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In the Garden: Garden Design: A Variety of Approaches

By Charles Kidder

Gardeners love to plant shop. What they like less is returning home with the new acquisitions and trying to figure out where they’ll fit in their garden. But would a good garden design have prevented this problem? Or do we, in fact, have a “problem?”

To the committed plant-nut, the answer to the second question might well be, “Maybe not.” But most homeowners appreciate more order in their landscape, so for them garden design is worth thinking about. But where do you start?

There are many good books on garden design, as well as DIY computer software, but for now I’ll assume that you’re looking for professional help. Perhaps you don’t have a lot of gardening experience, or maybe you’ve just built a new home and are a bit overwhelmed by all the open space. So, whom do you call?

Many people would say a landscape architect or a landscape designer, using the terms almost synonymously, although there’s a significant difference. The first earns a degree in Landscape Architecture; for example, a master’s degree requires either two or three years at U.Va., depending on the student’s undergraduate background. Like other architects, landscape architects concern themselves with space and the structures that define it, as well as how people interact with those spaces. They may work at quite large scales—think New York’s Central Park and its creator Frederick Law Olmsted—down to the individual residence. If you peruse the website of the U.Va. landscape architecture program, you’ll get a better idea of the faculty’s areas of expertise. You’ll see that plants are a topic that’s certainly covered, but often just as another way to define and cover space. Still, landscape architects are aware of the benefits that plants provide to people and the environment.

To get a better idea why someone might chose a landscape architect over other design professionals, I picked a local one totally at random. I chatted a bit with David Anhold, principal at Anhold Associates in Greenwood, and he confirmed my feeling that an LA would be more focused on the spaces and overall function of a site, whereas a designer might just be concentrating on the “decorative” aspects. In answer to a question, he also guessed that not too many folks with a quarter-acre suburban lot would call on the services of an LA, although it’s not entirely out of the realm of possibility.

And what about a landscape designer, or a garden designer? These are unofficial terms that anyone could apply to themselves, although in some cases they may have done considerable study at the university level. Most often, this would be through a horticulture department, generally at a state land-grant institution like Virginia Tech, or perhaps at a community college. A horticulture major learns all about plants—their names and ornamental features, how to grow them, their diseases and pests, etc.—and possibly how to design with them. The emphasis is definitely on the plant, and depending on the student’s interest, design may be of secondary importance. Remember that although a landscape designer may have received considerable formal training, it’s not a requirement. Anyone with gardening experience and a good eye could call themselves a garden designer. And they might be very good at it.

Landscape architects and landscape designers are often independent business people, although in some cases they may be associated with a garden center. Garden centers sometimes offer “free” design services, but usually there’s a catch. They have to make a living, of course, so the design will use the plants they sell. To some degree, the cost of the design will be built into the price of the plants. Independent LAs and designers will be charging you only for the design; then they have more latitude to deal with various contractors and plant suppliers if you also want them involved in the implementation.

Just what type of design assistance you pick will ultimately depend on your particular situation: the size and complexity of your property, the size of your budget, your interest in plants and gardening, etc. It might be best to talk with someone from each profession/business to see how they can help you. Particularly with designers and LAs, you will want to see photographs of their work and check references. Ideally, you’ll want to visit an actual property they worked on, assuming you have the owner’s permission. If you are able to talk with the owners, you can also find out how easy it is to maintain the landscape, an aspect of design that’s too often overlooked.

* * * * *

This past spring I was contacted by Sophie Laclef and Charlotte Thomas-Clarke from Girl Scout Troop 352. They wanted to undertake a project to beautify the Region Ten Community Services building on Crozet Avenue in order to receive their Girl Scout Bronze Award, the highest award that Junior Girl Scouts can receive. They were dealt a very tough hand: two long, very narrow planting “beds,” really more like sunken planters, and they needed some gardening advice. Thanks to their hard work, native flowers now grace the building. Kudos to Sophie and Charlotte!

 

Universal design: Homes that welcome all ages, abilities

It seems that baby boomers get the credit and the blame for a lot of cultural trends. Those of us born between 1946 and 1964 are such a huge demographic bubble in the national population that the sheer numbers tend to result in specific and recognizable shifts in everything from consumer spending to health care issues.

One of those trends involves residential architecture that reflects and accommodates the realities of aging, either by boomers or their parents. Often referred to as “universal design,” this discipline recognizes that throughout their lives and especially in their later years, people have differing physical and sensory abilities that their living environment can and should accommodate. Through illness, accident or simply the normal changes brought on by aging, most of us will discover how things considered “standard” features in a home become barriers and obstacles when abilities we once took for granted are gone or compromised.

These changes, and the ways homes can be designed or adapted to them, are the subject of Deborah Pierce’s The Accessible Home. Pierce, an architect, offers a comprehensive look at design features that remove barriers and improve access, and that make for greater independence and a better quality of life. But more important, she uses the book’s introductory sections to provide a broad context that is about people rather than about buildings.

Probably our most iconic cultural image of “disability” involves a person in a wheelchair trying to cope with unfriendly obstacles such as curbs, stairs, narrow doorways or out-of-reach storage cabinets. However accurate on some levels, such a narrow definition of the term is decidedly incomplete, as Pierce explains. While extreme or permanent disabilities might be relatively rare, other limitations affect one out of four persons at some point in their lives, and not all the issues are related to mobility.

Conditions such as partial or complete loss of hearing or eyesight, for example, are far more common than severe spinal cord injuries or other limitations that prevent walking, and they can present numerous difficulties in coping with everyday tasks. Degenerative neurological conditions can affect balance, space perception and muscle control. Joint pain or arthritis can make it difficult to use doorknobs, faucet controls, cabinet latches and other common hardware. Even ordinary decreases in strength or flexibility can render an otherwise cherished home unfriendly, and Pierce notes that most homeowners queried want to “age in place,” that is, to stay in their home even if they become disabled.

With this broader perspective outlined, the book turns to the specifics of design. As Pierce understands and conveys it, ”universal design” aims at creating buildings and spaces that allow use by the disabled and able-bodied alike. The best features, she emphasizes, are user-friendly to all persons and don’t give the home an institutional look or a makeshift appearance of improvised afterthoughts that detract from a home’s aesthetics or value. The details of the best designs are many and varied, but some features are common to nearly all the homes featured:

•  Wider traffic areas: Hallways, door openings and other “corridor” spaces should be wide enough (typically 36 inches minimum) to accommodate a wheelchair.

Signal Hill Council approves community garden design – Long Beach Press



signal hillA 26-space community garden with tool sheds, work benches and granite paths is scheduled to open by April 2014, but some council members expressed concern at the fee for residents.

The City Council approved the conceptual design of a community garden at 1917 E. 21st St., adjacent to Signal Hill Park, but agreed to revisit the topic six months after the garden opens to see if the fees are too expensive.

The city has allocated $120,000 in the 2013-14 fiscal budget for developing the garden. Councilwoman Tina Hansen was absent from the meeting.

Annual costs in staffing, water usage and maintenance is $4,534, so the annual cost per space to individual gardeners would be $175.

The council last week approved the conceptual garden design, by a 4-0 vote.

Councilwoman Tina Hansen was absent from the meeting.

Previous to the council approving the design, the Parks and Recreation Commission had meetings about the proposed garden. Some residents said the $175 a year fee was too expensive, so the commission proposed a six-month and one-year contract rather than only a 12-month one.

At Tuesday’s meeting, council members Larry Forester and Lisa Woods also said the $175 fee was too high and hoped the costs would drop.

“You would have to be pretty busy to grow $175 worth of vegetables on that plot,” Woods said. “I hope we find out the price will go down.”

Mayor Michael Noll said working with nonprofits might help lower the costs.

In addition to the fee, a $100 refundable deposit would be charged to each gardener. The deposit would be returned if, after leaving the garden, the space is clear of plants and ready for the next tenant.

If a garden space is abandoned and left with plants, the deposit would be used to pay the city’s landscape contractor for clearing the area. If the cleanup cost is less than $100, the balance would be refunded to the gardener.

The parks and recreation commission has established a set of rules and guidelines for the garden regarding operations, approved planting and care and maintenance.

Bids for the project are scheduled to be accepted in October and awarded in November. Construction is scheduled to begin in January, Community Services Director Pilar Alcivar-McCoy said.

Contact Phillip Zonkel at 562-714-2098.

3 Crapemyrtles perfect for the southern garden

If the fear of pruning a crape myrtle has held you back from owning one in your own home garden then the Garden Docs want to help you get over that fear. Their Sept. 6 advice on The Press Democrat about how to prune these beautiful garden additions starts with emphasizing the need to know where to plant your crape myrtle, so you can prune it less.

Successfully planting the Delta Jazz Crapemyrtle or the Early Bird Crapemyrtle available in Lavender, Purple or White is a snap, since the Southern Living Plant Collection website tells you exactly how tall each should be by maturity, so you can plant them in appropriate spaced settings.

Choosing the right location for a 6-foot tall to 4-foot wide white Early Bird Crapemrytle means you can let it grow more freely and have to prune it less. If you plant it in a space that is too small for it; however, you will spend more time pruning it than you will have to enjoy its blooms each year. And no one wants to do that.

In addition, the Southern Living Plant Collection crapemyrtles only have to be pruned once annually, after they bloom in the spring. So there is no guesswork. That’s partially why the Atlanta Landscape Design Examiner chose SLPC’s Delta Jazz Crapemyrtle for her trial garden in North Georgia. That and the fact that it has such beautiful deep-colored blooms as well as lovely leaves for fall and winter.

Interested in more gardening and landscape news and tips? Click on the subscribe link next to my photo at the top of this page and immediate email notifications of each new article will soon follow.

Less Is More: Boutique Design Firm Delivers Big Results for Wyndham Garden …

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Accent Hospitality Boutique gives a fresh look to the lobby of the Wyndham Garden Hotel with a luxurious European inspired design.

Working with Accent Hospitality Boutique allowed us to differentiate ourselves from this set design standard and in return enhance the experience for our guests.

Plantation, FL (PRWEB) September 06, 2013

Bigger is not always better when it comes to choosing a hospitality design firm. The recent conversion of a well-worn Chicago-area Comfort Inn into a light and modern Wyndham Garden Hotel in Elk Grove Village, Illinois, is a great example. The owner of the property chose Accent Hospitality Boutique to give the hotel a competitive advantage in a market vying for the business traveler with its proximity to Chicago O’Hare airport. Since opening in March, Wyndham Garden in Elk Grove Village has become the number one hotel on TripAdvisor.com.

Shaun Meister, Project/Opening General Manager for the Wyndham Garden renovation, points out that there are numerous regulations and brand standards to take into consideration. Working with a smaller firm, however, makes a difference. “Working with Accent Hospitality Boutique allowed us to have a team putting together a unique design plan that is different from any other Wyndham Garden property, but still adheres to the required brand guidelines set in place,” said Meister.

All trends point to creating a unique guest experience, a cornerstone for many smaller design firms. “Many hotel brands have a set design package for their rooms…a traveler could be staying in a specific branded hotel in any city or state and they will essentially get the same room with the same ‘look and feel.’ Working with Accent Hospitality Boutique allowed us to differentiate ourselves from this set design standard and in return enhance the experience for our guests,” said Meister.

Formerly a Comfort Inn, Rose, Design Concierge of Accent Hospitality Boutique, faced the unique challenge of decorating non-standard guestrooms. “I approached the project with European inspiration by infusing the smaller space with luxury items to make it seem larger,” she said.

Smaller firms often have a network of sources offering unique procurement options from around the world. Rose and her team ordered special furniture pieces a few inches shallower than standard so guests could navigate the room comfortably. The vanity sink located outside the bath area was given a touch of luxury with a granite surface and backlit mirror. The 37-inch television console includes a pullout Keurig® machine. Furniture follows modern lines, including the Herman Miller Sayl chairs in the conference room.

In the end, Meister says the biggest benefit in working with a boutique-size firm is personal attention and follow-up. “Rose was my main point of contact and was readily available with any questions and comments along the way… from planning stages, to delivery and set-up of FFE, and everything in between. It was nice to have one person who was so dedicated and knew our project inside and out. If the team had questions we knew we would get a prompt and efficient response. In addition, Rose follows up like no other vendor I have ever worked with….she truly takes the time to ensure that things are delivered and taken care of the way they are promised to be. If something goes wrong or there are any mix-ups – which we all know happens when it comes to renovations or openings – Rose is there to fix the situation and ensure all is well.”

Awash in neutral colors of the brand with “pops” of blue and green, Accent Hospitality Boutique’s team worked with the hotelier’s vision to open up the lobby area with a series of high windows to let in the light. A revenue-producing full-service restaurant and bar now offer guests an inviting place to hold business meetings.    

Keeping in mind the hotel’s major target audience, traveling business executives who need access to the airport, hallway walls feature stylized black and white photos of airport travelers in motion. A touch screen with real-time flight information offers travel updates in the lobby and modern sculpture pieces add artistic beauty throughout the facility with an impressively sized, wire-frame sphere sculpture as a focal point in the lobby.

According to Meister, it has never been more important for hoteliers to emphasize their uniqueness. “Hoteliers are all about giving their guests something special and unique to set themselves apart from their competition and have travelers choose to stay at their property. It is absolutely imperative that hoteliers put themselves in the guest’s shoes when making decisions during a renovation or new property opening. Everything from the outside to working your way in the building is thought with the guest in mind,” said Meister.

About Accent Hospitality Boutique

Accent Hospitality Boutique is a full-service hospitality design and procurement firm that provides luxury design for the midscale brand hotelier located in Plantation, Florida. With an emphasis on ROI, they provide a host of interior design, project management and improvement services for newly constructed, renovated or re-branded hospitality properties.

Contact Accent Hospitality Boutique at 954-305-9516 or visit http://www.accenthb.com.

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Architect’s book focuses on ‘universal design’

The changes brought about by illness, accident or aging, and the ways homes can be designed or adapted to them, are the focus of Deborah Pierce’s “The Accessible Home.”

Pierce, an architect, offers a comprehensive look at design features that remove barriers and improve access, and that make for greater independence and a better quality of life. But more important, she uses the book’s introductory sections to provide a broad context that is about people rather than about buildings.

Probably our most iconic cultural image of “disability” involves a person in a wheelchair trying to cope with unfriendly obstacles such as curbs, stairs, narrow doorways or out-of-reach storage cabinets. Such a narrow definition of the term is decidedly incomplete, as Pierce explains. While extreme or permanent disabilities might be relatively rare, other limitations affect one out of four persons at some point, and not all the issues are related to mobility.

Conditions such as partial or complete loss of hearing or eyesight, for example, are far more common than severe spinal cord injuries or other limitations that prevent walking, and they can present numerous difficulties in coping with everyday tasks. Degenerative neurological conditions can affect balance, space perception and muscle control. Joint pain or arthritis can make it difficult to use doorknobs, faucet controls, cabinet latches and other common hardware.

Even ordinary decreases in strength or flexibility can render an otherwise cherished home unfriendly, and Pierce notes that most homeowners queried want to “age in place,” that is, to stay in their home even if they become disabled.

As Pierce writes, the best features of universal design are user-friendly to all persons and don’t give the home an institutional look or a makeshift appearance of improvised afterthoughts that detract from a home’s aesthetics or value. The details of the best designs are many and varied, but some features are common to nearly all the homes featured:

Provide wider traffic areas: Hallways, door openings and other “corridor” spaces should be wide enough (typically 36 inches minimum) to accommodate a wheelchair.

Keep sight lines open: Connections between rooms should be as open as possible, both for traffic issues and to avoid any one shared space from being too isolated.

Introduce contrasts: Especially for sight-impaired persons, colors and textures can be simple and reliable indicators of a change in direction, floor level or other features.

Choose user-friendly hardware: Manual dexterity and grip strength vary widely in individuals and will change for one person over time, so plan for those differences. Lever door handles (versus round knobs) are a good example of friendlier design.

Multilevel storage: Allowing access to storage at many levels ensures that items can be placed and retrieved by the person who uses them most, whether standing or sitting.

Expand bathrooms: Bathing and grooming rituals and toilet use are daily practices that may require assistance for some, so spaces should allow for both mobility aids and human helpers.

Window placement: Taller windows, with their sills placed low, help ensure that everyone can take in the views.

There are dozens of other smart amenities and details built into the book’s featured homes, and Pierce devotes entire chapters to different room types – approaches and entries, living and dining areas, kitchens, baths, bedrooms and utility spaces.

The book does a nice job of balancing the human and technical issues of a complex subject and of highlighting good design aesthetics in the process. It seems most discussions of universal design topics are short articles focused on wheelchair users. The broader approach that Pierce takes here is a welcome and eminently useful exception.

Massive Vertical Garden Sets The Stage For Paris Design Week

Not to be outdone but the recent unveiling of London’s newest green wall, Paris recently became home to it’s own impressive living edifice. Named the Oasis of Aboukir, the living work of art is an homage to biodiversity and the importance of greenery in one of the world’s most famous cities.

Designed by botanist and vertical gardening expert Patrick Blanc, the Oasis was installed on the gable end of a building overlooking three very busy motorways: Montorgueil, Reaumur Sebastopol and Grands Boulevards. Now, the thousands of motorists who pass through “the triangle” every day will enjoy 25 meters of wall planted with some 7,600 plants representing 237 different species.

Oasis of Aboukir Vertical Garden Patrick Blanc

Image via Patrick Blanc

According to Inhabitat, the City of Light’s newest green wall was planted in celebration of Paris Design Week, an annual event that runs September 9 – 15. Although the lush wall of greenery looks like its been growing for years, construction only began seven short weeks ago. Blanc’s original sketches show a leaf-like pattern reaching diagonally across the building’s face, and he used plant species of varying colors and textures to fill in the design.

Oasis of Aboukir Vertical Garden Patrick Blanc

Image via Patrick Blanc

The expert planning and quick execution of this luscious living art are the result of a lifetime of study. Blanc has studied living walls since childhood, and invented the first vertical garden in the Cité des Sciences et de l’Industry in Paris in 1986, according to Velib Paris. He has since created plant-based art all over the world, including a vegetable dress for Jean-Paul Gaultier’s fashion show in 2002.

The Oasis of Aboukir will be officially inaugurated on September 10th, during Design Week.

10 Best Garden Design Apps for Your iPad

  • Aimed at the serious vegetable, fruit and herb gardener, this app helps plan for next year’s harvest. Fortunately there is a video tutorial to get you started, because the app has many features and, on first look, does not seem intuitive. It will find your location and keep track of plants to grow in your climate and when to plant them. With free registration at gardenplanpro.com, you can keep track of your garden, store a backup plan, and receive email planting reminders. Save up to five years of garden information, including notes about your successes and failures. It will remember where you have planted your crops and alert you if you need to rotate something to a different location.


iPad app Florafolia l GardenistaiPad app Florafolia l Gardenista

  • Marnie Majorelle, of the Brooklyn garden design firm Alive Structures, recommended this app to me and says it’s helpful if you use native plants.  It is a compendium of plants which you can browse or search by specific criteria.  Plants are organized by trees, shrubs, grasses, flowers, ferns, and vines.  You can search by a long list of characteristics including growing conditions (sun exposure, water needs, USDA zone); flower color; leaf shape; autumn foliage color; wildlife benefit (“attracts butterflies”), and season of interest.  There is an easy-to-use notes section where you can write comments about a plant and there is a handy “favorites” section. 

5. The Landscaper’s Companion—Plant and Garden Reference Guide, $6.99 from Stevenson Software

  • Another compendium like Florafolio, this app can help you make and organize plant lists for yourself or your clients. Manhattan Garden designer Bruce James of  City/Country Gardeners says he uses this app even though he found the search function somewhat difficult to get used to.  The Landscaper’s Companion offers an extensive database of plants (it claims 26,000) you can search by various criteria including size, color, cultivation requirements, and resistance to deer. As with Florafolio, there is a “favorites” file for organizing plant selections.  You can also email plant lists and individual plant fact sheets… a very handy way for the professional gardener to communicate with clients. To add your own pictures, you have to upgrade to the $9.99 “Professional” version. 

 


garden design app for iPad l gardenistagarden design app for iPad l gardenista

6. Dirr’s Tree and Shrub Finder, $14.99 from Timber Press

  • Several garden designers recommended this app to me, which is not surprising since Michael Dirr is a rock star of the horticulture world. His exhaustive The Manual of Woody Landscape Plants ($67.41 at Amazon) is revered and universally depended upon by serious gardeners.  The app is based on the classic book and purports to cover 9,400 woody plants including trees, shrubs, vines, and ground covers.  The photos are excellent. Tap on Aesculus parviflora, Bottlebrush Buckeye, and you get a choice of three varieties. Tap on the photo of the species and you get six larger pictures, including an amazing closeup of the flower. However, not every entry is illustrated.  Aesculus chinensis, Chinese Buckeye, is one of many with no picture.  It’s disappointing, and I’m hoping this will be corrected in updates. Like Landscaper’s Companion, it has a favorites tool and you can email plant info.  I found the search function rather mysterious and would have appreciated some instructions.

7. Foolproof Plants for Small Gardens, $2.99 from Sutro Media

  • This specialized app lists fewer than 100 plants, all handpicked to work in a small garden.  There is an informative introduction page which tells you what information is included about each plant and describes how the search function should be used (Dirr app designers, take note).  Type in “Echinacea” and you get Echinacea purpurea, Purple Coneflower. Tap on the photo and you get two other shots, all with the photographer’s name noted in the bottom left corner. Along with the usual cultivation tips there is a pronunciation guide and a link to an online nursery where you can buy the plant.


Garden design iPad app for layout and planning l GardenistaGarden design iPad app for layout and planning l Gardenista

8. Garden Tracker-Bumper Crop, $3.99 from Portable Databases

  • This app is for the vegetable gardener.  It will help you create a graphic illustration of your bed, showing which crops you have planted. You can choose from the pre-loaded list of vegetables with their growing information or add other plants or varieties of your own.  After you set up the garden, you can input dates for watering, fertilizing, and harvesting.  There is a “Pests” feature with a (non-searchable) list of more than 50 insects and diseases common to vegetable gardens.  Unfortunately the photos are quite small, which is frustrating because many pests resemble each other.  In what appears to be compensation for that shortcoming, there are links to posts with more information on Wikipedia and Google.

9. Gardening Toolkit HD, $3.99 from Applied Objects

  • This app lets you select plants from a database and move them into up to four virtual gardens.  Because there is no feature to record the dimensions of your actual space, these “gardens” are really just lists of plants.  In the database is information about a plant’s cultivation needs, but when you add it to your garden most of the cultivation information disappears.  It is frustrating to have to go back to the database every time you want to know more about the plant, although there is a space for making notes. When you add a plant, the app automatically lists the current date as the planting date. This is confusing if you are planning a garden that you will plant later.

10. Perennial Match, $4.99 from Harmony Systems, Inc.

  • This app contains an easily accessed database of perennials, but its real purpose is to allow you to see how plants look together.  You select from a long list that includes a lot of natives and place them in a template that shows their photos side by side.  Tap the data button and it will display the requirements for each plant in adjoining columns for easy comparison.  If you can’t find the plant you want, it is not difficult to add a photo of it as long as you know both its Latin and common names.  The template will only allow a maximum of three plants to be compared at one time, which some users may find limiting.

By the way, if the idea of taking your beautiful, shiny iPad out into the garden with its dirt and water hazards fills you with dread, here’s a tip.  Seal it up in a plastic bag.  It will stay clean and dry and still respond to your touch.

Want to ID plants and leaves on the fly? See Identify Leaves and Flowers (There’s an iPhone App for That)

For more, see The Top 10 Gardening Apps You Need Now.

American Institute of Floral Designers recognizes Tiger Garden supervisor

In the sea of pastel petals, there was one bridal bouquet that belonged to Kim Martin.

Martin, an instructor of floral design in the College of Agriculture, Food and Natural Resources’ Division of Plant Sciences, said the piece was crucial in her evaluation by the American Institute of Floral Designers at the 2013 National Symposium in Las Vegas. She constructed five floral designs in four hours with the hopes of receiving accreditation by the national institution.

On Aug. 26, two months after the symposium, she was invited back to the 2014 Symposium in Chicago to officially become a member.

“My main goal is giving Mizzou’s program some value,” Martin said. “I’ve been creating and building this program for a long time, and I want it to be a successful and valuable part of the industry.”

Martin serves as the supervisor of Tiger Garden, as well as the Certified Floral Designer adviser of the MU chapter of the Student American Institute of Floral Designers.

Through her accreditation, Martin said she hopes that other floral programs will recognize her student’s work on a broader and more professional scale.

“AIFD is a big deal in the industry,” Martin said. “So I think now other industry members will see us as having validity.”

Originally, Martin said she didn’t feel the need to go to the Las Vegas Symposium for official AIFD membership.

Martin said her close friend and mentor Karyn Brooke, owner of Sidelines Custom Floral Designs in Kansas City and AIFD member, motivated her to continue with her evaluations.

“Since I got CFD the first time I was evaluated, I didn’t need to go back to keep our chapter because we had other AIFD sponsors and I could be their adviser as long as I wanted to,” Martin said. “So I didn’t really have to test the second time, but Karyn told me she thought I should test again.”

Brooke said she felt confident in Martin’s abilities and believed her accreditation would help her students learn and grow.

“I think that, as the instructor of those students, she needs to represent what they can become,” Brooke said. “It says that this person cares about what they do enough to want to become the very best they can be.”

Brooke said she tried setting up some floral design programs with local schools in previous years and was very impressed with the program that Martin had been able to start at MU.

Brooke said she has done everything in her power to aid Martin and the MU chapter since meeting her students at the 2012 Miami Symposium, including helping Martin prepare for this year’s evaluation.

“I would call her a mentor, especially as far as AIFD goes,” Martin said.

Brooke said she felt that Martin succeeded in putting on an impressive show at the Las Vegas Symposium for her students and the judges.

“She showed the judges what she was made of,” Brooke said. “She knew how to work with a small amount of materials and make it extraordinary.”

Now Martin just has to wait for the 2014 Symposium, where she will participate in a pinning ceremony to become an accredited member.

Martin said she plans on attending future symposiums along with the MU chapter, not only to fulfill AIFD membership participation requirements, but also to give her students the experience as well.

“Education and learning new things through opportunities like symposium is really important,” Martin said. “That’s the purpose of the program.”

THE FRAGRANT GARDEN: More common landscape design mistakes – Austin American

This week, I will continue with my treatise on common landscape design mistakes. In addition to not having a well thought out plan for the landscape, not considering views both into and out of the defined space, and under-sizing various spaces within (patios, walkways, etc.), too often homeowners make the mistake of mismatched style. Old-fashioned homes with bilateral symmetry usually dictate a more formal style in the landscape. The exception to this might be the use of cottage garden style, with an abundance of flowering plants enclosed by a wooden fence of some sort. Ranch homes often look best with an informal and curvilinear layout and simple foundation plantings, island beds and swathes of lawn between. Modernist houses call for uncomplicated design with clean lines and architectural plantings.

More recently, the desire to contrast landscape with urban life in general has brought a more natural and wild feeling to the modernist residential garden. Limiting hardscape materials to three different treatments at most and choosing existing building materials from the structure itself (i.e. brick, stone, etc) can also help to connect the style of the home with the surrounding landscape.

Failing to plan for landscaping that is energy-efficient and environmentally sustainable is another common problem. Planting large trees that will shade the southern and western exposures, screening large windows from afternoon sun and planting evergreen hedges that will diffuse cold winds out of the northwest are all ways of using landscape plantings to temper harsh environments and save energy overall. Choosing plants that are well adapted to the climate, as far as both temperature extremes and water requirements, will also create a landscape that requires far less maintenance while still providing beauty and interest over time. Less maintenance allows for more time spent relaxing in the garden.

Many homeowners forget to consider adapting their landscapes to children, pets and wildlife, as well. Choosing plants that are not poisonous to humans and animals, organizing the garden in layers that provide cover and nesting places for birds and other fauna (and hiding places for children), choosing plants that are less often eaten by deer (in the suburban and country setting) and providing a safe water source for wildlife without the depth that could lead to a child drowning might all be considered in the design.

Another common mistake is impulse buying at the nursery and then bringing home plants without thought for where they will best succeed in the garden. This can also lead to too much variety in plantings and a sense of confusion rather than a sense of order and serenity. Planting specimens too close together, too close to the structure and too large for the space in general also happens too often. Park-like trees in a small town garden may shade the entire lot and planted too close to the house may, with time, encroach on a roof-line or exterior wall. Planting trees, shrubs and perennials too close to each other sets the homeowner up for a lifetime of unnecessary pruning and potential problems that result from poor air circulation, such as fungal diseases. Planting trees and shrubs too deeply can also cause death of a plant in the long run.

Many homeowners don’t consider designing for interest in all four seasons. Choosing plants that will provide a sequence of bloom from spring to summer and then into fall and winter makes for a much more interesting garden. Plants that not only flower, but provide fall leaf color, berries and seed pods, add to the charm of a well-planned landscape and also provide food for wildlife. The bark of trees such as sycamores and crepe myrtles bring beauty to the garden when little other color or texture is apparent.

A garden need not be developed all at once, but spending time and money to develop a plan in the beginning will save money and mistakes in the long term. One can hire a landscape designer to assist in the planning or attempt to design on your own, with the help of books and information from the internet. Either way, the results will be much more sustainable and pleasing than the “plant as you go” method taken by many homeowners.