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Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture …

© Aaron Booher

Architects: WEISS/MANFREDI Architecture/Landscape/Urbanism
Location: , NY 11225, USA
Site Design:
Landscape Architect: HMWhite
Civil And Structural Engineers: Civil and Structural Engineers
Lighting: Brandston Partnership
Landscape Contractor: Kelco
General Contractor: EWHowell
Contractors Construction Manager: LiRO
Year: 2013
Photographs: Aaron Booher

© Aaron Booher

From the architect. Honored by the NYC Design Commission with an Award for Excellence in Design in 2008 for integration of form, function and sustain- able practice, the new visitor center to the Brooklyn Botanic Garden establishes a visionary public interface between the city and the garden. The landscape’s central feature is the building’s living roof design, conceived as a seamless, inhabitable extension of the Garden that mergers landscape and architecture and redefines physical and philosophical relationships between visitor and garden, exhibition and movement, culture and cultivation.

© Aaron Booher

Fusing contemporary site engineering technology with sustainable landscape and horticultural design, the Visitor Center landscape design marks the Garden’s centennial and demonstrates the institution’s commitment to environmental stewardship and conservation by providing a new pedagogical paradigm with this high performance landscape design and new botanical exhibit for its next 100 years of public service and education.

© Aaron Booher

STORMWATER MANAGEMENT

A network of storm water collection features an extensive green roof, storm water channel, vegetated swales and bio-infiltration basins. Collectively, these elements retain storm water on site to facilitate natural filtration and ground water recharge and discharge to the municipal sewer.

© Aaron Booher

SOIL RECLAMATION

Contaminated soils in the historic fill demanded remedial action. Distinct soil profiles were designed to reconstruct existing soils and restore viable soil biology to support each diverse horticultural conditions. The bio-infiltration basin’s loose deep soils absorb water and filter pollutants and expand the volume of storm water capture. Structural soils in plazas provide contiguous expansive soil volumes to sustain limitless tree root growth under paved areas.

© Aaron Booher

HORTICULTURAL EXHIBIT

The planting design demonstrates how a specific mix of plant species and types can regenerate high performing ecologies. Informed by native plant communities, botanic collections are organized in bold drifts, from upland to lowland typologies that knit the Visitor Center landscape into the exist- ing and establish a resilient design structure for future garden expansion.

Site Plan


Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism  Aaron Booher

© Aaron Booher

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism Site Plan

Site Plan

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism Detail

Detail

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism Detail

Detail

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism Diagram

Diagram

Brooklyn Botanic Garden Visitor Center / WEISS/MANFREDI Architecture/Landscape/Urbanism Diagram

Diagram

My happy place: Margaret Phillips, garden designer

For Margaret Phillips designing gardens is ``painting with plants''. Photo / Sophie Leuschke

I have always been in awe of plants and aware of how they can have such a profound effect upon us. For me, the sheer joy of seeing an immaculate bud or seeing an entire vista with all its complexities is a perpetual delight. Gardens are the places that make me happy and I love making gardens for others to enjoy.

As a child I remember following the patterns of trees with my eye as we drove through various parts of this beautiful country, and wanting to fill any gaps left by fallen or dead trees, to complete the rhythm. Driving through Fitzgerald Glade, on the way to Rotorua, was a memorable experience for me, as it is for many people.

Patterns and place, colours and textures have always had an impact on me. Gardens nourish me and all my senses, just as music can.

I love gardens – being within them and designing them. For me it is painting with plants. Because they are alive and have their own life cycle, a garden is never fixed and finished, neither static nor entirely predictable.

I have designed gardens for so many clients over the last two decades or so who have wanted to live in their own private oasis.

I thoroughly enjoy being part of this design dynamic – considering the architecture, the soil and aspect of the land, together with the needs and personalities of the people who will live within. It is a combination and awareness of all these elements.

Being within a beautiful space can be relaxing, restorative or invigorating, expansive, thought provoking and often witty.

A designer directs these spaces with planting and hard elements, whether it’s a private garden or an urban domain. The Britomart precinct was a fun project to be involved in – bringing flowers and food into our urban fabric. Another garden I enjoyed designing recently was at 9 Pukenui Rd in Epsom, which is open in this year’s Auckland Garden DesignFest.

As our eyes are so easily led, it is particularly important when designing to be acutely aware of how the eye sweeps, skims or ignores some elements and yet can so easily be captured by a colour or combination of colours and textures.

All our senses need nourishment and gardens can indulge each of them in so many different ways. I love to make spaces for people to love being in.

Herald on Sunday

By Bronwyn Sell Email Bronwyn

Dig In: Garden Club Events, Holiday Design Demonstation, House Tour

Garden Club Events

The Connecticut Valley Garden Club presents “Set to Celebrate,” a showcase of inspirational tablescape design, Friday and Saturday, Nov. 15 and 16, 10 a.m. to 4 p.m., at the Town and County Club in Hartford. More than 30 designers, businesses, non-profits and groups will display historic, musical, theatrical, holiday and “over-the-top” tablescape designs. Tickets are $20 in advance at http://www.Set2Celebrate.net; $30 the day of the event. A preview party will be Nov. 14 ($100). E-mail sdocooks@comcast.net for preview party information.

The Vernon Garden Club’s meeting Monday, Nov. 18, features “Tablescapes to Decorate your Winter Table” by floral designer Laurie Lemek of Ellington. Lemek will create seasonal arrangements with a natural, winter theme. Arrangements will be auctioned off at the end of the meeting. The program begins at 7 p.m. at Rockville United Methodist Church, 142 Grove St. Refreshments and a business meeting will follow. Information: 860- 872-4028.

The Garden Gate Club of Mansfield will meet Monday, at 7 p.m. at the Buchanan Center, Mansfield Public Library, Mansfield Center, Route 89. Matthew Opel will give an illustrated talk, “Cacti and Succulents.” Beginning gardeners welcome. Refreshments served. Suggested donation for non-members is $5.

The Kensington Garden Club is offering a program on Thursday, Nov. 21, 6:30 to 8 p.m., featuring designer and artist, Alice Porter Flagg. Flagg will do floral arrangements in new holiday themes and they will be raffled off. The free event is at the Community Center, 230 Kensington Rd, Kensington.

The Bristol Garden Club will meet Thursday, Nov. 21 at Bristol Public Library, 5 High St. There will be a business meeting at 10 a.m.; refeshments at 11:30; and the speaker, Kymrie Zaslow, “Decorating with Flowers,” at noon. The event is open to the public for speaker only. Informaiton: 203-879-2921.

Elizabeth Park Events

Rose Garden Workshop: Nov. 16, 9 a.m. to noon. Hands on workshop to close the garden.

Iris Garden Workshop: Nov. 23, 10 a.m. Hands on workshop to close the garden. Come dressed for the weather and bring garden tools and gloves.

Information: http://www.elizabethparkct.org, eburton@elizabethparkct.org or 860-231-9443.

Appraisal Day

The Chester Historical Society presents the 10th Antiques Jewelry Appraisal Saturday, Nov. 9, 8:30 a.m. to noon, at St. Joseph’s Parish Center, Rte. 154, Chester. Eleven appraisal experts will appraise furniture, jewelry, silver, artworks, books, coins and currency, stamps, glassware, textiles and more. Attendees can bring up to three separate items to be appraised. Bring photographs if the item is too large to carry. Verbal appraisals are $10 for the first item; $20 for 2 items; or $25 for 3 items. Information: http://www.chesterhistoricalsociety.org; chestercthistoricalsociety@gmail.com; or 860-558-4701.

House Tour

A Passivhaus in Westport, one of the first of its type in the US, will be open to the public for tours on Saturday, Nov. 9. Tours and seminars will be held at noon or 2:30 pm. Heated primarily by an energy recovery ventilator, solar thermal panels, the heat of the occupants and the same electronic equipment most of us have in our homes, the owner’s certified Passivhaus home uses 90 percent less energy than a traditional home. Tickets are $20. Reservations: http://www.pace-cleanenergy.org, 860-796-4543 and 860-693-4813.

Arranging Roses

The CT Rose Society presents “Arrangements with Roses” by Craig Dorschel Sunday, Nov. 10, at 2:30 p.m. at the Pond House at Elizabeth Park, Hartford. Dorschel is a newly qualified apprentice arrangement judge, as well as the current ARS yankee district director, a certified consulting rosarian and horticultural judge. He will discuss basic design principles of arrangements and what it takes to exhibit at a qualified rose show. Free. Information: 203-213-4366; http://www.ctrose.org.

Aeroponic Gardening Class

Learn about aeroponic and hydroponic gardening — to grow organic herbs and vegetables in a soil-less medium and in a vertical space, either indoors or out — Sunday, Nov. 10, 1 p.m., at Comstock, Ferre and Co. Dana Platt will explain a technique developed by Tim Blank, a grower at the Epcot Center. Platt will demonstrate seedlings and a tower garden and show a how-to video. Comstock, Ferre and Co. is at 263 Main Street, Wethersfield. Resgitration: 860-571-6590 or sales@comstockferre.com.

Holiday Designs

Kris Urbanik, National Garden Club accredited flower show judge and floral designer, will demonstrate creating easy holiday designs for your Thanksgiving table Tuesday, Nov. 12, 7 p.m., at the Connecticut Horticultural Society Office, 2433 Main St., Rocky Hill. The program will include basic design tips and tricks. The arrangements will be raffled off. Cost is $10 for members and $20 for nonmembers. Registration: 860-529-8713.

News of area garden clubs and events

Western New York Hosta Society will meet at 1:30 p.m. Sunday in the Town of Aurora Senior Center, 101 King St., East Aurora. Award-winning leading hosta breeder Olga Petryszyn of Valparaiso, Ind., will present “My Hosta Journey.”

East Aurora Garden Club will meet at noon Monday in St. Matthias Episcopal Church, 374 Main St., East Aurora, for a Christmas arrangement demonstration. Members are asked to bring greens, containers and ornaments for the workshop. Bev Walsh, master gardener, show judge and garden club design instructor, will be on hand.

Kenmore Garden Club will meet at 10 a.m. Tuesday in Kenmore United Methodist Church, 32 Landers Road, Kenmore. Susan Loughran, a national flower show judge, will present a floral decoration demonstration, creating three holiday designs to be raffled. Guests welcome.

Evans Garden Club will meet at 7 p.m. Tuesday in the Angola Public Library to plan holiday decorations for the Evans Town Hall.

Ken-Sheriton Garden Club will meet at 7:30 p.m. Tuesday in St. Mark’s Lutheran Church, 576 Delaware Road, Kenmore. Bob Bracikowski, of Opportunities Unlimited, will present a workshop, “Christmas is Coming.” Members will make a tabletop tree or centerpiece. Artistic design will be “Giving Thanks.” Business meeting to follow. New members welcome.

Hamburg Garden Club will meet at noon Wednesday in the Hamburg Community Center for a beekeeping presentation by Barbara Ochterski.

Amana Garden Club of West Seneca will meet at 11 a.m. Wednesday in the Burchfield Nature Art Center, 2001 Union Road, West Seneca, for a coffee social and brief business meeting. For the horticultural exhibit, members will present an everlasting flower. Bring lunch; desserts will be provided. Club member and former National Flower Show judge Terry Skura will demonstrate a functional table setting. All welcome. For further information, call 875-5563.

Garden Friends of Clarence will meet at 6:30 p.m. Wednesday in the Clarence Town Park Clubhouse, 10405 Main St., Clarence. David Clark from the Buffalo and Erie County Botanical Gardens will present a “Holiday Green Demo.” Visitors welcome. Email: gardenfriendsofclarence@hotmail.com.

Lancaster Garden Club will meet at 7 p.m. Wednesday in St. John’s Lutheran Hall, 55 Pleasant Ave., Lancaster. Club member Dorothy Julius will present a “Floral Design Workshop” with membership participation. Guests welcome.

Town and Country Garden Club will meet at 7 p.m. Thursday in Transit Middle School, 8730 Transit Road, East Amherst. Carole Melnik, a member of the Society of American Florists, will demonstrate decorating a floral swag using various plant materials. Guests welcome.

Judges Council of Eighth District of Federated Garden Clubs of New York State will meet at 10 a.m. Thursday in Brighton Community Church, 1225 Brighton Road, Town of Tonawanda. The business meeting will include a review of the handbook and program suggestions for 2014. Potluck lunch. The horticulture exhibits will include container-grown plants and perennials. The exhibitors for design will be responsible for a creative miniature design.

If you have a submission for Garden Notes, please send it to Susan Martin, Garden Notes, Features Department, The Buffalo News, P.O. Box 100, Buffalo, NY 14240. Fax: 849-3445. Email: smartin@buffnews.com. All items must be received in writing two weeks prior to publication.

thomas heatherwick discloses new renderings of garden bridge

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Giving garden design a new lease of life …



Comments (0)

THROUGHOUT the history of garden design the latter half of the 20th century brought about a great change in the way that people imagined what a garden should be.

The “Festival of Britain” in 1951 was largely responsible for a renewed interest in gardens during this period. The festival was a nationwide celebration of everything that Britain had contributed to Science and the arts. But the main aims of the event were to encourage exports, promote Britain and to give people a sense of recovery after the Second World War. However, one thing in particular the festival did accomplish was to give garden design a new lease of life.

Garden designers such as Sylvia Crowe and Brenda Colvin started to gain a higher status as they produced an increasing number of inspiring public landscapes. Their popularity was reinforced by a number of books which they wrote on the subject of landscaping and gardening.

The legendary garden designer John Brookes began his career as an assistant to Crowe Colvin which gave him a firm grounding in landscaping. Brookes was also inspired by the work of Thomas Church, an American landscape architect who developed the “California” garden style. This approach focused on functional, low maintenance designs that were intended to feel relaxed and Church popularised the term “A room outside” to reflect this philosophy.

Following on from the designs and writings of Thomas Church, John Brookes went on to become prolific in the creation of gardens intended to be used by people and not just looked at. In 1969 John’s hugely successful book “Room Outside” communicated his design methods very effectively and he still writes today as well as designing and lecturing across the world.

Beth Chatto is one of the biggest names in 20th Century garden design. Since 1960 she has been developing The Beth Chatto Gardens in Essex. These gardens demonstrate the need to understand plants and the crucial role that positioning plants to suit their native environment plays in the creation of a successful garden. The site posed a range of challenging conditions to Chatto which she solved using a variety of planting styles with emphasis on contrast in texture, form and foliage. Of all of Chatto’s gardens, the dry garden is the most famous, which started life as a car park but was planted with carefully selected drought tolerant plants and only watered when initially planted but has thrived ever since.

In the early 20th century a German garden designer and plant breeder by the name of Karl Foerster was one of the first people to focus on using plants to suit the site. His style was also quite distinctive because of the way he used bold masses of perennials to create a naturalistic look. In more recent years a dutch landscape designer called Piet Oudolf has helped to bring this style back into vogue. Piet’s planting schemes often start with a formal framework of evergreen structural shrubs or clipped hedging. Within this he weaves huge drifts of perennials into each other emphasising contrasting forms and colours. The planting also has a variety of ornamental grasses running throughout to soften and create a unified effect. His use of perennials frequently highlights an array of flower shapes including flat- Echinacea, spherical- Echinops and spiky- Persicaria just to name a few. He now designs public and private gardens throughout Europe which celebrate the beauty of nature.

Gardening A to Z: ‘D’ is for design


Posted: Thursday, October 31, 2013 6:30 am
|


Updated: 10:39 am, Wed Nov 6, 2013.


Gardening A to Z: ‘D’ is for design

By Deborah KrusenCorrespondent

Burlington County Times

Designing a garden and dreaming go together. Few of us are professional master gardeners, but here’s how to plan the garden that is perfectly suited to you and your property.


You know what you want — beautifully landscaped flower gardens, bountiful vegetables, eye-catching window boxes, or a plot with a variety of herbs.

But how do you get from point “A” to “D”? Step-by-step planning starts now so your dream design can emerge next spring!

Step 1: Grab a large spiral notebook and draw an aerial view of your home, and then outline existing gardens. Don’t worry about scale — this will be your “garden map.” Mark north, south, east and west. In the future, we will discuss how exposure makes a difference.

Step 2: Walk around your property and fill in the spots on your drawing where your perennials and flowering shrubs currently are, naming each plant. Note on a separate page what did well and what needs to be relocated, replaced or filled in with a different plant.

Step 3: Also make a list of the plants you dream of having to make your garden more colorful and/or bountiful. Perennials are on sale, and right now is an ideal time to get them in the ground. Your perennials will fill out, get taller and wider, so give them a few years to mature.

Step 4: Figure out a budget. Consider perennials an investment. Highlight the areas you want to fill in and make your favorite dream plants from Step 3 your priority.

Step 5: Take your notebook to an established garden center or nursery and show them your “garden map” along with your dream list. If you have photos of your gardens, that will be a big help. Add some spring-flowering bulbs to your shopping cart, too.

Have you spotted a plant or shrub while driving around that you love? Don’t be shy — stop by that home and find out what it is! Gardeners are friendly folks, so they will often divide established plants to share.

Or trade some of your overgrown perennials with them.

Your dream garden will always be a work

in progress, every season and every year. Enjoy the journey!

Deborah Krusen learned early how to garden from her mother. Today she grows flowers, herbs and vegetables in spite of visiting deer and an intruding woodchuck in her Burlington County backyard. Contact her with questions or comments at dreamgarden@sent.com

More about Gardening

  • ARTICLE: Pemberton church hopes community garden will flourish
  • ARTICLE: Gardening A to Z: ‘C’ is for children
  • ARTICLE: Gardening A to Z: ‘B’ is for bounty
  • ARTICLE: Gardening A to Z: ‘A’ is for accessible

More about Gardening A To Z

  • ARTICLE: Gardening A to Z: ‘C’ is for children

on

Thursday, October 31, 2013 6:30 am.

Updated: 10:39 am.


| Tags:


Gardening,



Gardening A To Z

A grand dame of garden writing and editing, dies at 94

Born in New York City and educated at the University of Michigan and the Columbia School of Journalism, Tenenbaum was a Long Island wife and mother of two who had worked for many publications before she was suddenly widowed in 1972 and moved to Cambridge. In 1979, she wrote Over 55 Is Not Illegal: A Resource Book for Active Older People. She followed her own advice and at 55, she joined Houghton Mifflin in Boston and her own life began its most influential chapter.

As both an author and editor she proved prescient and helped launch trends. Her reprints of antique American garden books fueled interest in garden history and preservation. The best of these was An Island Garden, written in 1894 by poet Celia Thaxter and illustrated with her friend impressionist painter Childe Hassam’s delicate watercolors, it is a sweet look at New Hampshire’s Appledore Island. With Tasha Tudor’s Garden, Tenenbaum introduced a new generation to the beloved Vermont children’s book illustrator. Tenenbaum also resurrected and deconstructed the old Taylor’s Encyclopedia of Garden Plants making it a best-selling pocket-sized guidebook series that innovatively use color photos for plant identification. In 1973, Tenenbaum wrote, and her daughter, Jane Tenenbaum, illustrated, Gardening with Wild Flowers, signaling the importance of native plants in backyard gardens.

IslandGardenExterior.jpg

An Island Garden, written in 1894 by poet Celia Thaxter and illustrated by impressionist painter Childe Hassam, was one of many American garden books Tenenbaum reprinted.

TashaTudorsGarden-1.jpg

Tasha Tudor’s Gardenexplores the garden of the Vermont children’s book illustrator.

encyclopedia.jpg

Tenenbaum revived the old Taylor’s Encyclopedia of Garden Plants, making it a best-selling pocket-sized guidebook.

Stubborn, charming, acerbic, and generous to a fault, Tenenbaum encouraged writers with personal voices, including the crotchety wit of Washington Post columnist Henry Mitchell in the modern classic, The Essential Earthman. “He would camp out on her Cambridge sofa when in town,” recalled Phyllis Meras, another Tenenbaum author. “Frances was a very good editor and a very good idea person.”

Tenenbaum received numerous awards including the 1999 Horticultural Communication Award from the American Horticultural Society and the 2000 Gold Medal from the Massachusetts Horticultural Society. In 2004 she entered the Garden Writers Association Hall of Fame. She was also honored by the Cambridge Public Library, for whom she initiated a successful annual fundraising garden tour, The Secret Gardens of Cambridge. She summered on Martha’s Vineyard for 50 years, where she tended to her own garden. Her last book was Gardening at the Shore in 2006. She is survived by her daughter, Jane, her son, David, and two grandsons.

Garden designer June Mays to lecture on Jane Austen, British landscapes at … – The Huntsville Times

JUNE_MAYS_6024209.JPGGarden designer June Mays. (Birmingham News staff photo/Tamika Moore)

MOUNTAIN BROOK, AlabamaGarden designer June Mays will host the Emmet O’Neal Brown Bag Lunch program on Thursday, Nov. 6 where she will lecture on Jane Austen and the British landscape.

Mays holds diplomas in Garden Design and Plantsmanship from the English Gardening School in London. She is also a member of the Association of Professional Landscape Designers and the Garden Writers Association.

While studying garden design in England, Mays reread all of Austen’s novels, visited the landscapes known to have influenced the author’s life, and took pictures along the way.

Katie Moellering, the Adult Services Librarian at Emmet O’Neal said Mays is a “great lecturer” who draws a nice-sized crowd.

During tomorrow’s presentation, Mays will use landscape design excerpts from Austen’s novels will be paired with images of British gardens to help inspire the budding gardeners among attendees.

Wednesday’s Brown Bag Lunch program will be held in the library’s Community Meeting Room. The doors open at noon and the program will begin at 12:30 p.m.

Attendees are asked to bring a sack lunch. Drinks and dessert will be provided.

For more on June Mays, visit her website at www.junemays.com.

Images of Heatherwick’s Garden Bridge released as public consultation launches


Garden BridgeArup

Artist impressions have been released for the slated Garden Bridge
in London, a Thomas Heatherwick design that will connect Temple
station with the South Bank.

The design has been put forward for a public consultation this
week, which will run until 20 December. It was also announced on 1
November that The Garden Bridge Trust has been setup to push
forward the creation of the bridge, a haven of green rising 367m
above the Thames that will be opened in 2017, all going
well. 


Garden BridgeArup

Heatherwick had told Wired the inspiration for the bridge came from an
idea by actress Joanna Lumley to connect north and south with a new
kind of garden, but also from New York’s now infamous High Line and
the sense it gives pedestrians of feeling “like you’re in a dream”.
That creation made use of a former railway line hovering over
Manhattan, but the Garden Bridge will be a new pedestrian walkway
travelling east of Waterloo bridge to connect an area of relative
underuse in Temple, to the South Bank’s hustle. It will also mirror
one of the best bridge views in London — from Waterloo Bridge one
side takes in the Houses of Parliament, the other the City, while
Somerset House looms ahead. The Garden Bridge, however, will give a
far better pedestrian experience than the multi-lane concrete grey
of its predecessor.


Garden BridgeArup

“How do you make people feel slow, and be in an intimate point,
even though it’s a major piece of infrastructure?” said Heatherwick
of the design in the October 2013 issue of Wired. “For
every object in the world, how you feel is part of its
function.” 

The bridge will be designed under the eye of engineering firm
Arup and will feature two piers at its ends. It will be covered in
benches, a promenade and indigenous plants in a landscaped wild
garden designed by Dan
Pearson

“There will be grasses, trees, wild flowers, and plants, unique
to London’s natural riverside habitat,” Joanna Lumley commented. “I
believe it will bring to Londoners and visitors alike peace and
beauty and magic.” 

The bridge, something the trust’s chair Lord Mervyn Davies has
referred to as a new icon for the city, is slated to cost £150m,
which is being raised by donations. Following the public
consultation ground will break in 2015.

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