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Home and garden briefs: Designers transform house at Krug Winery

Traditional Home Magazine has chosen top designers from the Wine Country and beyond to transform an old guest house at the historic Charles Krug Winery in St. Helena into a surprisingly sleek and ultramodern interior showcase.

The Napa Valley Showhouse, open through Nov. 17, is a window into how the now classic modernist design of the mid-20th century has matured into the 21st century, with eclectic mixes of contemporary and antique elements, machine-made and natural surfaces, retro and up-to-the-minute trends.

Among the 10 design firms tapped to bedazzle visitors with fresh ideas, fabulous product finds and the latest design ideas is Jacques St. Dizier, the Louisiana-born designer with headquarters on the Healdsburg Plaza.

The showcase will be open Tuesdays through Sundays from 10:30 a.m. to 5 p.m. It will be closed the afternoon of Nov. 8 and all day Nov. 10. The $40 admission includes wine tasting. Advance registration is recommended.

The winery, which has just undergone a major renovation of the original 1872 Redwood Cellar by renowned Napa Valley architect Howard Backen, is located at 2800 Main St./St. Helena Highway 29. For information, visit traditionalhome.com/napashowhouse or charleskrug.com.

ROHNERT PARK: Pearson to discuss sustainability

It’s a word that is thrown around a lot, but just what defines “sustainability”?

Master Gardener Kim Pearson will discuss the concept, and why it’s important for the future to employ sustainable practices in our own gardens right now, during a free talk Oct. 26 at the Rohnert Park-Cotati Library. Using the example of a small garden, she will suggest projects that could transform a typical yard into a more environmentally friendly space that is both beautiful and enjoyable. 6250 Lynn Conde Way, Rohnert Park. For information, visit ucanr.edu.

KENWOOD: Free autumn walk at Wildwood Nursery

Sara Monte, the owner of Wildwood Nursery in Kenwood, will lead a search for gold in her own garden at 2 p.m. Oct. 26. The free autumn walk through the nursery’s garden will focus on trees whose foliage provides rich golden tones in the fall. 10300 Sonoma Highway., Kenwood. For information, call 833-1161.

SONOMA: Olive expert Landis offers free tips

Make the best of your olive harvest, whether you have one tree or an orchard, using tips from Don Landis, the olive man.

Landis will give a comprehensive talk Oct. 27, beginning with the history of the olive and focusing on ways to debitter this winter fruit, making it edible without using lye. 11 a.m. to 2 p.m. Free, but RSVP required; call 940-4025. Held at Cline Cellars, 24737 Arnold Drive, Sonoma.

SANTA ROSA: Garden Club selling ‘Christmas Rose’

Tired of decorating with the same pedestrian poinsettias for Christmas? The Santa Rosa Garden Club is selling two awesome alternatives for holiday decor or gift-giving.

As a fundraiser, the club is selling a “Christmas Rose” hellebore with snow-white petals and bright yellow centers on flowers that pertly look up, rather than drooping down like most hellebores. A Christmas Rose can jazz up your late-winter garden after you have enjoyed its beauty indoors. It is drought-tolerant and likes shade with morning sun.

The club is also featuring the Shooting Star hydrangea, with brilliant white multi-petaled stars that shoot out like fireworks. It’s the longest-lasting of the lace cap hydrangeas and thrives both indoors and outdoors.

Cost for either plant is $21. Proceeds benefit the club’s scholarship program for horticulture students at Santa Rosa Junior College. Deadline to order is Oct. 31, with plants available for delivery on Nov. 22 in Healdsburg, Petaluma, Sebastopol, Sonoma and Marin. They can also be picked up between noon and 3 p.m. Nov. 25 at the Luther Burbank Art Garden Center in Santa Rosa.

Checks can be made payable to Santa Rosa Garden Club and sent c/o Sharon Whitten, 8001 River Road, Forestville, 95436. For information, call 537-6885 or email gardenclubevents@yahoo.com.

SANTA ROSA: Hands-on workshop on propagating plants

Garden designer Gail Fanning will demonstrate how to propagate plants during a hands-on workshop Oct. 19 at the Harvest for the Hungry Garden in Santa Rosa.

Fanning will show how to create new plants from perennials and shrubs such as rosemary and roses, using soft wood cuttings. The free workshop will be from 10:30 a.m. to 12:30 p.m. at 1717 Yulupa Ave., Santa Rosa. For information, call 484-3613.

SANTA ROSA: Bargains on plants at Willowside School

Willowside School’s nursery offers good bargains on a wide selection of plants suitable for fall planting.

The student nursery will hold its next Saturday sale Oct. 19, featuring perennials, roses, grasses, trees, succulents and more, 9 a.m. to 2 p.m. at 5299 Hall Road (corner of Hall and Willowside Road) in Santa Rosa. For information, call 569-4724.

HEALDSBURG: End-of-season fest at Russian River Rose

The Russian River Rose Company celebrates the end of the season Oct. 19 and 20 with a Russian Tea Fragrance Festival inspired by the region’s early Russian settlers and the Russian heritage of owner Mike Tolmasoff.

The festivities include live folk, Slavic and gypsy music, tea leaf readings, rose tea samplings, rosewater-infused nibbles by Chef Jake Martin of Restaurant Charcuterie of Healdsburg, and cups of Russian “Sweee-touch-nee Tea” prepared in antique Russian samovars. Visitors are invited to stroll the gardens, still colorful with late blooming roses.

Cost is $5. Hours are from 10 a.m. to 5 p.m. at 1685 Magnolia Drive, Healdsburg. Information: 433-7455 or russian-river-rose.com.

You can direct Home and Garden news to Meg McConahey at meg.mcconahey@pressdemocrat.com or 521-5204.

Auckland Garden Designfest Bursts Into Bloom This November

Auckland Garden Designfest Bursts Into Bloom This
November

For immediate release: Wednesday 16
October 2013

Celebrating Auckland’s
extraordinary landscaping, design and artistic talent

First-time gardeners, the green-thumbed and
landscaping professionals alike are invited to take part in
the second biennial Auckland Garden DesignFest 2013, on
16-17 November across the Auckland region.

Twenty-five of
the city’s most spectacular residential gardens will be
open to the public—nearly all of them for the first
time—in a celebration of the incredible landscaping,
design and artistic talent Auckland has to offer. Visitors
have the opportunity to explore the grounds over two days,
speak with each garden’s designer onsite, and gain
inspiration for their own gardens coming into summer.

The
Festival’s Joint Chairperson, Rose Thodey says, “We’re
proud to have so many experienced designers taking part in
this year’s Festival. Thanks to them, and the generosity
of the gardens’ owners, we’re able to show the enormous
difference good garden design can make to a property.”

“All the Festival gardens are incredible, but they
follow simple principles that anyone can use in their own
backyard, if they know how to apply them. So it’s about
showing people how easy and worthwhile it can be to use
effective garden design techniques to make their outdoor
environments more enjoyable spaces to live in.”

Some of
the Festival’s highlights include: a Lake Pupuke garden by
up-and-coming designers Matt McIsaac and
Mat Ransom which featured in the 2009 film
Under the Mountain; one of New Zealand’s most
beloved designers, the internationally-recognised
 Xanthe White presents two gardens—one a
Herne Bay property incorporating brick salvaged from the
2011 Christchurch earthquake, with a range of edible and
medicinal plantings, the other in Mt Eden, with flowery
natives and gorgeous lagoon effects; Damian
Wendelborn
collaborates with artist Desna
Whaanga-Schollum
on a large outdoor installation to
reinvigorate a tired Herne Bay property; Trudy
Crerar’s
California-inspired garden next door
responds to the deco period of its landmark 1920s apartment
building; Robin Shafer’s whimsical
Balmoral garden is perfect for anyone with a romantic
sensibility, and her Sunnyhills property is a relaxing,
tropical-inspired oasis, and finally, for anyone seeking
ideas on creating small urban sanctuaries, don’t miss
Pascal Tibbits’ Parnell designs.

Unique to the Festival is the chance to explore gardens
where the professionals have combined forces. Stroll through
two properties in Freemans Bay where Trish
Bartleet
has worked with old friends: fellow
designer Sally Gordon who describes her new
garden as being “all I dreamt of”, before wandering
across to her neighbour, award-winning architect Pip
Cheshire’s
utterly desirably retreat.
 

Remuera is home to seven of the Festival’s
gardens, with sweeping, Italian-style properties such as
Ron Dkyman’s two gardens, extensive,
multi-purpose outdoor areas by Gary de
Beer
, and Fiona Kelly and Barbara
Garrett
, and an awe-inspiring, historic garden by
Sue and Colin McLean, with water features,
sculptures, a potager garden and beehive. For poolside
living, see Gudrun Fischer’s sleek
creation and Jan Hart’s family garden
which won Silver Awards in last year’s Landscaping New
Zealand Awards.

The Festival was inspired by
Melbourne’s renowned Rotary Garden DesignFest and is held
in alternate years with its Auckland counterpart so
gardening and design enthusiasts have the opportunity to go
to festivals in both cities. It is the brainchild of the
Garden Design Society of NZ and the Rotary Club of
Newmarket.

Tickets for the festival are now on sale online,
or available to pick up in person from Palmers Gardenworld
and Palmers Planet Stores throughout Auckland. Pre-purchased
tickets cost $50 for an all-garden, all-weekend pass, or $60
if bought on the day at any of the gardens. Single garden
tickets are also available for $5 each. Proceeds from all
tickets go towards children’s charities Ronald McDonald
House, KidsCan and Garden to Table.

For those looking to
see all the highlight gardens with the guidance of expert
guides, bus tours are offered and cater to a range of
interests, beginning and ending at historic Highwic in
Newmarket.

For more information, visit gardendesignfest.co.nz.

ENDS

© Scoop Media

Garden club refines floral design skills

Flower Show

Flower Show

Jan Murray, Karen O’Connor and Brenda Strange were awarded best floral design.

Flower Show

Flower Show

Barb Macbeth, Betsy Ray and Marcia Deiss won for the best representation of the selected theme.

Flower Show

Flower Show

Nora Carey, Sandy Griffin and Karen Cowperthwait were awarded most creative design.

Flower Show

Flower Show

Kathy Aquilla and Mackey Dutton won best overall design.



Posted: Wednesday, October 16, 2013 12:00 am

Garden club refines floral design skills

CHESTERTOWN – The Chestertown Garden Club had their second meeting of the season on Oct. 1 at Emmanuel Church. The program, Chestertown Flower Show 2013, was devoted to enhancing members’ floral design abilities.


Members were divided into small groups and designed an informal table selected from six themes: Mums the Word!, Gourd Gracious!, Summer’s Last Hurrah, Autumn Leaves are Falling, Apples Spice, and From the Pumpkin Patch. Members could meet and plan their table arrangements, but tables had to be arranged on the day of the meeting. Judging was done by secret ballots submitted by members of the club in the following categories: best floral Design, best overall design, most creative design, and the design that best represents the selected theme.

The individual table top designs were used by each group to eat lunch. The exercise helped the club members to enhance their arranging skills and to understand judging parameters at garden shows.

The winners were: best floral design – Brenda Strange, Karen O’Connor and Jan Murphy for Autumn Leaves are Falling; best overall design – Kathy Aquilla, Mackey Dutton and Chris Kirk for Gourd Gracious!; most creative design – Nora Carey, Sandy Griffin and Karin Cowperthwait for Autumn Leaves are Falling; and the design that best represents the selected theme – Betsy Ray, Barb Macbeth and Marcia Deiss for Gourd Gracious!

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More about Garden Club

  • ARTICLE: Garden club wraps up season with luncheon

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Wednesday, October 16, 2013 12:00 am.


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Autumn

Rotary Botanical Gardens Wins Second Year of Landscape Design Contest


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Each of these contest winners are profiled on the AAS website, under

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Display Gardens.”

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A complete collection of photos from all contest entrants can be found on the All-America SelectionsFlickr

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and Facebook accounts.

JANESVILLE (WIFR) — Rotary Botanical Gardens (RBG) in Janesville, Wisconsin is thrilled to be named first place in category III of the All America Selections (AAS) Landscape Design Contest for the second straight year.

The All America Landscape Design Contestasks participants to incorporate AAS Winners, past and present into an attractive display. Each garden is responsible for creating and executing their own design and generating publicity surrounding the contest. Display photos and marketing materials are then submitted to a panel of judges who select the winners.

This year’s winning design at RBG featured a historical theme that included thirteen parallel beds organized in chronological order. The beds were filled with over 150 bright and beautiful AAS winners arranged by their year of introduction. Garden signage led visitors through the display and AAS history of winners from the 1930s sequentially to 2013.

“We’re honored to receive this accolade for the second year in a row and have always enjoyed our partnership with All-America Selections,” said Mark Dwyer, RBG Director of Horticulture. “Plants promoted by All-America Selections continue to do wonderfully in the Gardens and always comprise a large portion of our display varieties. We look forward to continuing as a Display Garden for All-America Selections and already have plans in place to participate in this fun competition in 2014.”

Rotary Botanical Gardens also participated and won first placein the same category in 2012.

Included below is additional contest information, including scoring criteria from AAS.

Scoring

The criteria and final score weighting were:
25% of the score was based on the quantity of AAS Winner varieties used
20% of the score was based on the overall attractiveness of landscape design
20% of the score was based on the creative use of AAS Winners in the design
25% of the score was based on any promotion of the display to local media and garden visitors/members
10% of the score was based on photo quality and design description/explanation

There were three categories, based on number of visitors to that garden in one year:
Category I: fewer than 10,000 visitors per year
Category II: 10,001 – 100,000 visitors per year
Category III: Over 100,000 visitors per year

Winners

Category I: fewer than 10,000 visitors per year

First Place Winner: LSU AgCenter Botanic Gardens, Baton Rouge, Louisiana.
Second Place Winner: University of Wisconsin Spooner Ag Research Station, Teaching and Display Garden, Spooner, Wisconsin.
Third Place Winner: Meredith Public Library Garden, Meredith, New Hampshire.
Honorable Mention, Most Educational Garden: ISU Polk County Master Gardener’s Demonstration Garden, Urbandale, Iowa.

Category II: 10,001 – 100,000 visitors per year

First Place Winner: Agriculture Canada Ornamental Gardens, Ottawa, Ontario.
Second Place Winner: The Arboretum State Botanical Garden of Kentucky, University of Kentucky, Lexington, Kentucky.
Third Place Winner: Jardin Daniel A Séguin, Saint-Hyacinthe, Quebec.

Category III: Over 100,000 visitors per year

First Place Winner: Rotary Botanical Gardens, Janesville, Wisconsin.
Second Place Winner: Denver Botanic Gardens, Denver, Colorado.
Third Place Winner: Kentucky Exposition Center, Louisville, Kentucky.

All-America Selections announces winners of landscape design contest

DOWNERS GROVE, IL – October 11, 2013 – After a resoundingly successful first year, the All-America Selections Landscape Design Contest has concluded its second year with a 20 percent increase in the number entries for the 2013 contest.

This contest is a landscape design contest incorporating AAS Winners, past and present. Each garden is responsible for creating and executing the design, generating publicity surrounding the contest then submitting the photos, proof of publicity and an overall description of their design. All-America Selections is extremely pleased with not only the number of gardens that participated but also the broad range of garden types: large and small public gardens, seed companies, community gardens, master gardener programs and university gardens. All-America Selections salutes all the gardens and their impressive efforts to produce an attractive display of AAS Winners.

The rules were fairly simple:
1.     A list of AAS Winners used in the design must be furnished
2.     A minimum of 50 percent of the total landscaped area must be AAS Winners and be labeled as such
3.     There must be a written statement that describes the location of the site and the design features
4.     Between five and ten photographs of the design must be submitted
5.     Local publicity is expected and will be part of the judging criteria
6.     Contest is for current year plantings only

The criteria and final score weighting were:
25% of the score was based on the quantity of AAS Winner varieties used
20% of the score was based on the overall attractiveness of landscape design
20% of the score was based on the creative use of AAS Winners in the design
25% of the score was based on any promotion of the display to local media and garden visitors/members
10% of the score was based on photo quality and design description/explanation
 
There were three categories, based on number of visitors to that garden in one year:
Category I: fewer than 10,000 visitors per year
Category II: 10,001 – 100,000 visitors per year
Category III: Over 100,000 visitors per year
 
All-America Selections recognizes and thanks the contest judges who are industry experts in the field of horticulture and landscaping:

Jeff Gibson, Landscape Business Manger, Ball Horticultural Company
Bruce Hellerick, Senior Horticulture Specialist, The Brickman Group
Susan Schmitz, Trials and Education Manager, Ball Horticultural Company
Barbara Wise, author and Director of Floriculture, Landscape Services, Inc.
 
Category I: fewer than 10,000 visitors per year
 
First Place Winner: LSU AgCenter Botanic Gardens, Baton Rouge, Louisiana. One of our judges aptly described the design as an appetizer table that allows the visitor to enjoy the thirty-nine varieties of AAS Winners in small bites. LSU topped their performance from 2012 when they were the second place winner in this category. One of the major changes since last year was incorporating the Children’s Garden with the AAS Display garden for greater cohesiveness between the two sites, combining hands-on learning with a display. Garden Fest was the largest promotional event held at the garden and brought in over 1,000 people in a single morning to see the diamond shaped landscape beds.

Second Place Winner: University of Wisconsin Spooner Ag Research Station, Teaching and Display Garden, Spooner, Wisconsin. For this contest, the Master Gardener Volunteers at the Spooner Ag Research station transformed the space into eight individual, slightly bermed, triangular beds to replace the traditional mass plantings that had the AAS Winners in one long row. Well-maintained lawn paths between the beds added to the beauty and function. Each bed included approximately 75% AAS Winners, combined with other flowers and vegetables to carry out a theme in each garden, ranging from “sunset colors” to “drama”. The annual Twilight Tour was held in August to educate the public on the entire Demonstration Garden and was a key factor in the judge’s decision to award second place to this entry.

Third Place Winner: Meredith Public Library Garden, Meredith, New Hampshire. This entry shared an interesting story of a community that stood up to its leadership who wanted to remove a garden and put a less-expensive and lower-maintenance lawn in its place. Community support overrode that decision and the Meredith Public Library Garden was saved, thanks to the non-profit community organization, Greater Meredith Program, and the Friends of the Meredith Library, that take care of the design, planting and maintenance. This design transformed a boring lawn into a striking floral display making good use of a slope, a sidewalk and the AAS signage.

Honorable Mention, Most Educational Garden: ISU Polk County Master Gardener’s Demonstration Garden, Urbandale, Iowa. Our judges were very taken with this garden’s creative use of repurposed items such as frames and plates that were used as plant markers. The entire garden’s theme was designed to demonstrate how to Reduce, Reuse and Recycle. Even the plants were designed in the shape of the easily recognized recycling symbol of three clockwise arrows. The garden hosted multiple events for the public where they were able to view the various AAS Winners and learn about sustainability while right in the garden.

Category II: 10,001 – 100,000 visitors per year
 
First Place Winner: Agriculture Canada Ornamental Gardens, Ottawa, Ontario. This garden won second place in 2012 and bettered themselves this year with a “Disc and That” theme. Disc (aka “This”) is a play on words alluding to the Asteraceae family of flowers which includes AAS Winners such as the Echinacea and gaillardia. The “That” consists of various other AAS winners such as Ornamental Millet ’Purple Majesty’ and ‘Foxy’ Foxglove. There were a total of 1295 plants in the bed of which 1053 are AAS winners. 15 varieties make up the “disc” collection while 18 varieties are in the “that” portion.

Second Place Winner: The Arboretum State Botanical Garden of Kentucky, University of Kentucky, Lexington, Kentucky. Judges praised the excellent use of signage in this garden in addition to the extreme tidiness of the display. With gardens bordering each side of a high-traffic walkway, the designers implemented a good mix varying plant heights in the design. The overall “spoke” design of the Home Demonstration Garden and accompanying brochure were very helpful in explaining the garden and All-America Selections to their visitors.

Third Place Winner: Jardin Daniel A Séguin, Saint-Hyacinthe, Quebec. At this garden, the 21 varieties of AAS Winners were beautifully planted in circular beds around a fountain focal point. Student groups were responsible for maintaining the garden and promoting the display garden and AAS Winners to the general public as well as to the garden’s visitors.

Category III: Over 100,000 visitors per year
 
First Place Winner: Rotary Botanical Gardens, Janesville, Wisconsin. Rotary is another repeat winner by placing first in Category III in 2012 and again in 2013. Rotary continues to impress with a very creative design in a brand new garden space by skillfully combining AAS Winning plants with unique props. An impressive 150 AAS Winners were featured in their display, using 48 plants of each variety for a grand total of 7,200 plants in 2,600 square feet of garden. For educational purposes, Rotary created custom signs explaining the history of AAS then arranged the planting beds in chronological order from the 1930’s to present. There was also a “teaser” satellite garden that urged garden visitors to find the larger AAS Display Garden to get the full story. Judges also commended Rotary on their use of Social media, blogs, e-newsletter and local media outreach.

Second Place Winner: Denver Botanic Gardens, Denver, Colorado. The location of the All-America Selection Display Garden was directly in the center of the Denver Botanic Gardens, near water gardens and sculptures, surrounding a tent that is the center of their programs and events. The design elements incorporated a fun interactive space for children’s programs as well as features to attract attention during high-profile fundraisers. The AAS garden is 90% AAS Winners. Publicity generated, garden location and the great use of signage were the top three reasons why Denver Botanic Gardens won for this year.

Third Place Winner: Kentucky Exposition Center, Louisville, Kentucky. Contest judges were impressed by the Exposition Center’s determination to work with what they had (large concrete containers) and make something beautiful in a unique setting (outside a very high-traffic Exposition Center with over 5 million visitors per year) for their AAS Display Garden. Garden managers effectively used the AAS Winners in an attractive and eye-catching display with some containers being mono-culture while other containers made good use of mixed varieties in attractive designs with the variety names and the AAS Winner designations clearly marked.

Each of these contest winners are profiled on the AAS website, under “Display Gardens.”

Geauga County Master Gardeners are offering ‘Design Your Perennial Garden’ – News



Geauga County Master Gardeners are offering the program Design Your Perennial Garden from 9 a.m. to 1 p.m. Nov. 9.
Master Gardener Phyllis Mihalik will discuss plant selection, layout and color scheme, location, construction and planting. Fee is $25.
Mihalik also will conduct a class on winter centerpieces from 9 a.m. to noon Dec. 14. Materials will be provided. Fee is $35.
Programs take place at the OSU Extension Office, 14269 Claridon Troy Road in Burton.
For details, call 440-834-4656 or visit www.geauga.osu.edu.

Gardening Scotland offers garden designers £2000

By Matthew Appleby
14 October 2013

London colleges lead garden design award shortlist

By Sarah Cosgrove
Friday, 11 October 2013

Three garden design students – all from London based colleges – have been shortlisted for the Society of Garden Designers (SGD) Student Award 2013.

Matt Cairns, a student at Greenwich University, Nick Morton from the London College of Garden Design and 2012 student award winner Jon Sims, also of the London College of Garden Design made the shortlist after their ideas were judged by Tom Stuart-Smith, Sarah Eberle and Arabella St. John Parker from awards media partner Homes Gardens magazine.

The judges were looking for outstanding design skills and importantly a clear demonstration of an understanding of the brief provided for the project.

The three designers were felt to have the most consistent, methodical and cogent presentations.

The judges said all three “showed an ability to handle scale, understand space and achieved the brief in a clear and concise way.”

This year the competition was open to SGD student members and those who had progressed from a student member to a pre-registered member between 18 May 2012 and 12 August 2013. 

The winning student will be announced alongside the winners in all the SGD Award categories at the awards ceremony on 24 January 2014.

Student designs for Hobsonville heritage gardens wow judges

14 October 2013

Winning student designs for Hobsonville
heritage gardens wow judges

Winners of the Unitec
Student Landscape Design Competition were announced at a
prize-giving event at Hobsonville Point’s Catalina Café
last week, as part of the Auckland Heritage Festival.

The
competition saw Diploma in Landscape Design students at
Unitec put forward their makeover ideas for Sunderland
Avenue, a heritage street located in Hobsonville Point in
Auckland’s Upper Harbour, and for a garden at the
Hobsonville Point Primary School.

Judges were impressed by
the high calibre of the winning designs, which were in
keeping with the sustainable coastal community and
celebrated the heritage value of the area.

Students
submitted their designs in three categories:

1. Heritage
streetscape proposals for Sunderland Avenue
2. Garden
designs for individual houses in Sunderland
Avenue
3. Garden designs for Hobsonville Point Primary
School

Sunderland Avenue was formerly part of the Air
Force base at Hobsonville and features original late 1930s
homes and gardens. Now an integral part of the new
Hobsonville Point development, plans for the restoration of
the heritage street are subject to design controls to
maintain the unique character.

Competition organiser
AVJennings, along with Hobsonville Point development partner
Hobsonville Land Company, are supportive of developing
practical skills within the industry. Providing students
with real-life learning opportunities today will help them
to deliver tomorrow’s solutions, such as efficient housing
for Auckland where shortages exist.

The students’
designs were judged by an expert panel and prizes awarded,
including work experience at leading landscape design and
construction company Natural Habitats.

The judges were:
Project Director Rod Chadwick of AVJennings, development
partner to land owner Hobsonville Land Company; Grant Bailey
of Hobsonville Point landscape and urban design consultants
Isthmus; Sally Peake, President of the New Zealand Institute
of Landscape Architects; and Michael Barrett, editor of
Landascape Architecture New Zealand magazine.

To help
celebrate the Auckland Heritage Festival, a ‘Peoples’
Choice’ award, as chosen by the public, will also be
decided. The public are invited to view the students’
designs, and vote for the ‘Peoples’ Choice’ award, at
Catalina Café, corner of Buckley Avenue and Hastings
Crescent, Hobsonville Point, up until 17
October.

Category Winners and Judges’
Comments:

Winner of Primary School Garden Design:
Andrew Priestley
Judges’ comment: “Very impressed
with the conceptual thinking and the transition to a final
design. The complex layering inherent in the design worked
on numerous levels.”

Winner of Sunderland Avenue
Streetscape: Gary Hicks, Val Puxty Jala
Raimon
Judges’ comment: “A sophisticated and
innovative design response with strong heritage values. The
winning design successfully captured the essence of
community.”

Winner of Sunderland Avenue Garden Design:
Amelia Ward
Judges’ comment: “Very impressed with the
indoor-outdoor flow, variety of landscaping, and the
garden’s strong interconnection with the community
space.”

Rod Chadwick, competition judge and Project
Director, AVJennings:

“Hobsonville Point is well on
the way to being transformed into a modern and vibrant
community. But while much of the new built environment and
landscapes reflect contemporary design values, we’ve been
really careful to celebrate the wonderful heritage and
stories that make up the history of Hobsonville. This
competition will certainly contribute to this celebration of
our heritage, particularly in Sunderland
Avenue.”

Penny Cliffin, Senior Lecturer at Unitec’s
Department of Landscape Architecture:

“It’s
invaluable for our students to get experience with real
design projects, especially those involving heritage
restrictions because heritage is such an important issue for
Auckland. Their work on these projects shows real talent and
creativity and sends a strong message that the future of
landscape design in New Zealand is very bright
indeed.”

About AVJennings
AVJennings is a
residential property development and home building company
operating throughout Australia and in New Zealand. The
company is listed on the Australian Securities Exchange
(ASX) and Singapore Exchange (SGX), directly employs more
than 350 people and has been responsible for a number of
highly successful developments over the past 80 years.
AVJennings provides a range of living solutions including
land sales, completed homes and apartments, and house and
land packages. Hobsonville Point on Auckland’s upper
Waitemata Harbour is AVJennings’ first project in New
Zealand. The company was chosen to partner with Hobsonville
Land Company in the first stage of development, which
started in October
2009.

ENDS

© Scoop Media

Inside the homes of ground-breaking designers

Most professionals have to demonstrate a certain level of competence in their own lives if they hope to attract and keep paying clientele. (Would you open your mouth for a dentist with bad teeth?) That just makes sense. We expect professional expertise to be reflected somehow in the personal lives of the practitioners, and this is especially true of design work.

We look to artists, fashion designers, architects and other professionals in “aesthetic” trades not only for what they provide to clients or the public, but also to see the work they do for themselves. Unfettered by the constraints that come with most paid commissions, this personal work is often more daring, more expressive, or perhaps the purest version of a designer’s work, pared down to the essential elements.

Dominic Bradbury, a British design writer, recognizes that designers’ homes can be great and unique examples of the craft, and for some he takes it a step further. The really exceptional ones, in his view, are iconic. That is, they are definitive works that capture the essence of a particular style or movement, or even of a specific historical period.

Bradbury has singled out 100 of these homes for inclusion in his book The Iconic Interior: Private Spaces of Leading Artists, Architects, and Designers. The large-format hardcover is a thinking person’s coffee-table book, mixing plenty of eye candy (more than 500 color photographs) with an informed and in-depth discussion of what makes these homes what the author calls “essential reference points in the history of interior design.”

The book opens with Bradbury’s take on how we got where we are today — how social and technological changes have shaped residential architecture, and why interior design has evolved from a domain for the elites into a passion for many “ordinary” homeowners. The 20th century ushered in many profound changes, he says, one of them being the transformation of the home from basic shelter into a vehicle for creative self-expression.

Previous centuries had produced stunning artistry in buildings, certainly, but much of it in the form of ornamentation. Impressive exterior facades concealed structural forms that remained fairly basic, acting as shells and subshells to be filled with fine interior furnishings produced by guild artisans. To paraphrase the late comedian George Carlin, they were big boxes to hold artsy stuff.

When architects broadened their role and took a more organic approach to building design, interior spaces became part of the design package, not just the empty stage for someone else’s performance. Late 19th-century Victorian styles had featured elaborate decoration that masked line and structure; now those core elements were featured prominently, even celebrated, in cleaner and simpler work of the Arts and Crafts and modernist aesthetics.

Toss in consequences from two major European wars — many artists and professionals fleeing to the United States, air travel coming to the civilian market and military technology spinning off new materials such as plywood and aluminum — and by mid-century the cross-pollination of cultures and ideas was underway and unstoppable. Traditionalists and modernists alike found room to grow, either through reinventing classical styles or by claiming new artistic turf of their own.

The resulting diversity is part of what makes Bradbury’s book possible, and he has dutifully assembled here a remarkable array of spaces and places. Readers get glimpses and in-depth looks at, among others, writer Edith Wharton’s neoclassical New England residence, The Mount; Frank Lloyd Wright’s Hollyhock House; fashion designer Coco Chanel’s Paris apartment; the respectful and dramatic home that architect Ray Kappe built into a California hillside; and the jaw-dropping 17th-century Chateau du Champ de Bataille restored and owned by French interior designer Jacques Garcia.

American and European homes make up the bulk of the entries, but other featured locations beckon from as far away as South America, Australia, South Africa, Japan, Morocco, Turkey, China and Thailand. Photography by Richard Powers and others aims for a timeless quality to match the featured interiors.

With the book’s focus on 20th-century work, contemporary design themes outnumber traditional examples, but it’s hard to believe that anyone who appreciates architecture and design won’t find a lot to love in this volume. If I have a gripe, it’s only that having this international tour of beautiful homes at my fingertips makes me wistful, knowing I can’t see them all in person.