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Make room for garden design

I’ve always been a fan of garden design, especially the vegetable garden.

Don’t act surprised.

Just because we put walkways and yard art in our flower gardens doesn’t mean we can’t put a little flair in our vegetable gardens too. No one knows this better than France in the 16th century. It was around this time that potager gardens were making their mark and their popularity has stood the test of time.

Thirty years ago, our vegetable garden was huge. We grew everything we could think of that we liked to eat, and lots of it. If we had 50 tomato plants, all the better. Twelve rows of corn wasn’t enough because we usually ended up sharing much of it with raccoons. We grew potatoes, pumpkins, onions, garlic, zucchini, squash, cucumbers, broccoli, cauliflower, brussels sprouts, several varieties of hot and sweet peppers, beans for snapping and beans for shelling as well as plantings of peas both in the spring and in the fall. As soon as the spinach and lettuce gave way to midsummer heat, in went something else, usually fast growing green beans, radishes or even more lettuce and spinach. In addition to the huge vegetable garden, there was a good size herb garden and a few wooden raised beds we used for fun things to grow, like ‘Slo-bolt’ cilantro and Florence fennel. We don’t even like fennel, so I usually gave it away. Having a garden wasn’t just for eating. It was for the fun of growing.

Because of the size of the garden, not to mention the time it took to maintain the plants and keep down weeds, there was no extra time for fancy designs. We planted in rows or hills because that’s what our parents did. The basement shelves were filled with jars of preserved vegetables that were meant to get us through the winter.

But like our lives, gardens change. The kids grow up and move out on their own. We are a bit older and not as energetic, and the result in the landscape is smaller gardens. Last week I mentioned the changes in the flower gardens, taking out high-maintenance perennials and replacing them with colorful shrubs and lower maintenance plants.

The same thing goes for the vegetable garden. But although the garden has to get smaller, it doesn’t have to be boring.

Enter the potager.

Here in the U.S., we call them kitchen gardens, but the potager is more than that. By growing just enough vegetables to use through the season and maybe a little more for the freezer, we have the opportunity to add a bit of decoration to the garden as well.

Potager gardens aren’t just for growing plants. My potager has a brick walkway that runs through its center from front to back. The garden is basically split into two sections, and if I want, I can plant only one side during a summer season and pile compost and fertilizer on the other side in preparation for next season.

Brick pavers are commonly used in potagers but wooden raised beds can be used to separate the growing areas into sections. Raised beds aren’t a necessity in a potager. Garden sections can be separated with gravel walks or pathways covered with straw, mulch or fancy stepping stones. Some potagers beds are lawn areas that get mowed, which is a tidy-looking design. The idea is to organize the sections into various sizes and shapes to give the garden structure and versatility.

It’s up to you if want your design to be symmetrical. I prefer beds of different sizes, which are randomly organized throughout the entire garden. Except for the center walkway, garden paths are layers of newspaper covered with straw so they can be changed around next season if I want.

Structure also is important in a potager, but remember that it should be functional. Wooden teepees make great structures for growing pole beans. Vining plants can be grown upwards on a sturdy trellis, obelisk or fence. Add a small fountain or a birdbath to attract birds that will be happy to clear your plants of insects. Build a brick or stone pedestal in the center of the garden and on top it place a sundial or armillary.

When the garden is divided into smaller sections, it is not only easier to add compost to the beds, but it is much easier to control weeds. Don’t think by making the garden smaller you have to give up your favorite plants. It is amazing how much will fit into a smaller garden space. Not to mention that it is a more pleasant place to work.

Design: The British influence

Originally published: July 25, 2012 4:39 PM
Updated: July 26, 2012 11:16 AM

By RUTH BASHINSKY. Special to Newsday

Wallpaper has enjoyed a revival in popularity over

Photo credit: Handout | Wallpaper has enjoyed a revival in popularity over recent years with more people becoming bolder in their choice of color and pattern. Two wallpaper patterns, in particular that are generating a buzz include the Lotus and Silvergate design, notes Sarah Cole, Farrow Ball’s Sales Marketing Director. “These designs are modern classics and are especially effective in contemporary colors for a twist on the traditional design. Stripes are also popular.” This particular color is part of their Special Edition collection available at Farrow Ball 112 Mercer Street , NYC, 212-334-8330, farrow-ball.com

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Blog: Garden Detective

There is a British invasion taking place in the country — in home design. Given this year’s Queen’s Diamond Jubilee and now the summer Olympics, everyone is going gaga over those folks on the other side of the pond.

The Victoria and Albert Museum is featuring an exhibition celebrating the best of British design and creativity from 1948 through the present. It showcases the transformation…

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MoMA Considers the Children

Around 1900, people began to “take children seriously,” Ms. Kinchin said. “Freud introduced the idea of childhood shaping our adult lives,” and designs were produced specifically for children. The show presents 500 of them, including a 1902 highchair designed in the Prairie style by William Eugene Drummond, an architect who worked with Frank Lloyd Wright, and a photograph of a 1959 play sculpture in Prague by the Czech artist Zdenek Nemecek, left. Called “Sputnik,” the sculpture “speaks to the way children are identified with exploration and the future,” Ms. Kinchin said.

The show will run through Nov. 5; 11 West 53rd Street (Fifth Avenue). Information: (212) 708-9400 or moma.org.

Design stroll through the Newport Antiques Show

The show’s 41 exhibitors and their wares made it clear that antiques – whether from the
1850s or the 1950s – have the ultimate design staying power. Here’s a recap:

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An Adirondack 1950s twig corner cupboard drew Dorienne West Farzan into the booth
of Brennan Mouilleseaux, noting that twig is an unusual material for the form, which tends to be traditional millwork. “This could totally make a room,” said West Farzan. In the same booth, Kate Field was taken with the verticality and Giacometti-like appearance of an African wooden sculpture that stood on a table near the twig cupboard. “It has a very calming presence,” she noted.

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A collection of glass rolling pins intrigued all three designers at the booth of Sallea Antiques, where they learned from dealer Sally B. Kaltman that the English circa 1850s pins were made of “end of day” glass (factory scraps). West Farzan admired the glass material, noting that rolling pins are more common in marble or wood.

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A set of 12 Chinese watercolor paintings of butterflies in hand-decorated chinoiserie
frames stopped Rugg in her tracks, at the booth of Earle D. Vandekar of Knightsbridge. “From a decorative standpoint, anything in a series is terrific and the more the better,” noted Rugg.

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Oversize stone urns in the booth of Village Braider Antiques prompted Field to advise restraint: “If you site these pieces on piers or pedestals they become pretentious, but if you just tuck one along a path, it becomes something to be celebrated.” In the same booth, an iron doorstop in the shape of a dog also appealed to her, who is always on the lookout for good doorstops. “This would be great propping open a screen door to the garden.”

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9WICKERCOCKTAILTABLE.jpgAs cocktail hour coincided with the gala, perhaps it is no surprise that a cocktail theme emerged, represented by two fun finds: a glass and chrome 1960 table in shape of a martini glass at the booth of Marion Harris, which beguiled our design trio for both its form and function; and a wicker cocktail table big enough to hold just one drink at the booth of Antique American Wicker. On that note, it was time for a sip.

The Show, which runs from Friday-Sunday, July 27-29, benefits the Newport Historical
Society and the Boys and Girls Clubs of Newport County. Show admission is $12.

Plant retailer, landscape designer create area- appropriate gardens

It seems that somebody has been building a garden there for at least the last year. “Coming Soon,” the sign read for the longest time. “Oleander Oasis – Palms and Tropicals.”

It turns out this oasis wasn’t a mirage. There really is a garden, or, rather, a series of gardens taking shape on the property, designed and installed by Landscapes Unique.

Owner Tracey McCullen has been in the landscaping business for more than 20 years. Oleander Oasis is his way of making large plant materials, including palms, tropicals and bamboo, available to the public, along with one-of-a-kind garden sculptures.

Demo gardens

McCullen and his crew have been gradually renovating the property on Oleander. The old gift shop from Pendercrest is the new design studio, and the old garden shop is the new sales center.

Surrounding the buildings are a series of 12 gardens that are slowly taking shape. These “courtyard” gardens will display the Landscapes Unique design team’s eye for creating comfortable, beautiful spaces, while showcasing planters and garden art available for sale.

Not to be missed is the bamboo and banana walk up to the design studio. With just two types of plants, the designers have created an oasis in the middle of the city. It shows that good design doesn’t always have to involve intricate plant combinations. Sometimes, simple is beautiful.

Palms

One house on the Cape Fear Garden Club Azalea Garden Tour this spring really caught my eye. The garden tended by Katherine McKenzie showcased a natural use of palms that was unusual for the area in that it wasn’t overkill.

“She’s one of our clients,” McCullen said when asked about the garden. “It’s a funny story, actually, but one that speaks to the idea of simplicity of design … When she first bought the house a few years ago, there were palms everywhere. It looked like Miami Beach. We actually removed at least half of the palms from the front and mixed in podocarpus (a conifer), live oaks and Adagio miscanthus (an ornamental grass).”

A landscape that looked completely out of place for this area was suddenly transformed – without losing the palms.

Context is key, according to McCullen.

“You don’t want your house to look like Hollywood, and that’s a big mistake people make when planting palm trees,” he said.

Instead of lining the driveway with palms, McCullen suggests tucking them close to the house with other native foliage.

“I like to mix palms with wax myrtles and yaupon hollies to give the feeling of a maritime forest in the garden,” he said.

When to plant

Summer is the perfect time to plant “fresh-cut palms,” which have not established root systems. They love the heat and will immediately start to grow roots. Once they have a solid root system, they’ll start to sprout new leaves.

Oleander Oasis also sells regenerated palms, which are palms that have been cut, re-rooted and shipped in large containers. The regenerated palms can be planted year-round because they already have well-established root systems.

Gary Hollar, owner of Gary’s Nursery in New Bern, grows and sells 30,000 palms per year. Hollar recommends planting windmill palms and a North Carolina native, the Sabal palmetto, or cabbage palm. The windmill palms (Trachycarpus fortunei) are “more leaf cold hardy by about five degrees,” Hollar said.

“There are old specimens of windmill palms growing in Raleigh and Hickory,” he said, “and in British Columbia, Canada.”

Hollar recommends two shorter palms as well: Sabal minor (dwarf palmetto) and Rhapidophyllum hyrstix (needle palm). Both of these palms are cold-hardy.

Care

Hollar advises gardeners to “water palms deeply at least twice per week in the warm months and fertilize with a good, slow-release palm food.”

Palm-tone is a slow-release palm food available in area garden centers.

Hollar said that most palms that look unhappy “are the result of improper watering, lack of a good fertilizer or improper palm choices for the area.”

Features: 343-2343

Spoga+gafa ‘garden unique’ design competition winners announced
















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Creative outdoor kitchen prototypes to be exhibited Sept 2-4

Casual Living Staff — Casual Living, 7/26/2012 9:57:22 AM

COLOGNE, Germany – For a second year, the Top 3 winners in spoga+gafa’s “garden unique” design competition, will be awarded a $1,000-euro prize on Sept. 3 at 6 p.m.

Following the successful 2011 premiere of the premium outdoor furniture hall “garden unique” and the design competition associated with it, the young creative minds can celebrate the construction and exhibition of their prototypes at spoga+gafa 2012. Alongside the creative submissions, the statistics are also being revealed: A total of 283 (2011: 153) ideas were entered into this year’s garden unique design competition and more than 17,000 votes (2011: 723) were cast for the various concepts. Traditionally, the expert jury designates three winners for the contest while the community chooses 16 favorites.
From April 19 to June 21, young designers were tasked with submitting their ideas on the subject of “outdoor dining” on the platform jovoto.com. The idea is to design objects that would perfectly suit an outdoor culinary occasion, and the illustrious jury, which included designers Patrick Nadeau and Marc Sadler, was spoilt for choice.
First place in the expert jury voting went to the five-piece outdoor kitchen “Canorta” by Reto Togni. A pathway or passage is sufficient to set up this garden kitchen which includes a gas cooker, barbecue, running water, table and all necessary utensils. “Canorta” makes cooking and preparation a social event in the great outdoors. The design is simple and utilitarian. The jury justified its decision as follows: “This credibly transportable garden kitchen plays on the robust simplicity of tried-and-tested systems in an appropriate way. Its unpretentious yet reliable appearance encourages the user to see the organization of a garden or courtyard dinner as a spontaneous and uncomplicated activity”.
Marco Gottardi, who placed second in the experts’ assessment, touches on the ideas of furniture design classics such as Francso Albinie’s “Primavera” in his entry, “LINEA.” The system, designed specifically for outdoor spaces, means that the discreetly delicate table and chair ensemble can be set up in just a few movements, yet takes up little space for transportation and storage. This Italian idea also convinces in terms of materials and design: Both table and chair are made of varnished steel, while the striped patterns of the back of the chair and the table surface give the impression of a moiré effect. Its muted, modern color scheme makes this object timeless and thus perfectly suited both for the private garden and outdoor catering events.
The jury awarded third place to the “bottle cooler and stand” by Manfred Makedonski. The felt pocket hanging from a stake in the ground ensures drinks remain cold on hot days. Whether it’s next to your sun lounger or your garden table, the bottle cooler can be used anywhere and also prevents spillages on uneven surfaces. The jury was particularly impressed by the solution to the problem of bottles inevitably falling over. “The clear feasibility of this design, which appears so obvious, means it is crying out to be realized,” was the experts’ opinion. In addition, the combination of stainless steel stake and felt pocket in striking colors makes the object a real eye-catcher too.
It’s not only the specialist jury that votes in the “garden unique” design competition, but the community, too. The prize money of a total of 12,000 euros is divided between 16 favorites. An exhibition of the community’s Top 16 can also be seen at spoga+gafa. These include a portable charcoal grill, which adapts to the ground, various mobile kitchen concepts and a number of ideas for compact seating combinations. The exhibitors and visitors can look forward to innovative and unique concepts related to the theme of premium outdoor objects this year, too.
This year, exhibitors in the garden unique area include international premium brands Alexander Rose Ltd., Barlow Tyrie Ltd., Calma, Cane-line A/S, Domitalia spa, Emu Group Spa, Extremis, Faserplast AG, Ferdinand Holzmann Verlag GmbH, Fink GmbH Co. KG, Fischer Möbel GmbH, GartenKultur GmbH, Glatz AG, Herrenhaus Werkstätten, Mandalay Furniture A/S, Manutti BVBA, Möbelvertrieb Jan Kurtz GmbH, NARDI S.p.A., Para’ SPA, Rausch Classics GmbH, Schaffner AG, Sika-Design A/S, Skagerak Denmark A/S, Skargaarden Scandinavia AB, Slide srl, solpuri GmbH, Sunbrella, Todus, Umbrosa N.V., Vermobil SRL, Villa Home Garden, Villa Home Garden, Vincent Sheppard N.V., Viteo GmbH and Weishäupl.
Further information about garden unique is available at gardenunique.de.
















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Tristen is crowned top young garden designer for industrial-inspired entry

A GARDENER from Uttlesford has been named the RHS National Young Garden Designer of the Year.

Tristen Knight scooped the title at last week’s Tatton Park flower show in Cheshire for his Silver Gilt medal-winning design “Brownfield Beauty”, which was inspired by his passion for 19th- and early 20th-century industrial architecture.

The 28-year-old, from Saffron Walden, said that his garden aimed to prove that forgotten and unloved sites can be resurrected to create spaces of distinction and beauty.

His creation, part of a larger external courtyard area of a redeveloped industrial building converted into luxury apartments, was designed to look industrial yet rustic, with the selected planting and mock ‘Rill’ water feature producing a relaxing atmosphere.

Four large Venetian blind-style screens and large ornamental trees added a sense of seclusion and privacy. Other features included reclaimed brick seats, tumble-down brick walls, trees to create structure and intimacy and grasses and ferns to create year-long interest.

For four years Tristen has worked for Pat Fox’s Hatfield Heath-based Aralia Garden Design, which won a Silver medal at this year’s Chelsea Flower Show for its “Rooftop Workplace of Tomorrow” garden. He was part of the team that built the RHS Silver medal-winning garden, “Freshly Prepped by Aralia”, at Chelsea in 2009.

The former Loughborough University industrial design and technology student, who switched to studying landscape architecture at Writtle College, near Chelmsford, said: “Working at the show and creating the garden has been a great pleasure. This is the first time I’ve had control of the design and build and it’s been a lot of fun.

“Winning the title of RHS National Young Garden Designer of the Year is a great stepping stone for my career in garden design.”

For the competition, which was held in association with the Society of Garden Designers, Tristen and the two other finalists – Londoner Katharine Wills, 25, and James Percival, 26, from Cheshire – were challenged to submit designs for a garden with the theme of ‘colour’. They each received £12,000 funding from the RHS to create their entries.

Mountain Gardener: Peace found in garden design – San Lorenzo Valley Press

Columnis Jan Nelson s garden, shown in early-morning sunlight, in an illustration of garden design principles, including variety, contrast and focal points. Courtesy of Jan Nelson

slideshow

A garden has many purposes. It’s a place to grow delicious tomatoes and mouthwatering fruit picked ripe off the tree. It’s a place to read your favorite book on a comfy chair in the shade. It’s a place to watch birds and butterflies when they visit the flowers you’ve planted just for them. It’s a place to go when you need to get away from all the hustle and bustle of daily life. And it’s a place of healing.

I recently lost my little cat, Jasmine. I forgive her for the occasional bird she caught. She really wasn’t a hunter. Mostly, she liked to just lay around in the shade.

There is so much life in a garden. For now, mine will be a healing garden, making me feel calm and comfortable and less stressed.

With our lovely summer weather, our gardens truly become another room.

We all recognize a well-designed garden when we see it. All the individual parts make sense together. They feel right. That’s why some gardens not only look better, but feel better than others.

There are several design principles you should use to get your garden to look its best. Once you have them down, a garden practically designs itself.

First, you want to create unity within your garden. Plants and other hardscape elements in a garden — decks, paths, even rocks — have visual weight and need to be balanced so everything appears in proportion. A tall tree and low mounded shrubs growing across from a group of airy perennials around a fountain looks natural and random but balanced. Think of a mimosa tree underplanted with Gulf Stream nandina opposite a group of monkey flowers.

Your garden should include a variety of textures, seasonal interest and color, to hold your attention and create excitement. Things should stand out from each other. Choose one or two contrasting elements — such as the small green leaves of loropetalum against broad, variegated hostas, or a tall, vertical Emerald Green thuja against low, mounding Kaleidoscope abelia — so your garden doesn’t turn into a jumble.

A garden needs at least one object or area that is noticed first and most often. Your focal point could be a red Japanese maple rising above a low, wild ginger groundcover or a water fountain that instantly gets attention. The sound of water is soothing, and it’s fun to see all the birds and butterflies that come to visit.

Because our area is nested among trees and other wild areas, I think an informal, naturalistic garden looks more like it belongs here. Curved paths and planting beds move the eye slowly through the landscape and invite visitors to explore every corner and curve. Stillness and reflection result when gently rhythmic, repeating groups of plants curve toward a tall garden arbor, for instance. Create smooth transitions from one area of the landscape to another.

Repeating forms, textures, colors and sizes makes a garden easier to look at. Repetition sets the rhythm for the eye to move around the garden. Evenly spaced plants produce a predictable, well-controlled, peaceful feeling. A staggered, uneven repetition will have a bouncy, energetic effect.

All these elements combine to make a good garden, but you make it your own.

n Jan Nelson, a landscape designer and California certified nursery professional, will answer questions about gardening in the Santa Cruz Mountains. Email her at janis001@aol.com, or visit www.jannelsonlandscapedesign.com to view past columns and pictures.

Wisbech designer heading for Japan’s Gardening World Cup

Wednesday, July 25, 2012
1:13 PM

IN a year where British hopes for international competition glory are high, Wisbech garden designer Richard Miers has been invited to compete for world cup glory in Japan’s third Gardening World Cup.

Wisbech designer Richard Miers heading for Japan’s Gardening World Cup, Garden design

Richard will join ten of the world’s best designers to build peace gardens at Huis Ten Bosch in South East Japan. Last year Australia took home the cup but the year before Britain won it!

Named as one of the top ten up and coming garden designers by House Garden magazine in 2011, Richard said: “My design has a very English subtext. There is symmetry and a use of numbers that challenges the way the Japanese think about outdoor spaces. The gravel is unraked, most un-Japanese, but provides a practical solution to surfacing on a budget.

“I’ve deliberately put a table and chairs in the centre of the design. It calls us together to sit down and talk, the start of any peace process whether it is in the boardroom or a more informal community.”

Richard is hoping for a gold medal this year. He won the cup in 2010, but lost it to the Australians last year. But, as he explains: “I am not under estimating how hard this competition will be. Even the whole process of sourcing trees and plants is difficult; done over the internet with no nursery visits. Invitations like this are incredibly rare. It gives me a chance to work in Japan, and hopefully see a bit of it, plus produce a garden where I am the client.”

The results will be televised from an Oscar style awards ceremony on September 28, and the event opens to the public on September 29.


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    Bee enthusiast designs special ‘Protect Pollinators’ license plate

    When Samantha Gallagher was a child growing up in Maryland, her parents taught her to respect nature — particularly bees.

    “Their attitude toward bees was ‘don’t bother them and they won’t bother you,’ so I grew up loving insects,” she says.

    “The defining moment came in first grade. One day a bee got into our classroom at school and I was shocked and appalled to see all of the kids swatting at it angrily, trying to kill it.

    “I managed to convince them to leave it alone and let it fly out on its own — which it did — and then the kids realized bees aren’t so bad. It quickly turned into most of the classroom becoming obsessed with bees, especially me. I remember checking bee books out from the library and learning all about pollination and then telling the other kids everything I was learning about how important bees are.

    “To this day when I run into people I knew in elementary school, they remember me as ‘The Bee Girl.’ ”

    Now 33 and living in Alexandria, Samantha cares for gardens of mostly native plants that attract bees and butterflies. She’s also designed a special “Protect Pollinators” license plate that features native bees, butterflies, hummingbirds and honeybees, as well as Virginia native plants and the Blue Ridge Mountains.

    Samantha hopes the plate will promote more awareness about the conservation of pollinators and the precious and essential role they play in our food supply and ecosystem.

    For the plate to become available, Pollinator Plates must meet Virginia’s requirement of collecting 450 completed applications and plate fees by November, she says. Samantha is asking residents to register for the plates at http://www.pollinatorplates.com and complete the application process online or by postal mail.

    The plates cost $10 annually, or $20 for a personalized plate. Once enough applications are collected, the plates will be introduced into the Virginia General Assembly. After the plates are passed into law, the DMV must approve the design.

    Samantha also wants people to help pollinators in their yards. To do that, she recommends you:

    Stop using pesticides and other chemicals on your property, and encourage friends, family, and neighbors to do the same.

    Plant native flowering plants and other nectar sources for pollinators.

    Allow bees to nest on your property by leaving exposed bare patches of ground for ground nesting bees, and by putting up a bee house for other native bees.

    Support organic and/or local farms that don’t use pesticides, and look for local native plant sales.

    “When I was out running recently, I saw a lot of pollinators on puddles from the rain here this morning, and it dawned on me — since it’s been so very hot and dry, they need water too.

    “You can turn a sprinkler on for a few minutes a few times a day, or build a butterfly puddling area, or keep a pretty, shallow plate in your garden with some dirt and water for the bees and butterflies,” she says.

    Contact Kathy at kvanmullekom@aol.com

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