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Victory Garden, once a hobby, has become a way of life for ex-cabbie

A lot more invested.

Today Malkasian, who lives a few blocks away, estimates he gardens here about 10 hours a week. During this year’s mild winter, he worked through months when most Northeastern gardens are normally under a layer of snow. And now Malkasian, who has become certified as a master gardner and opened his own horticulturist business, knows just what he wants to do.

Visit his garden and he will tick off the different plants and flowers in his plot: Lenten Rose and the Christmas Rose, which are both Hellebore flowers that bloom at different times of the year. There are chartreuse plants, Mini Grape Hyacinth placed just so, and a Blue Spruce, neatly pruned.

Around him, the Victory Gardens stretches across seven acres of land with more than 500 plots that measure about 15- by 25-feet. The garden dates back to World War II, when it and similar gardens sprang up nationwide to help feed our soldiers overseas. The Fenway Garden is the last of the original Victory Gardens remaining. Malkasian’s garden stretches over four of its plots.

The Victory Gardens is its own neighborhood. For example, Malkasian’s friend for more than 30 years, Tony Siracusa, kept suggesting things for him to plant.

Recalls Siracusa, “Soon enough he said, ‘Why don’t you go get your own garden?’” And so he did.

“The garden has a lot to do with us still being friends,” said Siracusa, who gardens next to Malkasian. “It’s hard to drop in on someone in their home, it’s a lot easier to drop in when they’re in their garden.”

Other gardeners share their crops.

“When it’s tomato season, people will just give away tomatoes because they grow faster than anyone can eat them,” said Malkasian, who enjoys the friendly community that also grows around him.

As he grew more engaged in his own garden, Malkasian drew inspiration from an artistic background.

In high school, he was enrolled in art classes, and he also attended Massachusetts College of Art and Design on and off for five years.

And so he said to himself, “I want to paint a picture. I shuffle plants for a more pleasing design.”

It took lots of observing for Malkasian to figure out what that design should be.

“It’s a controlled garden. It’s naturalistic, but it’s not natural,” Malkasian said. If it were natural, he said, there would be weeds all over and plants growing wild.

As his plants grew, so did Malkasian’s interest in gardening.

For 15 years, he drove a cab at night. But before each shift he’d spend time tending to his masterpiece. On the job, he’d share photos of his garden with customers.

“When you’re a cab driver you don’t get a lot of nice things said to you,” he said. “it’s kind of a depressing job.” But his garden kept his spirits high.

It still does. Malkasian explains how gardening to him is almost “godly.” Accidents happen, something grows somewhere unexpectedly. This leaves him a choice. He can “allow a thing to be,” or he can tear it up by the roots.

“Everything is on a list, everything has a plan,” he said. “I won’t remove something without a plan of replacement.”

Wearing his gardening gloves, a hole in his ring finger about the size of a nickel, he points to a Japanese Maple.

“That tree came as a stick in the mail,” he said.

He also points to plants that used to be. A stub remains in the corner of his garden where a Blue Pine once stood. Now there are bricks neatly placed for a table and chairs.

The planning and developing is the fun part, Malkasian said. The hard work is the maintenance.

With every beautiful plant that blooms, Malkasian will hardly ever take a flower home.

“If I’m missing a flower it’s like a scar on my garden,” he said.

He enjoys the visitors who pass by, often with kind words.

Rafael Troche doesn’t garden himself. But he loves walking through Victory Gardens.

“I used to come here for lunch,” said Troche, who worked in the Landmark building down the street at Blue Cross Blue Shield. Troche would bring his lunch and sit under a pine tree to enjoy the beautiful scenery.

“It’s just so peaceful here,” he said.

Victory Gardens is one of the best spots for people to birdwatch, too, Malkasian said. People will come from all over the region.

The songs of a Black-Capped Chickadee perched in a tree from behind and a woodpecker from a near distance have a sweet melody. It’s almost magical — until the sound of a siren cuts the air, a reminder that this is still in the heart of a city.

Still, as the leaves fill in the garden gets quieter, Malkasian said.

“When kids are off to camp and the Red Sox are away it gets real quiet,” he said. “But when the Sox are here you hear Neil Diamond and the crowd roaring.”

But it’s the garden’s magic and tranquility that keeps bringing Malkasian to its shadow.

“Rick is a real horticulturist, he knows where to plant what and names of all sorts of plants,” Siracusa said. “I don’t know any of that, I just wanted a piece of land to paint my garden with plants.”

Malkasian’s evolution to certified master gardener came gradually. He took master classes through the Massachusetts Horticulturist Society. Classes like soil structure and plant biology rooted him with the knowledge he desired. They also prepared him for the Massachusetts Certified Horticulturist Exam that he took to become a certified horticulturist in the state.

Today he has his own small business: Rick Malkasian Gardens. When people look at his garden, they want what he has, he said. But, he added, he never takes on more than two clients at a time.

He is a meticulous man. He says he wishes he had a year to develop his clients’ gardens because there is a lot that goes into planning.

“I need to observe it. I need to know what things are like in their yard and how it changes with the seasons,” he said.

Twenty-five years ago, Malkasian would not have known where to start. But after years of tilling the soil of the Victory Garden plot, he’s mastered the craft. His perfectly edged stonewall, his sunken paths and carefully placed brick work add texture to his wonderland, and the peach tree that blooms along the fence is an attraction to many who pass by.

“Back in the 70s they wanted to make it a parking lot for Fenway,” Malkasian said. “But when Kevin White was in his mayorship it was declared a national historic landmark.” Now, it’s untouchable.

And so is Malkasian’s plot, a part of the city, a part of the garden, a part of him.

“It’s an enhancement of my life,” he says.

This article is being published under an arrangement between the Boston Globe and Emerson College.

Barrow pupils enter garden-design competition

NATURE-LOVING pupils have submitted a colourful entry for a garden-designing competition.

Children from St Pius X Catholic Primary School, in Barrow, have got involved in the ‘Wonderful Wildflower Meadows’ contest, which is being run by the North-West Evening Mail, Holker Hall and Gardens, and Crooklands Home and Garden Centre.

The pupils have designed a meadow which will attract bees, butterflies and bugs.

We are asking primary school classes to design their own mini wildflower meadow, which would be a haven for pollinating creatures.

The competition is part of the Holker Garden Festival, which runs from June 8 to 10.

All the finalists’ entries will be displayed at the festival and will be exhibited in the North-West Evening Mail. The prizes will be vouchers towards garden equipment and materials from Crooklands Home and Garden Centre.

St Pius teaching assistant Belinda Scrogham, who runs the gardening club at school, said the children have been learning about wildlife, mini beasts and habitats and this is an opportunity to make an environment for these creatures. Schools have been sent entry packs. The deadline for entries is Friday May 11.

Entries should be sent to ‘Wonderful Wildflower Meadows Competition’, North-West Evening Mail, Abbey Road, Barrow-in-Furness, Cumbria, LA14 5QS. Any schools still needing a pack can email natalie.chapples@nwemail.co.uk, or call 01229 840139.

Creating landscapes – a career in garden design, landscape architecture or …

By Sarah Engerran
11 May 2012

Designing a garden or building a landscape requires vision, practical skill and sound business sense, says Sarah Engerran.

Last call for Society of Garden Design award entrants

09 May 2012

Society of Garden Designers (SGD) is making a last call for entries to its inaugural annual awards for outstanding achievement in garden and landscape design.

At Garden’s Visitor Center, a Welcome Transparency

The institution is also home to a surprisingly large collection of buildings, including a little columned and gabled house that serves the Children’s Garden; a noble McKim, Mead White palace for administration; the blocky Steinhardt Conservatory, built with a heavy hand in the late 1980s; and the elegant, arching Palm House, walled and roofed in glass, a favorite site for borough brides.

All those buildings are arranged in a line on one edge of the garden, backing up to the neighborhood of Crown Heights, at a distance from the creaking turnstiles that have long served as the only public entrances to the place. Slipping in through one of those three humble gates, you had the feeling of discovering a secret Eden; you came across buildings only after time spent on shaded paths. The architecture was a respite from the park, if you were looking for one, or an intrusion of the city that you could avoid with a quick turn of the heel.

Now a new visitor center and gateway have been built at the northeast corner of the garden, where it abuts the Beaux-Arts pile (and decidedly artless parking lot) of the Brooklyn Museum. When the center opens next Wednesday, plant lovers for the first time will contend with architecture at the garden’s threshold.

The designers of the visitor center, the New York architects Marion Weiss and Michael Manfredi, of the firm Weiss/Manfredi, are old hands at integrating buildings with nature, albeit with a certain brashness. Their Olympic Sculpture Park in Seattle, a landscape of close-cropped lawns and zigzagging paths on a reclaimed industrial site by the water, is all hard edges and frank use of glass and concrete: There is nothing easy or gentle about it.

Last week they were given a commission to reimagine a big chunk of the Washington Mall with an assertively contemporary design at odds with the conservative impulse that is such a strong force in planning for the nation’s capital.

The architects have not held back in Brooklyn, either. Entering the garden from Washington Avenue, you climb a few steps, pass through monumental steel gates and find yourself on a bare concrete plaza, relieved just a bit by a sunken rock garden to one side that serves as a buffer against the adjacent parking lot.

To your left is a wall of clear glass under an accordion-folded copper roof (the front half of the new building, intended for the houseplant shop). Ahead, the roof continues past the edge of the glass over a wide entryway through which you can make out the green of trees beyond. On the other side of this pedestrian slot through the building is a high wall, the same clean, white concrete of the plaza ground. The effect is distinctly urbane.

So you approach nature now through the stuff of the city. But most of the building remains out of sight, seemingly lost in nature, embedded in a grass-and-tree-covered berm. It’s a move that creates high-contrast oppositions between growing and built, and that also defends the garden against the asphalt and masonry of its neighbor.

Through the entryway, a second glass wall stretches off in a long, wavering run along the elaborate wooden fence of the Japanese Hill-and-Pond Garden. Here it serves not as a light screen enclosing a pavilion but as a front for a section of building (bathrooms, exhibition space, rooms for gathering) that is slammed into the berm beyond, beneath a massive, planted mound of a roof: 10,000 square feet, a huge new bed to be managed by the resident botanists.

A lot can go wrong when you try to conceal a building, or even part of one. People are clever; throwing some plants on a roof is unlikely to fool us. But Weiss/Manfredi, perhaps aware of the peril, shaped its roof with care. Even now — when the grasses and flowering bulbs are just beginning to grow in — the new construction, seen from various points in the garden, succeeds in deleting itself from the composition just enough.

The glass wall, the spacing of its vertical steel mullions kept short to match the rhythm of nearby tree trunks, is left to declare gently the presence of a building. The result is not a craven, apologetic attempt to deny that what was once nature is now architecture. It’s a model of one way those two opposed systems can coexist.

Mount Sharon: A classical garden in Orange, Va.

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Getting Lessons on Water by Designing a Playground

So, in addition to benches, play equipment, ball courts and drinking fountains, their wish list includes a butterfly garden and a gravel-lined turf field. Those features will capture precipitation and prevent it from overloading the city’s sewer system, which, in the case of their Rego Park neighborhood, spews raw sewage into Flushing Bay when it rains.

In the process, the children are learning about arcane urban infrastructure and bureaucratese, like “combined storm-sewer runoff.” And they are gaining appreciation for the absorbent powers of trees and grass, as well as roof gardens, rain barrels and permeable pavers — bricks that soak up water.

“I always thought the rain ended up in the Atlantic Ocean and that it was cleaned first,” Aryan Bhatt, 11, said.

Theirs is one of five new eco-playgrounds that the Trust for Public Land, a nonprofit group, is shepherding through the design and construction process at schools in Queens and Brooklyn. The schools, with asphalt schoolyards, were chosen, in part, for their proximity to overtaxed wastewater-treatment plants. Sites for five more playgrounds are now being scouted.

“Each child has a design notebook, and we encourage them to be landscape architects,” said Mary Alice Lee, the trust’s director of the city playgrounds program. “It’s our goal to capture one inch of rainwater.”

The program has unfolded as the city and state formalized an agreement under which the city would pay for novel techniques to address its biggest water-quality challenge. In March, the city committed $2.4 billion in public and private money over 18 years to environmentally sound solutions. The approach is a departure from more traditional methods to control sewage overflow, like storage tanks and tunnels.

To help the students visualize the problem, the Trust for Public Land on Thursday brought its aptly named “Sewer in a Suitcase” to Stephanie Lamere’s sixth-grade classroom. Inside the case, which was created by the nonprofit Center for Urban Pedagogy, was a model of a city street, with an apartment building, stores and pipes leading to a river.

Maddalena Polletta, who works for the trust, poured copper-colored glitter into the buildings to represent waste water, and sprinkled some on the streets for good measure to take the place of dog feces, litter and oil from cars. She then poured a trickle of water into the building and over the streets, and the students watched as it flowed cleanly through one of two clear-plastic tubes into a mock waterway.

But when Ms. Polletta poured a larger amount of water, all the glitter gushed out of the second tube. That tube represented a treatment plant’s outfall pipe, which discharges raw sewage along with storm water into rivers when it rains, not just in New York but in many aging cities with combined sewer systems.

“Sometimes just a quarter-inch of rain will overflow the system,” Ms. Polletta explained. “Sewage is released into the bay about 50 times a year. Last year, we had more rain than we’ve ever had before.”

Then she placed a green sponge on a roof and poured water over it. She squeezed out the sponge to show all the rain that was captured. She did the same with an ecologically friendly paving stone.

The students revisited their playground wish list, highlighting items with green stickers that had the potential to absorb some of the estimated 600,000 gallons of rainwater a year that drains from the current schoolyard. The turf field, meditation garden, vegetable garden and grass suddenly had new meaning.

Melissa Potter Ix, a principal of SiteWorks, a landscape architecture firm that is working with the trust, used a mathematical formula to show the children how to maximize the field’s absorbency. “If we put one foot of gravel under your turf field,” she said, “we can capture one inch of rain.”

Gravel is just the beginning. In a pilot playground at a school in Brooklyn, the Trust for Public Land put a green roof on the storage shed. It outfitted a gazebo with a rain barrel to collect water for a vegetable garden. It sloped a stretch of asphalt toward a second garden. And it expanded the tree beds.

The trust has ample experience with conventional playgrounds. In recent years, it has designed and built 54 playgrounds at schools across the city and designed an additional 123 for schools on behalf of the city’s parks department. Those were created as part of a city program to increase access to green space by converting schoolyards into community playgrounds.

But the trust’s latest initiative has a more ambitious goal, as the city prepares for climate change and the increased rainfall scientists say it will bring.

“We all have to be stewards of our natural resources,” said Christopher K. Kay, the trust’s chief operating officer, referring to the children in Ms. Lamere’s class. “It’s essential that this be communicated in a way that’s engaging and creative. When they’re excited, they’ll remember it.”

New designs will improve the National Mall

Public Spaces

New designs will improve the National Mall

The National Mall is not a perfect space. Although millions of people visit it each year, many sections are oversized and underused. It’s poorly integrated with the surrounding city, and its aging components need maintenance. What can be done?


Proposed amphitheater. Design by OLIN + Weiss/Manfredi.

No one would propose demolishing the Mall, or seriously changing its basic character, but clearly there is room for improvement.

The Trust for the National Mall agrees. They sponsored a design competition to rethink 3 important sections of the Mall: Constitution Gardens, the Washington Monument grounds, and Union Square. The winning entries are filled with interesting ideas.

Constitution Gardens

Many Washingtonians feel that Constitution Gardens is the best part of the Mall already. Certainly it’s the most unique, with its informal pond and romantic pathways. The winning design, by Rogers Marvel Architects + Peter Walker and Partners, will build on the gardens’ strengths to make it even better.


Design by Rogers Marvel Architects + Peter Walker and Partners.

The designers propose to introduce a new pavilion at the east end of the existing pond. This pavilion would become the centerpiece of activity in the garden. It would contain a restaurant and a dock for model boating. In the winter, the eastern section of the pond would be used for ice skating.

These additional active uses are good additions, although one wonders if another ice skating rink can survive so close to the existing rink at the Sculpture Garden.

One negative aspect of this plan is that it actively turns its back on the street. It proposes to raise new hills along Constitution Avenue in order to “provide separation” between the park and downtown. This is entirely the wrong approach, and will contribute even more to the segregation of the city’s cultural amenities from the city’s residents.

Washington Monument grounds

In contrast to Constitution Gardens, the Washington Monument grounds are probably the worst section of the Mall. The giant grass lawns are not destinations to anyone but a few softball players. Rather, they are long, empty voids that tired visitors must traverse.

The poor condition of the grounds is even more unfortunate because they are the geographic center of the monumental core. In theory this should be the most heavily-built and formal area of the Mall, but in reality it is the least.

The winning entry for this section, by OLIN + Weiss/Manfredi, is disappointing in its scope. Rather than address the fundamental deficiencies with the grounds as a whole, the design focuses closely on the southeast corner and largely ignores the rest.


Design by OLIN + Weiss/Manfredi.

To the designers’ credit, what they have proposed for that section is excellent. They would replace the afterthought that is the existing Sylvan Theater with a wonderful new grass amphitheater. It would blend seamlessly with the surrounding landscape, would face and help to frame the Washington Monument, and would vastly improve the theater experience in every way.

They also propose a cafe and bookstore, to be built into the side of a small hill so that they appear as one with the rolling landscape. These are good additions that will improve the edge condition between park and city, and the proposed architecture is both appropriate and totally unique.

Union Square

Better known as the Capitol Reflecting Pool, Union Square suffers from many of the same problems as the Washington Monument grounds. It’s visually impressive, but usually empty. There’s not much reason for people to go except to pass through, and its monumental components are so oversized that they are a barrier to walking.

The winning design, by Gustafson Guthrie Nichol + Davis Brody Bond, does much to improve the situation.


Design by Gustafson Guthrie Nichol + Davis Brody Bond.

The designers propose reducing the size of the reflecting pool and carrying additional pathways through the site, creating new connections with the Smithsonian area to the west.

They also propose to narrow Pennsylvania and Maryland Avenues, and to convert them from parking lots to more pedestrian-friendly streets.

Unfortunately, the garden areas north of Pennsylvania Avenue and south of Maryland Avenue are afterthoughts in this proposal. It would have been nice to see a new building on the north end of the site, mirroring the location of the US Botanical Garden. That area is a nether-zone between the Mall and Senate Park, and would be more valuable as the site for a future museum.

Next steps

The Trust for the National Mall does actually intend to build these designs. Fundraising will begin soon, and the first ribbon-cutting could take place as early as 2016.

That’s good news.

Overall, these ideas would improve the National Mall. It would still be an imperfect space, poorly connected to the living city around it. But it would, for the most part, be better than it is today.

Cross-posted at BeyondDC.

Dan Malouff is a professional transportation planner for the Arlington County Department of Transportation. He has a degree in Urban Planning from the University of Colorado, and lives a car-free lifestyle in Northwest Washington. His posts are his own opinions and do not represent the views of his employer in any way. He runs the blog BeyondDC and also contributes to the Washington Post Local Opinions blog. 

Buckhead chateau gives Gardens for Connoisseurs Tour a French accent

For the AJC

As it has for more than 20 years, this Mother’s Day weekend will find Atlantans planning their route for the Gardens for Connoisseurs Tour, the annual spring fundraiser for the Atlanta Botanical Garden. This year’s tour features 11 private gardens of many sizes and styles from a lush woodland retreat in Buckhead to a cottage garden in Decatur.

Some tour goers are gardeners seeking inspiration for their own yards. Others will never put trowel to dirt but consider the tour a chance to do a little sightseeing in Atlanta, enjoying beautiful gardens created by others.

Several of the gardens have been on tours before, offering visitors the chance to see how the gardens have evolved in the intervening years.

One of the gardens is brand-new, completed less than a year ago but as luxuriant as any mature landscape. It’s the formal French-style garden of Livia and Scott Hostetler, designed by the couple to complement the chateau-style home on their property.

Scott Hostetler, 46, is a partner in HZS, an international landscape architecture design firm whose work includes hotel resorts and high-end residential development. Hostetler spent years living in Hawaii and Asia, and while based in Hong Kong, he executed the design contract for the hotels of Hong Kong Disneyland. Project finished, he formed his own business.

Looking for a home base for the new company and a place to raise their two daughters, he and Philippine-born Livia, 36, decided on Atlanta.

Their home on Harris Trail was built in 2000 for a player for the San Francisco 49ers. For many months the Hostetlers eyed the property with its 15,000-square-foot French chateau-style home and 2 acres of flat, open land. “It was the perfect empty canvas for me to create something I needed to do, design a show garden for my business that also worked for my family,” Scott Hostetler said. A year of negotiations led to the purchase of the property.

In preparation for their move to the house, the Hostetlers made several visits to France, taking more than 6,000 photographs at classic French chateaus to document the layout of the gardens. They took measurements and noted details such as the use of arcs rather than 90-degree angles for the corners of garden beds.

Once they moved in, Livia Hostetler renovated the house so it works as a set for the film and television industry. They named the house “Chateau de L’imaginaire,” and their first shoot was an episode for VH1’s “Single Ladies” series.

Scott Hostetler tackled the garden. Installation was done in 10 weeks. “That might be a record,” he said. Tradesmen worked seven days a week with as many as 20 people on site every day.

Hostetler estimates he put in 6,000 plants in 100 varieties. One of his goals was to use a family of plants that was familiar to Atlanta gardeners, but in new and interesting ways. One example is the collection of 20 spiral topiary white pines ranging from 11 to 14 feet tall that punctuate the landscape.

“What I like to do is what some might call design backward,” Hostetler said. “I procure really distinct plant material and then strategically place it where it can best be showcased.”

In classic French garden style, there are parterre gardens formed of low boxwood hedges in curving patterns. Color comes not from flowers, but from variation in foliage color and from a variety of stone mulches, carefully separated with metal borders to keep the pattern distinct.

The parterre gardens turned out to be a surprise draw for his daughters and their friends. The low hedges form a sort of children’s maze that the girls love to run through.

Whimsical touches include a topiary living room just off the house with a boxwood sofa and topiary lamps. “These little fun touches are unique and creative,” Hostetler said, “and you don’t need 2 acres in Buckhead to do something like that in your own garden.”

Hostetler finds that sitting back now and looking over the landscape, he feels a sense of relief. “I was my hardest client, my worst critic,” he said. “I put a lot of pressure on myself.”

Opening his garden for the tour allows him to share his satisfaction with the landscape he’s created.

Tips from the some of the designers of gardens on this year’s tour:

Mark Reaves of Mark of Excellence: Dwarf mondo is a great but expensive alternative to turf that does not tolerate heavy foot traffic without the use of steppingstones. The expense of the mondo is offset by the reduction in costs for treating, mowing and edging a lawn, and it makes a nice evergreen alternative.

Alex Smith of Alex Smith Garden Design: A nice technique to use for climbing roses is to plant a clematis or other self-twining vine at the base of a rose. The clematis uses the rose to climb on, and you can create a beautiful combination of flowers since they will bloom simultaneously.

Alec G. Michaelides of Land Plus Associates: One of the best ways to add color to a garden is through the use of decorative containers. Color can be added and changed to highlight, frame and accent specific areas.

Event preview

Gardens for Connoisseurs Tour

11 gardens from Buckhead to Decatur

Date: Saturday and Sunday, May 12 and 13

Time: 10 a.m.-5 p.m. both days

Tickets: $25 in advance, $30 day of tour, children under 12 free

For more information: www.atlantabotanicalgarden.org and click on “Events”

Sprucing up the streets: Urban gardener brightening up cities by creating mini …

By
Suzannah Hills

09:30 EST, 7 May 2012

|

10:52 EST, 7 May 2012

They’re the bane of cyclists and motorists alike, but one urban gardener has grown a fondness for potholes after deciding to spruce up cities around Europe by filling them up with miniature flower arrangements.

Australian Steve Wheen, 34, who lives in London, has been using flowers and small-scale objects to transform urban potholes for the last three years.

The self-styled ‘guerrilla gardener’ has created mini gardens all around his home city but has now decided to bring joy to commuters across Europe with his unusual pothole creations.

Getting to the root of the problem: Urban gardener Steve Wheen covers up a pothole in Milan with a miniature tree complete with a swing

Getting to the root of the problem: Urban gardener Steve Wheen covers up a pothole in Milan with a miniature tree complete with a miniature swing

Mini tools: Steve Wheen's creations are often completed with tiny furniture

Stop and take some time: Work by pothole guerrilla gardener Steve Wheen

Filling up holes: Steve Wheen often uses tiny furniture and small-scale objects, such as tools pictured left and a bench, pictured right, to complete his pothole designs

Self portrait: Pothole guerrilla gardener Steve Wheen had a quick photo taken with his mini tree creation before leaving it in the street to be enjoyed by pedestrians

Self portrait: Pothole guerrilla gardener Steve Wheen had a quick photo taken with his mini tree creation before leaving it in the street to be enjoyed by pedestrians

Guerrilla gardening is an increasingly popular trend for planting in public spaces without permission from the authorities and some of Steve’s creations even come complete with tiny furniture and even working electric lights.

He latest project took him to Milan where he installed Italian themed mini-gardens in potholes around the city.

He said: ‘My project is all about turning the crappy into the happy. Mostly I garden in East London as there is a proliferation of potholes and I’m spoilt for choice.’

Steve’s work in Italy coincided with Milan Design Week and his projects, which are usually between 20 and 30 centimetres wide, were well received.

He continued: ‘It’s funny how my little gardens can make such a big impact. At times I had crowds of up to 50 people watching me garden, they seemed enchanted.

‘My favourite part of the process is sitting back and watching people’s reactions.’

Floral sensation: Steve Wheen planted some brightly coloured flowers in high heel shoes in Milan, which is home to some of the biggest names in fashion

Floral sensation: Steve Wheen planted some brightly coloured flowers in high heel shoes in Milan, which is home to some of the biggest names in fashion

Shoes on the stairs: work by pothole guerrilla gardener Steve Wheen from Milan Design Week 2012

Flowers in shoes: work by pothole guerrilla gardener Steve Wheen from Milan Design Week 2012

If the shoe fits: Steve Wheen took inspiration from Milan’s many fashion designers and filled several pairs of trainers with pink flowers and shrubs

Playing a tune: Steve Wheen created a music garden during his trip to Italy's second largest city that coincided with Milan Design Week 2012

Playing a tune: Steve Wheen created a music garden during his trip to Italy’s second largest city that coincided with Milan Design Week 2012

His work in Milan included a musical garden to celebrate Italian composers and musicians and a ‘minibition garden’ inspired by Italian artists.

He also created fashion-themed handbag and shoe gardens in homage to the cities’ well known designers as well as a ‘light bulb garden’.

‘The light bulb garden celebrates the inception of great ideas – that moment when the idea strikes,’ Steve said.

Steve doesn’t ask permission to plant in potholes with each mini-garden taking him around 20 minutes to create. When finished, he often leaves them in place.

He said: ‘I was stopped recently in London by a policeman but he just wanted to know what I was doing. When I explained, he asked me to carry on because he loved it.

Filling every nook and cranny: Steve Wheen also created a driving scene - free of potholes

Filling every nook and cranny: Steve Wheen also created a driving scene – free of potholes

Members of the public photographing work by pothole guerrilla gardener Steve Wheen

Lightbulb garden: work by pothole guerrilla gardener Steve Wheen

Eye-catching: People stop to take a picture of Steve Wheen’s music garden creation in Milan, left, and one of his miniature garden designs shaped like a light-bulb, right

Green fingered: Guerrilla gardener Steve Wheen fills up another pothole with a mini garden

Green fingered: Guerrilla gardener Steve Wheen fills up another pothole with a mini garden

‘I was a little more worried about Milan as I wasn’t sure about how the police might take it, but I didn’t have any issues in the end.’

Steve’s next project will be an unexpected attraction for tourists visiting the UK for the Olympic games  with a series of mini gardens inspired by London 2012.

‘My Olympic themed gardens will each celebrate a different sport. I’ll be creating a mini running track, a long jump, a high jump and more. I’ll try and make them around London landmarks.

‘A little effort can go a long way – I’m really creating little moments of happiness.’

His previous creations include a mini-London Eye, which he planted outside the Ministry of Defence building in the heart of Government in central London, a tennis court and a living room. 

Getting to work: Steve Wheen sets up cars on a grass map

Getting to work: Steve Wheen sets up cars on a grass map

Finished design: Steve Wheen placed cars and mini traffic cones on a grass map in Milan

Finished design: Steve Wheen placed cars and mini traffic cones on a grass map in Milan

Here’s what other readers have said. Why not add your thoughts,
or debate this issue live on our message boards.

The comments below have been moderated in advance.

He should come to Thorpe Mandeville, we have dozens of potholes.

This guy has waaaaayyy to much time on his hands

SAD

Steve Wheen,please,please come to Malta.

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