2013.                                                                                                                                                                     Photo by, Colleen Petch of The Canberra Times.

Chief Minister Katy Gallagher announces The City Plan to transform the city centre. Photo: Colleen Petch

The City Plan and City to the Lake project, which ACT Chief Minister Katy Gallagher unveiled for public consultation on March 26, provide the opportunity for Canberrans to express their ambitions for our city centre to 2030 and beyond.

My particular interest is in the City Plan consultation, which comes at an important time in our history. We are entering Canberra’s second century and, as the Chief Minister noted just after the ACT election last year, after 25 years of self-government, Canberra has grown up.

As an architect, I see this maturity in all sorts of places. In particular, I see a new generation of young entrepreneurs setting up businesses in Braddon and elsewhere. There is a confidence and energy among them which bodes well for the vitality and development of the whole city centre.

Perhaps ”growing up” is a consequence of Canberra reaching a population of 375,000, which can now sustain a diversity of businesses and creativity beyond our traditional government base. With Canberra’s population projected to grow to 500,000 by 2043 – and the region’s to more than 600,000 – what facilities will our city centre need to support that population?

Any decisions on the future of the city must be guided by the community. This consultation began in 2010 with Time to Talk Canberra 2030, which gave Canberrans the opportunity to have their say on the development of the whole of Canberra. It continued with the ACT Planning Strategy, which is also very relevant to any future city development.

The City Plan will build on previous consultation but also wants Canberrans to have their say on the city centre in particular. To make it easy, the ACT government has an online survey and discussion board on timetotalk.act.gov.au.

The discussion on the City Plan is arranged around five themes: the role of the city centre; growth in the city; transport and movement in and through the city; design of public spaces and buildings; and implementing change.

The City Plan also provides the context for other projects the ACT government is currently considering, such as City to the Lake and Capital Metro.

So how do we envisage our city of the future? What public facilities do we think we will need? And how do we want it to look and feel?

Much of our current public infrastructure was designed and built in the 1970s, when Canberra had a population of 150,000, and much of it is struggling to cope with current demands.

Much of the city’s commercial property is the product of the property boom of the early 1980s, when office buildings were erected quickly and cheaply without great consideration of quality or their relationship to the street.

When I raised these issues with NCDC’s chief architect at the time, the answer was ”the quality was all right because these buildings were the ‘first round’ and it would get better the second time around”. Well, it’s now time for that second round as some of these buildings become ripe for redevelopment. Let’s make the most of it.

Public facilities like the Supreme Court and the Canberra Theatre are creaking at the seams and need redesigning to suit our growing population. The Canberra Stadium at Bruce is in a similar situation, and we must ask whether a new stadium should be constructed in the city centre.

One of the curiosities of the city is the number of plans that have been developed for parts of it, yet until now, none has taken a holistic view of the city centre’s function and design since the early 1980s.

Even the National Capital Authority’s Griffin Legacy of 2004 only deals the national components of the city centre, not the whole.

The outcome I would like to achieve from the City Plan is a clear narrative that describes the role and urban design quality of the city centre, so that it is an equal partner with the Central National Area in terms of design quality and attractiveness.

The vitality of the city centre will derive from a range of interesting and quality businesses, not just a single mall of shopping.

Already, we are seeing the diversity of businesses in Braddon and New Acton providing energy and choice in shopping and social activity.

Can we do this for our iconic Garema Place, too?

Vitality also comes with more facilities. We need to consider what cultural and sporting facilities will attract more visitors – even to the same extent as some of the national institutions.

New public facilities should give us high-quality public architecture that will be landmarks of innovation and quality. As a mind picture, I think of the impact that a Bilbao-style Guggenheim Museum or a Federation Square would have on the dynamism of the city centre. I certainly think both of those complexes are examples of the cultural opportunities for which we should be striving.

But designing new architectural attractions is only part of the outcome. We experience cities at street level. Our visual and spatial experience is often limited to the underside of the tree canopy or the first two or three storeys. Therefore, how our public places look and feel at street level is critical to the way people use them. Part of the City Plan will look critically at all the design and hierarchy of streets and public spaces.

I would like to see a clarity and hierarchy in the way we experience our streets and public places.

In my view, when we walk around the city centre it should be clear that we live in a ”garden city” and a ”designed city”, which should be expressed in the quality of the soft and hard elements of landscape of our streets and in the quality of our gathering places. In their own ways Garema Place and Civic Square have a bleakness due to being too large for the buildings that enclose them. So in some ways, better spaces might be smaller and more intimate places.

I have raised only a few issues that the City Plan hopes to address, but I encourage everyone with an interest in Civic and the city centre to take the discussion further.

Professor Swayn is the ACT Government Architect. You can comment on the City Plan and the City to the Lake proposal through timetotalk.act.gov.au or the City to the Lake displays. More information: cityplan.act.gov.au


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Bamboo Fences in Famous Japanese Gardens – the New Real Japanese …

Tokyo, Japan, April 29, 2013 –(PR.com)– In Japanese gardens as well as in Western gardens, fences can have many different functions – from being mainly practical, subdividing the garden or separating it from the outside to being a more decorative element.

Bamboo is a very light material and easy to work with. It is strong, yet flexible, which allows for a great variety of practical uses and designs. As a building material for the outside, where it is exposed to sun and rain, it is relatively short-lived. Especially when the bamboo is in direct contact with water or soil, it weathers rapidly. Still, even though a fence may last only around 5 years, it ages gracefully.

Part 1 deals with the tall bamboo fences like the Katsura fence, the Kennin-ji fence and Nanzen-ji fence – all named after the temples they originated from.

Part 2 of the mini-series is about small bamboo fences like Yotsume-gaki fence, Kinkaku-ji fence, Ryoan-ji fence and Shiori-do doors.

The author Jenny Feuerpeil says: “All of the fences in this eBook are see-through fences – sukashi-gaki – an interesting design element. The garden visitor can see what lies on the other side of the fence, but cannot go there. Often used in Japanese tea gardens, this design element can be used to increase curiosity and anticipation.”

The e-book can be found on the Real Japanese Gardens – website under www.japanesegardens.jp. It currently sells for $1.95.

About: Keizo Hayano is a Japanese garden designer with 20 years of experience under his belt. He is the owner and head designer of the garden design studio Niwashyu in Shibuya, Tokyo (www.niwashyu.jp). He studied the fine arts at the Kyoto City College of Arts and loves small intimate gardens that soothe the soul. Member of the Japanese Association of Garden Designers.

Jenny is a German garden designer who came to Japan hoping to soak up the essence of Japanese design. After leaving her job at a global IT company, she studied garden design in Chelsea, London and founded the garden design label Dendron Exterior Design (www.dendronexteriordesign.com).

In 2010, she decided to go to Japan to learn the Japanese garden tradition first hand as an apprentice in a garden maintenance company near Tokyo. She loves the rough texture of natural materials, the boldness of stone arrangements and dry landscape gardens.

Both truly live their website’s motto: “We love Japanese Gardens. And we want the world to know more about Real Japanese gardens.”

Shropshire gardener designs RHS Malvern Spring Show garden

Teresa Rham - Award winning Oswestry garden designer .

Teresa Rham – Award winning Oswestry garden designer .

Teresa choosing plants for the project.

Teresa choosing plants for the project.

The garden will form part of Malvern’s celebrations marking 100 years of the Tour de France, a fitting reminder that the race will once again return to the UK next year.

Entitled ‘Single Track Mind’, Teresa’s design represents the mental strength that these top athletes need, not only to complete one of the tour’s stages but also to last the distance and complete the whole three-week race, which covers some 3300 kilometres.

The exciting scheme has three distinct planting zones to represent different stages of the race. The first will feature fresh green and white planting, alluding to the cyclist’s clear mind and fresh physical condition when starting the race.

The second stage is one many long distance racers will recognise, sees the rider in a much darker place, with planting becoming deeper, darker and sharper in tone and texture.

With the race nearing completion the third planting zone is all about celebration, the race is complete and both jubilation and relief are abundant. However, this is the smallest of the planting circles, as the celebrations don’t last long before its back to training.

A number of local companies are helping Teresa’s vision come to life including The Dingle nurseries in Welshpool who are loaning Teresa some of the specimen trees for her scheme.

Teresa who has been a professional garden designer for the last four years has exhibited at Malvern before and was part of the winning show garden team at the Shrewsbury Flower show two years ago.

She is currently working with the team at Telford Town Park to help transform one of the former Chelsea Gardens into a new sensory space and has also worked with RJAH Orthopedic Hospital and Whittingham Castle on their external spaces as well as a number of private individuals helping them transform their gardens.

The Malvern Spring Show runs from 9th – 12th May.


Designing a small garden to yield big results – Sioux City Journal

I recently moved to a home with acreage, but quickly realized that even large lots have small or quirky outdoor spaces that must be designed carefully and thoughtfully.

Fortunately, with attention to appropriate plant and variety choices, just about anything that can be done to dress up a larger space can be done on a smaller scale with equal success.

Even the smallest spaces can be made to appear larger with a few design tricks that fool the eye into thinking the space is bigger than it actually is.

Some ideas:

— Garden in layers. Layers give the illusion of more space than you really have. “Garden Up,” a book by California landscape designers Rebecca Sweet and Susan Morrison, recommends that we think in terms of three layers: top, middle and bottom. For the tallest layer, choose vines that naturally grow flat against a wall, vase-shaped plants or trees you can train or shape to allow plenty of room for planting beneath them.

In the middle layer, select plants that are 3-4 feet tall, with a vertical, light, open habit, such as perennials with tall flower stalks or finely textured ornamental grasses. The reason is how our eyes perceive depth. If we can see several things at once where we might otherwise only see one, it tricks the eye into thinking the space is bigger than it is, and gives the area a more overall lush feel.

The bottom layer should fill in the gaps and can offer multiseason interest. Select small-scale grasses, ground-hugging shrubs and compact perennials to visually anchor the bottom.

— Introduce color with non-plant selections. Depending on flower color to provide accent and impact in your design can be risky in a small space. Since every inch must count, a potentially underperforming flower display can diminish the impact, and even the most accomplished plant experts struggle here. Instead, bring in color through other objects, such as brightly painted furniture, accessories, wall objects or garden art.

— Ditch the dirt. With limited overall space, yielding some of that to a patch of dirt for planting may seem impractical, and it often is. Instead, consider making a limited outdoor space feel like a continuation of the indoors. That may include replacing dirt for brick pavers, tile or concrete. Then add an all-weather area rug to give the feel of another room. Add attractive planting containers of different shapes and sizes and fill them with a variety of plants and trees. You’ll have an instant garden, and another room to extend the living space.

— Maximize usable space. The recurring theme by all designers when it comes to making a small area look its best is to take advantage of every inch of space, especially vertical opportunities.

In just a glance, visitors may get the sense that they’ve seen all there is to see in a small garden. That can be disappointing. So keep it interesting and mysterious. Add other objects like a small water feature, or even a mirror to give the illusion the space continues. Tuck in a few surprises that require a more lingering stroll through the garden. Containers work very well, either as a focal point or when tucked discreetly in the back of a bed where they aren’t immediately on display. Other tricks include a garden path that leads beyond the field of view, even if it stops just around the corner. The eye is again tricked to thinking there is more than there actually is.

(Joe Lamp’l, host and executive producer of “Growing a Greener World” on PBS, is an author and a paid spokesman for the Mulch and Soil Council. Contact him at email@joegardener.com. For more information, visit www.joegardener.com. For more stories, visit shns.com.)

Landscape ideas for small plots

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I recently moved to a home with acreage, but quickly realized that even large lots have small or quirky outdoor spaces that must be designed carefully and thoughtfully.

Fortunately, with attention to appropriate plant and variety choices, just about anything that can be done to dress up a larger space can be done on a smaller scale with equal success.

Even the smallest spaces can be made to appear larger with a few design tricks that fool the eye into thinking the space is bigger than it actually is.

Some ideas:

Garden in layers. Layers give the illusion of more space than you really have. “Garden Up,” a book by California landscape designers Rebecca Sweet and Susan Morrison, recommends that we think in terms of three layers: top, middle and bottom. For the tallest layer, choose vines that naturally grow flat against a wall, vase-shaped plants or trees you can train or shape to allow plenty of room for planting beneath them.

In the middle layer, select plants that are 3-4 feet tall, with a vertical, light, open habit, such as perennials with tall flower stalks or finely textured ornamental grasses. The reason is how our eyes perceive depth. If we can see several things at once where we might otherwise only see one, it tricks the eye into thinking the space is bigger than it is, and gives the area a more overall lush feel.

The bottom layer should fill in the gaps and can offer multiseason interest. Select small-scale grasses, ground-hugging shrubs and compact perennials to visually anchor the bottom.

  • Introduce color with non-plant selections. Depending on flower color to provide accent and impact in your design can be risky in a small space. Since every inch must count, a potentially underperforming flower display can diminish the impact, and even the most accomplished plant experts struggle here. Instead, bring in color through other objects, such as brightly painted furniture, accessories, wall objects or garden art.
  • Ditch the dirt. With limited overall space, yielding some of that to a patch of dirt for planting may seem impractical, and it often is. Instead, consider making a limited outdoor space feel like a continuation of the indoors. That may include replacing dirt for brick pavers, tile or concrete. Then add an all-weather area rug to give the feel of another room. Add attractive planting containers of different shapes and sizes and fill them with a variety of plants and trees. You’ll have an instant garden, and another room to extend the living space.
  • Maximize usable space. The recurring theme by all designers when it comes to making a small area look its best is to take advantage of every inch of space, especially vertical opportunities.

In just a glance, visitors may get the sense that they’ve seen all there is to see in a small garden. That can be disappointing. So keep it interesting and mysterious. Add other objects like a small water feature, or even a mirror to give the illusion the space continues. Tuck in a few surprises that require a more lingering stroll through the garden.

Containers work very well, either as a focal point or when tucked discreetly in the back of a bed where they aren’t immediately on display. Other tricks include a garden path that leads beyond the field of view, even if it stops just around the corner. The eye is again tricked to thinking there is more than there actually is.

Joe Lamp’l is host and executive producer of “Growing a Greener World” on PBS. Contact him at email@joegardener.com, or visit joegardener.com.

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Celebrated terrarium artist Paula Hayes visits Meijer Gardens to talk …

“Giant Terrarium GT02,” 2009 (detail) by Paula Hayes 

GRAND RAPIDS, MI – Frederik Meijer Gardens Sculpture Park has gardens surrounding sculpture, and works of art by Rodin, Henry Moore and Mark di Suvero who were sculptors but not gardeners.

Artist and designer Paula Hayes is one of the few who puts the two together.

Frederik Meijer Gardens Sculpture Park

What: Secchia Garden Lecture with Paula Hayes

When: 7 p.m. Tues. April 30, 2013

Where: Meijer Gardens, 1000 E. Beltline Ave. NE

Admission: Lecture is free with normal admission: $12 adults, $9 seniors/students, $6 ages 5-13, $4 ages 3-4,free for children age 2 and younger.

More info: RSVP for the lecture at 616-975-3144 or email skilroy@meijergardens.org

An artist and gardener whose work unifies horticulture and sculpture will speak at Meijer Gardens next week to discuss her high-end terrariums.

Hayes gives the Secchia Garden Lecture at 7 p.m. Tuesday, April 30, 2013 at Meijer Gardens.

The New York City-based artist, who grew up on a farm, blends sculpture and garden design in a way that is uniquely hers.

“She and her work defy simple categorization—she inhabits the aesthetic…of art, sculpture, landscape design, architecture, gardening, horticulture, and environmentalism,” said Richard D. Marshall, art historian, in his forward to her recently published book titled “Paula Hayes.”

She’s best known for art terrariums of organically shaped, hand-blown glass, varying widely in size and scale from tabletop-sized domes, teardrops and “peanuts” to room-sized installations of giant terrariums called “slugs,” 14-feet long mounted to a wall or vertical models standing 13 feet high, each a well-planned landscape in miniature.

Though trained as a sculptor, the direction of Hayes’ career began almost by accident when she was invited to design a garden for an exhibition at Salon 94 in New York City, taking advantage of the fact you could see out through solarium windows into a garden.

“It was in the winter, in November through January, so it was magical,” she said. “Inside was a tropical garden and outside was the New York City winter.”

A new career as a terrarium artist was born.

“It just kind of exploded. People hadn’t really seen terrariums as works of art,” she said. “It kind of struck a nerve with this little world in a bubble that you can take care of.”

Terrariums aren’t new. They were popular in the late 1800s and again at the dawn of the environmental movement.

“In the Victorian era, they were utilitarian — sort of a parlor environment because they were used to bring plants across the ocean from tropical areas,” Hayes said. “In the 1970s, they were kind of a recycled, Mason jar, sort of a grungy thing.”

Hayes has been featured recently on CBS-TV “Sunday” and “MoMA: Behind the Scenes” and was featured in the March edition of ARTNews.

Hayes has exhibited her terrariums internationally, with recent shows at Museum of Modern Art in New York City; in the Wexner Art Center in Columbus, Ohio; and in the Tang Museum in Saratoga Springs, N.Y.

But her passion for “all things green” extends to outdoor gardens as well. She’s been commissioned to create more than 20 private gardens across the United States.

In her lecture at Meijer Gardens, Hayes will discuss her art terrariums as well as her “dumpling” planters, made of soft rubber, and her organically shaped silicone containers designed for outdoor gardens. She’ll discuss how she incorporates them within the landscapes she has designed.

Her new book, “Paula Hayes,” will be available for purchase and signing at the lecture.

“Behind the Scenes: Paula Hayes, Nocturne of the Limax maximus”

E-mail Jeffrey Kaczmarczyk: jkaczmarczyk@mlive.comSubscribe to his Facebook page or follow him on

Gardener: Designing a small garden to yield big results – Sioux City Journal

I recently moved to a home with acreage, but quickly realized that even large lots have small or quirky outdoor spaces that must be designed carefully and thoughtfully.

Fortunately, with attention to appropriate plant and variety choices, just about anything that can be done to dress up a larger space can be done on a smaller scale with equal success.

Even the smallest spaces can be made to appear larger with a few design tricks that fool the eye into thinking the space is bigger than it actually is.

Some ideas:

— Garden in layers. Layers give the illusion of more space than you really have. “Garden Up,” a book by California landscape designers Rebecca Sweet and Susan Morrison, recommends that we think in terms of three layers: top, middle and bottom. For the tallest layer, choose vines that naturally grow flat against a wall, vase-shaped plants or trees you can train or shape to allow plenty of room for planting beneath them.

In the middle layer, select plants that are 3-4 feet tall, with a vertical, light, open habit, such as perennials with tall flower stalks or finely textured ornamental grasses. The reason is how our eyes perceive depth. If we can see several things at once where we might otherwise only see one, it tricks the eye into thinking the space is bigger than it is, and gives the area a more overall lush feel.

The bottom layer should fill in the gaps and can offer multiseason interest. Select small-scale grasses, ground-hugging shrubs and compact perennials to visually anchor the bottom.

— Introduce color with non-plant selections. Depending on flower color to provide accent and impact in your design can be risky in a small space. Since every inch must count, a potentially underperforming flower display can diminish the impact, and even the most accomplished plant experts struggle here. Instead, bring in color through other objects, such as brightly painted furniture, accessories, wall objects or garden art.

— Ditch the dirt. With limited overall space, yielding some of that to a patch of dirt for planting may seem impractical, and it often is. Instead, consider making a limited outdoor space feel like a continuation of the indoors. That may include replacing dirt for brick pavers, tile or concrete. Then add an all-weather area rug to give the feel of another room. Add attractive planting containers of different shapes and sizes and fill them with a variety of plants and trees. You’ll have an instant garden, and another room to extend the living space.

— Maximize usable space. The recurring theme by all designers when it comes to making a small area look its best is to take advantage of every inch of space, especially vertical opportunities.

In just a glance, visitors may get the sense that they’ve seen all there is to see in a small garden. That can be disappointing. So keep it interesting and mysterious. Add other objects like a small water feature, or even a mirror to give the illusion the space continues. Tuck in a few surprises that require a more lingering stroll through the garden. Containers work very well, either as a focal point or when tucked discreetly in the back of a bed where they aren’t immediately on display. Other tricks include a garden path that leads beyond the field of view, even if it stops just around the corner. The eye is again tricked to thinking there is more than there actually is.

Joe Lamp’l, host and executive producer of “Growing a Greener World” on PBS, is an author and a paid spokesman for the Mulch and Soil Council. Contact him at email@joegardener.com. For more information, visit www.joegardener.com. For more stories, visit shns.com.