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Celebrating 50 years

The Rev. Ben Morris knows his coffee beans.

The associate pastor of youth, culture and mission at Holy Cross Lutheran Church in Livonia, worked in a coffee house while attending Central Michigan University and spent hours in them during his days in the seminary.

“I lived in Germany and there’s a big coffee house culture there. Every day at 4 p.m. was coffee and cake time. I loved that. Everyone would get together and eat a good piece of German torte and talk. I like places where people congregate.

“Livonia has a lot going for it. I’ve spent a lot of time at the rec center and I love it there, but there aren’t a lot of places to just hang out. Why not offer a place you don’t have to pay to participate in it?”

When members and visitors last year began to walk the newly-installed brick labyrinth, a meditative centerpiece of the church’s front lawn, Morris sought a way to make the indoors and outdoor space contiguous. An old library room that looked out onto the church’s patio, gardens and labyrinth, seemed to be the perfect spot for a gathering space for conversation, quiet contemplation, study and a good cup of coffee.

The Abbey Coffee House, a gathering for the community and church members, opened last December, approximately a year after the labyrinth was installed. Both projects were built by volunteers, with church member Jeff Dudek leading the work. Both will be featured in an open house on May 4 and will be dedicated on May 5, as a part of the church’s 50th anniversary celebration weekend that also will include a dinner and worship service.

Including the community

Jeff Schuman, church council member, said the labyrinth and coffee house are meant to “make people feel comfortable and welcome.”

“It’s almost like a public space, as opposed to walking into a closed, holy place, where if you don’t know the rules you will feel out of place,” said Schuman, describing the coffee house. “You want people who aren’t accustomed to being in church to come in and use the space. You want to be open.”

Schuman said the labyrinth, coffee house and associate pastor position are the first “real public” results of a transition that started when the congregation said goodbye to its former pastor and brought in a new pastor, the Rev. Dana Runestad.

He stressed that church members were committed to maintaining the integrity of the worship service — “We didn’t want to be an entertainment venue” — but also wanted to reach out to the community, attract young members, families and those who don’t attend church regularly.

“As we went through the transformation process with the new pastor, we started talking about how to reach out to the community. You can’t just expect people to walk in on Sunday morning and say, hey, we’re looking for a church,” Schuman explained. “What we were looking to do was to create an environment that is accessible and usable by the community that would invite someone to come into a haven or shelter or attractive area to experience the quiet.“

The labyrinth, a winding brick path set inside a circle, serves that purpose.

Schuman said church council members walked a labyrinth at the Inn at St. John in Plymouth a few years ago. When they began to brainstorm ideas for Holy Cross, they remembered the experience. It took approximately a year to complete what the congregation calls the church’s “front porch.” It includes the labyrinth, a fire pit, fountain, landscaping, brick pathways and a patio.

Schuman noted that last June several teenagers posed for photographs on the “front porch” on prom night. He said the church may offer refreshments in the garden to prom-goers this year.

Coffee and conversation

The Abbey, open during church office hours and some evenings, regularly attracts both members and non-members. Morris said college students often stop by to study together. Saturday night is game night.

“When we were building it someone said, ‘we can put in a big flat screen,’ and we said nope,” said Morris, explaining that the space is meant for conversation, face-to-face relationships, or quiet contemplation.

“There are a lot of neighborhoods around here. My hope is that eventually the neighbors here will start to feel like this is a place they can come on a Saturday morning and read the paper. I’m sure people will engage with the spiritual life of the community, and that’s one of the hopes. But if they don’t, that’s okay.”

The room includes both new, locally-bought items and repurposed furnishings.

A portion of the communion rail, which was removed from the sanctuary because of accessibility issues, was turned into a stand for brewing and filling coffee cups. The base of the coffee bar is from an old choir loft and The Abbey Coffee House sign that hangs on one wall in the room came from an old pallet.

A wall at the back of the space sports photographs from a local artist.

Volunteers who tend to the coffee bar brew each cup individually using a method called “pour over.” They grind the beans from Great Lakes Coffee Roasting Company for each cup, then place them in a coffee filter inside a ceramic funnel, with the coffee mug stationed below, ready to catch the liquid.

Several different kinds of beans are available, along with tea and other beverages. Suggested donation is $1.

For more information visit www.holycrosslivonia.org.

Vintage home freshens up – Quad-City Times

Project by project, a two-bedroom, circa-1927 house across from Davenport’s Garfield School is getting a fresh look.

While retaining the charm and character of an older house — arched entryways, hardwood floors and an open front porch with Craftsman-style pillars — Ryan and Amy Orr are giving their home a fresh look, with new colors, landscaping and a total re-do of their galley kitchen.

Anyone who’s ever lived with a galley kitchen — a relatively small rectangle — knows that space is limited. But working with Dan Marine of Oak Tree Homes in Wilton, Iowa, the Orrs made the absolute most of what they had, gaining about six square feet of counter space and additional cabinet space compared with what they had, which was a remodeled space from the 1990s.

In addition, they now have all-new everything: stainless-steel appliances, custom Mission/Craftsman quarter-sawn oak cabinets and black granite countertops. The only original feature is the oak floor that Ryan “revealed” one weekend when Amy was at a conference, pulling up the carpet that had been glued to a type of subfloor that had to be removed with a plane.

The capstone, though, is how the space was reconfigured. “There was no option of adding on (or tearing down walls), so we wanted to get as much function into (it) as we could, with a new look,” Ryan said.

On the south wall, they put back a window over the sink that had been covered up in the previous remodel. And in a corner where there were two windows, they moved one window to center it in the wall, and they covered the other with a floor-to-ceiling, multipurpose, built-in cabinet.

They like to call this built-in a “mini mud room.” It has a bench that gives them a place to sit down and take off their shoes. The space below stores shoes and dog food. Hooks hold sweaters, and the shelves above display Amy’s cookbooks and decorative glassware.

The built-in is highly usable, but they debated considerably before going ahead with it. Amy didn’t like losing a window and the light it provided, but the promise of a place for her cookbooks eventually won out.

The north side of the kitchen was another challenge. Because the home had a wall-mounted heat register, previous owners kept the space between the floor and the countertop open — “wasted space” for the sake of air circulation.

Marine moved the register to the floor, with circulation through the kick plate area, and filled in the “wasted space” with cabinetry topped by several more feet of countertop. All cabinets were custom-made by Pearl City Wood Products of Muscatine.

At the other end of the north wall was a pantry closet that was so high  it was difficult for even Ryan to reach. The Orrs removed that, replacing it with a half-wall below and a pot rack (think more storage) above.

The focal point of the kitchen is the five-burner gas stove, topped with a stainless-steel range hood from Ikea and a backsplash made of 30 brown/gray/rust slate tiles.

“We sat in the aisle at Lowe’s and went through four boxes (of tiles) to get just the colors we wanted,” Ryan said.

The Orrs recommend talking with professionals before embarking on a remodel. They had about 95 percent of their ideas before they met Marine at a home show, but he helped them in ways they didn’t anticipate because he knows what’s available in the trade and has experience with what works and what doesn’t, they said.

New website combines design and space

BEIRUT: When listening to Tamara Zantout explain what her new website is all about, one would be forgiven for wondering how The Urban Fusion would be able to encompass all these topics: furniture, fashion, real estate, architecture, landscaping.“Everything urban,” she said.

The Urban Fusion launched its beta website last week at an event in Downtown’s Saifi Village. And though the breadth of the website was at first difficult to comprehend, the outdoor party attended by designers, artists and lovers of both art and design was in many ways a physical example of what the website would entail.

Simply put, Theurbanfusion.net is a gathering for all those interested in design with an urban flair.

Designers, from contemporary artists to furniture makers, can promote and sell their products through the website. Pages highlight the work of interior designers, urban planners and architects. Buyers interested in mind-blowing real estate can skim through luxury apartments located in Beirut or anywhere else in the world.

And people with a passion for contemporary design can gawk at avant-garde nargileh pipes, modern stretch-canvas paintings and conceptual lighting fixtures.

A subsection of the website is also dedicated to book authors who’ve written about such topics mentioned above.

So what is the unifying element between a landscape architect and a funky rocking chair? Space. They both affect space: One builds our outdoor space while the other completes our interior space.

That is the whole purpose of the website, to bring all of these somewhat disparate design categories together on one platform in order to incite collaboration and inspiration, Zantout said.

“Form in its integrity has shaped the world, whether through architecture, urban planning or industrial design,” said a statement released at the website’s launch party. “That is why we have chosen to create a space, where these fields can interact, and become one.”

Indeed the idea for The Urban Fusion was born when Zantout took a trip abroad about a year ago. She was looking for a website to sell some of her furniture wares and decided all of them were too narrow, focusing exclusively on either fashion, architecture or furniture.

The launch party offered a taste of the interaction she envisions.

A handful of designers and artists already featured on The Urban Fusion presented their work in a small outdoor gallery, compiling the mixed-media artwork of Nayla Kai Saroufim, the abstract fantasy painting “Book of Life” by Sari al-Khazen and a pair of designer stools by Zantout, among others.

Art dealers could meet artists; fashion designers could find inspiration in Arabesque art; architects and furniture designers could discuss collaborations. “The sky is the limit,” Zantout said.

Just as last week’s opening drew design-minded people from around the city, The Urban Fusion will host events to bring designers together not only online, but in the flesh, to trade ideas.

Only a small team spread out in Beirut, London and Dubai runs the website now. For now the site focuses on those three locations, as well as the rest of the Middle East.

The site has also teamed up with the American University of Beirut and the the American University Sharjah, whose design faculties are also interested in creative collaborations.

“I want to become the hub of everything urban,” Zantout said. “Urban Fusion is everything encompassing the city and the art within it.”

Gardening Calendar updated April 28

NEW LISTINGS

DATED EVENTS

Summerfield Garden Tour: Eight diverse gardens. 10 a.m.-1 p.m. April 28. Summerfield Community, Summerfield Way, Stuart. $5. 772-221-3425; judyrich7020@Hotmail.com.

Downtown In Bloom: 11 a.m.-8 p.m. April 27; 11 a.m.-6 p.m. April 28. Garden displays, landscaping workshops, kid zone and green market. Downtown at the Gardens, 11701 Lake Victoria Gardens Ave., Palm Beach Gardens. 561-340-1600; Downtownatthegardens.com.

Spring Plant Sale: Vendors selling plants, garden art and food. 9 a.m.-4 p.m. May 4, 10 a.m.-4 p.m. May 5. Heathcote Botanical Gardens, 210 Savannah Road, Fort Pierce. 772-464-4672; heathcotebotanicalgardens.org.

Indian River Bromeliad Society: 7 p.m. May 13. Garden Club of Indian River County, 2526 17th Ave., Vero Beach. 772-713-6007; irbromeliadsociety.org.

Your Florida Yard Series: Selecting the right plants, with Fred Burkey. 1 p.m. May 18. Fort Pierce Library, 101 Melody Lane, Fort Pierce. 772-288-5654; library.stlucieco.gov.

REGULAR MEETINGS

IRC Master Gardeners Plant Clinic: Have a plant question? The Master Gardeners can help. 9 a.m. -noon, 1-4 p.m. Mondays-Fridays. IRC UFL/IFAS Extension Office, 1028 20th Place, Vero Beach. All Ages. 772-770-5030; http://indian.ifas.ufl.edu.

SLC Master Gardeners: Volunteers answer horticulture questions. 9 a.m.-noon, Mon.-Fri. UF/IFAS Extension Office, 8400 Picos Road, Suite 101, Fort Pierce, 772-462-1660; stlucie.ifas.ufl.edu. Also: 1-3 p.m. Tues.-Fri., 9-11 a.m. Sat. Morningside Library, 2410 S.E. Morningside Blvd., Port St. Lucie, 772-462-1660; stlucie.ifas.ufl.edu.

Fort Pierce Orchid Society: 10 a.m. Garden Club of Fort Pierce, 911 Parkway Drive, Fort Pierce.

MC Master Gardeners: Plant doctor. 9 a.m.-4 p.m. Mon.-Fri. UF/IFAS Extension Office, 2614 S.E. Dixie Highway, Stuart, 772-288-5654; martin.ifas.ufl.edu.

Gardening Advice: Bring your questions, a sample of the problem. 1-3 p.m. Tuesday through Friday. 9-11 a.m. Saturdays. Morningside Lilbrary, 2410 S.E. Morningside Blvd., Port St. Lucie. 772-337-5632; library.stlucieco.gov.

Heathcote Botanical Gardens: General garden, bonsai workday. 9 a.m.-noon Wednesdays. Organic vegetable garden workdays 9 a.m.-noon, Thurs. 210 Savannah Road, Fort Pierce. 772-464-4672; heathcotebotanicalgardens.org.

MONDAY

IR Bromeliad Society: Speakers, raffle, show tell. 6:30 p.m. open, 7 p.m. program. 2nd Monday. Garden Club of IRC, 2526 17th Ave., Vero Beach, 772-713-6007; irbromeliadsociety.org.

Rio Lindo Garden Club Meetings: Workshop, meeting, lunch, speaker. Public welcome. 9:30 a. m. 4th Monday. Parks Edge Recreation Center, Port St. Lucie. 315-408-8443.

TUESDAY

Gardening Advice: Provided by Master Gardeners. 1-3 p.m. Morningside Library, 2410 S.E. Morningside Blvd., Port St. Lucie. 772-4621-660; library.stlucieco.gov.

WEDNESDAY

North IRC Master Gardener Clinic: Volunteers answer your plant questions. 10 a.m.-noon. North IRC Library, 1001 C.R. 512, Sebastian. 772-770-5030; indian.ifas.ufl.edu.

THURSDAY

SATURDAY

Gardening Advice: Provided by Master Gardeners. 9-11 a.m. Morningside Library, 2410 S.E. Morningside Blvd., Port St. Lucie. 772-4621-660; library.stlucieco.gov.

GARDENS

Garden Walk: Old garden roses. 9 a.m.-4 p.m., Country Care Roses, 14070 109th St., Fellsmere, RSVP: 772-559-5036; countrycareroses.com.

Historic Bok Sanctuary: 8 a.m.-6 p.m. daily. 1151 Tower Blvd., Lake Wales, $3-$10. 863-734-1221; boksanctuary.org.

McKee Botanical Garden: 10 a.m.-5 p.m. Tues.-Sat., noon-5 p.m. Sun. 350 U.S. 1, Vero Beach, $4-$7 May 1-Oct. 30; $5-$9 Oct. 31-April 30. 772-794-0601; mckeegarden.org.

Oxbow Eco-Center: 1-5 p.m. Tues.-Fri., 10 a.m.-5 p.m. Sat., noon-5 p.m. Sun. 5400 NE St. James Drive, Port St. Lucie, 772-785-5833; co.st-lucie.fl.us/erd/oxbow.

Port St. Lucie Botanical Gardens: 10 a.m.-4 p.m. Wed.-Sat., noon-4 p.m. Sun. 2410 SE Westmoreland Blvd., Port St. Lucie, $5. 772-337-1959; pslbotanicalgardens.org.

Tropical Ranch Botanical Gardens: 9 a. m.- 3 p.m. Open one weekend/month. 1905 SW Ranch Trail, Stuart. 772-283-5565; trbg.us.

Gardens of beauty

Swords from the Civil War, furniture made by Thomas Day and a dress worn by Hollywood child star Shirley Temple — all of these items are on display at the Alamance County Historical Museum in Burlington.
“There are so many wonderful artifacts out there,” said Julie Monroe, one of the committee members for the upcoming Alamance County Historical Museum’s Garden Tour Party in the Park, a fundraiser for the museum.
The property on N.C. 62 South in Burlington was once part of a 1,693-acre farm called Oak Grove Plantation and has served as the Alamance County Historical Museum since 1977. It is open for public and private tours and parties.
“It really is a treasure,” Lynne Taylor, also a committee member, said of the museum.
The self-guided garden tour not only raises funds for the museum, but it gives participants a chance to get landscaping ideas they could possibly adopt in their own backyards.
The 10th annual event will be from noon to 4 p.m. May 4 at five participating Burlington gardens. A party at the gazebo at Willowbrook Park, West Willowbrook Drive in Burlington, will follow from 4 p.m. to 6 p.m. with hors d’ouevres, wine and lemonade and Grammy and Dove award winner Elijah Chester will perform Broadway hits. Orchids, geraniums and Boston ferns also will be for sale. Cost is $30 in advance and $35 the day of the event. Proceeds will go toward programs/exhibits held at the museum.
Gardens on the tour include:
• The Wall garden, Mayor Ronnie and Susie Wall, 613 Meadowood Drive, Burlington — Previous homeowners Pete and Beth Glidewell originally established the garden and the Walls added crape myrtles, the water garden and expanded the perennial garden, as well. A water garden is the focal point of the backyard.   
• The Schaller garden, Bob and Nan Schaller, 1532 York Place, Burlington — The landscape is constantly evolving, from perennials to bulbs and flowering shrubs and trees. Four-foot-tall poppies, hellebores, a lilac tree, a pearl tree, peonies and weigela can be found in the garden. Birdhouses and vintage containers add interest and color to the outdoor space. 
• The Harman garden, Pat and Phoebe Harman, 806 Tarleton Avenue, Burlington — Original owners Bill and Hazel Sellers commissioned Herman Biberstein, a Charlotte architect, to design the house in 1935. The Harmans purchased the home in 2003 and have restored and renovated both the home and gardens. They also have added a terrace and fountain adjacent to the sun room at the rear of the house.
• The Hood garden, Frank and Elizabeth Hood, 1011 West Davis St., Burlington — The 1925 Georgian Revival-style home was built by Edwin C. Holt and owned by James H. Holt McEwen and Iris until her death in 1984. The Hoods recently completed extensive landscaping, including a formal garden. Sculptures and brickwork accent the garden.
• The Trotter garden, the Rev. Al and Gaye Trotter, 427 Glenwood Avenue, Burlington — Their home was built in 1938 and densely planted beds provide a rotation of annuals throughout the seasons. A variety of unique plants, gathered from around the country, can also be found here.
Tickets can be purchased on the phone for pickup at any of the gardens or at Willowbrook Park the day of the event and are also available at the museum, 4777 N.C. 62 South, Burlington, or from board members. You also can call ahead to purchase orchids, ferns or geraniums for pickup that day. For more details, visit alamancemuseum.org or call (336) 226-8254.
 

Janet Laminack: Landscapes that use less water can be done

In the
summer months, our landscapes drink up a lot of our good, clean water.

People
bristle when this fact gets mentioned. “Please don’t make me turn my beautiful
lawn into gravel,” they are thinking. Many people even tell me, “I don’t like
cactus and I’m not going to do zeroscape.”

I’m a
horticulturist, so that means I like plants, not gravel. And the term is
actually xeriscape, not zeroscape, but the point has been well taken. We
misunderstand what drought-tolerant and water-conserving landscapes are, and we
don’t want them besides.

We are
getting away from the confusing and scary term xeriscape and moving into terms
such as “smartscape,” “water smart” and Earth-Kind. These are all approaches to
gardening and landscaping, practices that focus on healthy and beautiful lawns
and flower beds.

Did you
know that the recommendation for a water conserving landscape is actually
one-third lawn area, one-third hardscape and one-third perennials and shrub
beds? Hardscape refers to non-living areas such as sidewalks, decks, patios
and, yes, fields of gravel if that’s your thing.

Other
best management practices include adding a 3- to 6-inch layer of mulch to all
your shrubs, trees and flowering plants. Mulch helps insulate the soil, reduces
erosion, reduces competition from weeds and slows water loss from soils. If you
use an organic material such as wood chips, they break down over time,
improving your soil. It’s like a slow-release fertilizer.

Plant
selection is also important. Picking plants that enjoy our hot summers and can
survive on minimal supplemental irrigation is important. Indulging in a few
high-maintenance favorites is allowed, but don’t water your entire landscape
just to give those few plants enough water. Group or zone plants according to
water requirement and set your irrigation timer accordingly.

You might
be surprised at the quantity of beautiful, lush and “non-cactus looking” plants
that are drought tolerant. To see some of our recommendations, check out the
links on www.dcmga.com. Other great resources for plant selection can be found
at http://www.txsmartscape.com and http://earthkind.tamu.edu.

To hear
more about some of my favorite plants for our area, join me at 6:30 p.m. May 7
at the city of Lewisville Water-Saving Landscape class. I’ll be speaking on
plant choices and Earth-Kind landscaping principles. The class will be at the
city’s Kealy Operations Center, 1100 N. Kealy St., Suite D. To register for
this free class, contact rdavis@cityoflewisville.com or call 972-219-3504. This
is open to non-residents as well.

If you
need even more convincing, come see plants in action at the Denton County
Master Gardener Spring Tour on May 11. You will see beautiful home gardens and
get great ideas on what you can incorporate in your own landscape.

This event is the Master Gardener annual fundraiser. Advance tickets
are $10 and $12 on tour day. For more information call 940-349-2892, e-mail
master.gardener@dentoncounty.com or buy tickets online at www.dcmga.com. Call
ahead if you have mobility concerns because not all gardens may be accessible.

JANET LAMINACK is the
horticulture county extension agent with Texas AM AgriLife Extension. She
can be reached at 940-349-2883. Her e-mail is jelaminack@ag.tamu.edu .

 

Gardening news and notes: Window boxes; tips for xeriscaping; tiny book on …

box.jpgView full sizeA simple planting of red geraniums can perk up a place.
BOX IT UP: When you have no ground at all, look to window boxes for colorful plantings.
 
“If you have room for a window box, you have room for a garden,” writes Dean Fosdick of the Associated Press. “Window boxes are ideal for small, shallow-rooted plants like radishes, lettuce, marigolds, impatiens, pansies, begonias, parsley, basil, sage and thyme.”

NOT JUST CACTI: The tendency is to think of low-water landscapes as gravely beds of cacti and other prickly plants. Not so.

According to Mother Nature Network: “Xeriscape gardens are not just for desert or high-country landscapes. Every climate and gardening zone has its native plants, which can be planted using the seven principles of xeriscape gardening.”

TINY BOOK ON TINY GARDENING:
Miniature gardens just get more and more popular. A new book got Amy Azzanito excited.

On DesignSponge.com: “The tininess of this book appealed to my shaky gardening confidence. That, and the fact that everything is in vintage containers. I might be able to grow anything, but I can hunt down a vintage container like nobody’s business. Stylist and design Emma Hardy created a book, ‘Teeny Tiny Gardening,’ perfect for the novice gardener.”

— Kym Pokorny

Royal Wedding Florist at MFA’s Art in Bloom

By Carol Stocker
Globe Correspondent

British royal wedding floral designer Shane Connolly is the star of this weekend’s Art in Bloom, the annual flower festival which runs through Monday at the Museum of Fine Arts. He holds a Royal Warrant from the Prince of Wales, making him an official supplier of flowers for royal events, including Prince Charles’ 2005 wedding and Kate and Will’s 2011 nuptials. He also doesn’t believe in using Oasis, that green stem gripping sponge employed by most florists since the 1950’s.

Q; What was your role in the Royal Wedding?
A: Confidentiality is a very big part of it. Shane Connolly and Company provided flowers for the church, the bride and bridesmaids, the reception at Buckingham Palace and dinner there that night. We had a team of 15 in total.

Q: Describe it.
A: It was a green and white color scheme. Live growing trees were very noticeable. The bridal bouquet contained lily of the valley, sweet William and hyacinth with myrtle from Queen Victoria’s wedding. Myrtle is a symbol of a happy marriage.
Q: You literally used cuttings from the very same myrtle plant used in Queen Victoria’s wedding bouquet in 1840?
A: Yes. The cuttings were from the same plant which is at her favorite former residence on the Isle of Wight.
Q: What will you be doing at the MFA for Art in Bloom this weekend?
A: I will be teaching two master classes to 24 people (sold out) and giving a lecture.

Q: What are the current trends in flower arranging?
A: I am an anti-trend person. My work has to reflect the individual, and be respectful of the environment. It excludes material that cannot be composted, such as Oasis. That makes you more inventive. You have to chose flowers that work with your containers. The flowers actually last longer with nice fresh water around the stems.
Q:How is flower arranging different in Britain?
A: It’s considered a craft, whereas in America floral arranging is considered more of an art form. The fact that flowers are brought into the museum (where they are used to interpret artistic masterpieces) shows that. In England floral design is a craft equated with home cooking. If someone makes a painting of one of my arrangements, the painting is considered a work of art. But my arrangement is not.

Q:How did you get into this profession?
A: I am a native of Belfast and I have always enjoyed gardening, though I read psychology at university. I started helping with flowers for friends in the business when I was 23. Then I decided it would be nice to be paid.
Q: You were at Art in Bloom ten years ago. How did last week’s bombing affect your attitude toward the event this visit?
A: It made me more determined to come. Beauty is part of life and there is no better memorial than that life continues. I was in Japan the year after the sunami. It was a different kind of disaster. But the people were hungry for beautiful things again. Beauty makes people feel hopeful

Art in Bloom runs through Monday, April 29. Some 50 works of art from across the Museum’s encyclopedic collection will be interpreted in flowers, including John Singer Sargent’s iconic painting The Daughters of Edward Darley Boit, the recently conserved sculpture of the Roman goddess Juno, and contemporary artist El Anatsui’s sculptural work Black River.

Drop-in Ikebana floral demonstrations and gallery tours will be offered during Art in Bloom on Saturday, April 27, followed by a Member’s Night from 6–9 p.m. that evening. On Sunday, April 28, the MFA will host a Family Day featuring family-friendly programming, art-making activities, storytelling, and live entertainment. Additionally, local artist Robert Guillemin (“Sidewalk Sam”) will be at the MFA collaborating with visitors to leave their mark on the Museum’s steps using sidewalk chalk. This year’s featured speaker will be Shane Connolly, who received worldwide acclaim for the elegant and inspired floral décor he created for the 2011 royal wedding of Prince William and Catherine Middleton. Connolly will conduct two master classes with hands-on floral instruction on Saturday, April 27, and Sunday, April 28. He will also present a lecture and demonstration on Monday, April 29, at 10:30 a.m., followed by a book signing. All presentations by Connolly are ticketed events. Daily events include continuous demonstrations of floral arranging for the home, outdoor walking tours exploring the architecture and neighboring gardens of the MFA, and free gallery tours highlighting the floral arrangements throughout the Museum.

Also included is a ticketed “Elegant Tea” available Saturday through Monday in the newly renovated William I. Koch Gallery, one of the Museum’s grandest spaces. Guests at the afternoon tea, hosted by Cunard Line—operator of the famous ocean liners Queen Mary 2, Queen Victoria, and Queen Elizabeth. The full schedule of events is listed below.

SCHEDULE OF EVENTS

Ticketed Events

· Shane Connolly Master Class I

Saturday, April 27, 10:30 a.m.–12:30 p.m.

Hands-on floral arranging with one of Britain’s renowned floral designers. Tickets are $200.

· Shane Connolly Master Class II (advanced)

Sunday, April 28, 10:30 a.m.–12:30 p.m.

Hands-on floral arranging for advanced students. Tickets are $200.

· Shane Connolly: A Year in Flowers

Monday, April 29, 10:30 a.m.–12:30 p.m.

Connolly presents a floral demonstration and lecture, followed by a book signing. Tickets are $55.

· “Elegant Tea” in the William I. Koch Gallery

12:30 and 2:30 p.m. daily

Reservations required

Adult tickets: $30; children 12 and under: $10

Famed for its legendary white-gloved afternoon tea services, the renowned Cunard Line will host “Elegant Tea.” Guests will enjoy the finest teas and canapés during a traditional British-style afternoon.

Special Events

Free with Museum admission, no reservations required. Museum admission is free for MFA members.

· Ikebana Floral Demonstrations

Saturday, April 27, 3–4 p.m.

Each of the three Ikebana design schools will present one floral creation.

· Members’ Night

Saturday, April 27, 6–9 p.m.

Doors open at 5:30 p.m.

A members-only viewing with tours, shopping, and dining.

· Family Day

Sunday, April 28, 11 a.m.–3 p.m.

Art-making activities and performances for children of all ages.

· Gardens of New York

Sunday, April 28, 3–4 p.m.

A presentation by Maureen Bovet, who lectures on world gardens.

· Designing a Garden for All Seasons

Monday, April 29, 3–4 p.m.

A presentation by Suzanne Mahler, a recognized garden writer and lecturer.

Daily Events

Free with Museum admission, no reservations required. Museum admission is free for MFA members.

· Art in Bloom Gallery Tours

10 a.m.–3 p.m.

A tour of the collections and floral arrangements throughout the galleries.

· Designing with Flowers

Noon–3 p.m.

Continuous demonstrations of flower arranging for the home.

· Outdoor Walking Tours

1–2 p.m.

The MFA’s architecture and neighboring gardens are among the highlights of this tour.

· Enter-to-Win a Cunard Line Tour

Cunard will offer Art in Bloom attendees an enter-to-win opportunity for a private tour and luncheon for one winner and three guests aboard Queen Mary 2 during one of the ocean liner’s future Boston visits.

ADDITIONAL INFORMATION

Art in Bloom is free with Museum admission. Advance ticket purchase is required for the Shane Connolly lecture and master classes and “Elegant Tea.” Tickets may be purchased at www.mfa.org/artinbloom, by calling 1-800-440-6975, or in person at the MFA ticket desks. For the full event schedule, visit http://www.mfa.org/programs/series/art-bloom.

Join the conversation about the about the MFA on Twitter: http://www.twitter.com/mfaboston and Facebook: http://www.facebook.com/mfaboston, and watch MFA-related videos on YouTube: http://www.youtube.com/mfabost

Art in Bloom originated at the MFA in 1976 and since then has been replicated at museums throughout the country. The three-day event attracts more than 15,000 visitors, and is one of the most highly attended events at the Museum. It is organized by the Museum’s volunteer group, the MFA Associates, an organization of 75 members formed in 1956, who contribute more than 40,000 volunteer hours to the Museum annually. In addition to presenting this annual event, their activities include funding MFA grants and School of the Museum of Fine Arts (SMFA) scholarships from Art in Bloom proceeds, providing assistance at the Sharf Visitor Center Desk, leading daily gallery tours, creating regional membership outreach programs, organizing events, and arranging flowers in the MFA’s public space.

Open seven days a week, the MFA’s hours are Saturday through Tuesday, 10 a.m. – 4:45 p.m.; and Wednesday through Friday, 10 a.m. – 9:45 p.m. Admission (which includes one repeat visit within 10 days) is $25 for adults and $23 for seniors and students age 18 and older, and includes entry to all galleries and special exhibitions. Admission is free for University Members and youths age 17 and younger on weekdays after 3 p.m., weekends, and Boston Public Schools holidays; otherwise $10. Wednesday nights after 4 p.m. admission is by voluntary contribution (suggested donation $25). MFA Members are always admitted for free. The MFA’s multi-media guide is available at ticket desks and the Sharf Visitor Center for $5, members; $6, non-members; and $4, youths. The Museum is closed on New Year’s Day, Patriots’ Day, Independence Day, Thanksgiving, and Christmas. For more information, visit www.mfa.org or call 617.267.9300. The MFA is located on the Avenue of the Arts at 465 Huntington Avenue, Boston, MA 02115.

Weather Garden Tip: Repairing areas of dead grass

This is a good time of the year to repair grass damage. These spots of dead grass could be caused by grubs, last year’s drought, or a few other reasons.  

Now is a good time to repair any dead areas in your lawn.

There are dead areas showing now. The causes can be numerous, but the big two are grub damage and drought kill from last year’s hot summer.

You definitely want to get those dead areas covered with grass. If you don’t plant and grow grass in those dead areas, weeds will grow there.

The best way to avoid weeds is thick, healthy grass.

So here are some tips to succeed in repairing the dead areas in your lawn.

First you have to decide if the dead areas are large enough that you need to replant your entire lawn.

Here I’m going to deal with just the splotchy areas of dead lawn, like in the picture above.

The video I shot shows you all of the steps.

First, you need to get some soil exposed so the grass seed can get into the soil.

Even in dead spots, there may be dead grass that will prevent the new seed from getting into the soil.

View full sizeUse a hard tine rake or cultivator to break up the dead grass and loosen up the soil 

So get in there with a straight tine rake or a forked cultivator like I’m showing.

Use some elbow grease, break up the old grass layer, and loosen about an inch or two of soil.

You don’t need to work the soil deep, like you would when planting flower or vegetable transplants.

Just loosen the soil enough so the small, new roots of the baby grass plant will be able to grow down into the soil.

View full sizeThe quality and mix of seed is important. The cheaper seed will have more weed seeds in it. 

What type of seed?

This is one detail that is important.

The cheaper the seed, the more weed seeds that will be in the mixture. And the varieties of grass may not be the most attractive.

Having said that, if you have the normal “mixed grasses” lawn, a general mix of a few ryegrass, bluebrass, and fescue varieties will do the trick.

If you are really picky about your lawn, you better try to match the type of grass.

Generally, if it’s a very nice lawn, it’s a bluegrass lawn.

It could also be a very uniform, fine fescue lawn. Those blades would be real fine and generally in a more shady lawn.

If you are concerned about the type of grass, take some to your favorite golf course. They always know about grass types.

How much seed?

You want to plant enough seed so when it germinates it covers the bare soil.

How much is a hard thing to explain. Watch the above video if you can to get a good idea.

Otherwise, cover the soil about 50 percent with seed.

If you don’t get enough on it, the new grass will spread. So don’t sweat it too much.

View full sizeA very important step is how deep to cover the grass seed. Don’t cover it much at all. In fact, I just very lightly rake over the seed so it has contact with the soil. 

Most important – covering the seed

If you fail, it will probably be because of how you covered the seed.

The seed needs to be in contact with the soil, and planted VERY shallow.

You don’t really cover the seed with soil. You just lightly rake it into the top one-quarter inch of soil.

Yes, that is shallow. It means no pressure on the rake, and just drag it across the soil.

Watering the seed

This is real important too.

The soil doesn’t need to be soaked, but rather just kept moist.

That usually means watering briefly with a nozzle on your hose, or five to ten minutes with a sprinkler.

Do that a few times a day to keep the soil moist.

A quick watering before you go to work, and a quick watering after you get home should do it.

It will take 7 to 21 days for seed to sprout. Stick with the watering and don’t give up unless you don’t see any grass within three weeks.

After the grass sprouts

Stick with the often and light watering even after you see grass germinate. You still have more seed to germinate. Bluegrass seed will take up to 21 days to germinate.

After you are satisfied with the amount of germination, change your watering to a deeper, less frequent schedule.

In other words, water longer but only every other day.

Keep the grass watered into summer. The roots are tiny until next fall, and will dry out quickly.

It’s a downer when you get good germination, and then the grass dries out and dies.

Also, you can’t spray the new grass areas with broadleaf weed killer until you’ve mowed the new grass four times.

If you have any lawn questions, ask me here!



Mark Torregrossa has been the Chief Meteorologist for three television news stations in Michigan. A resident of the state for 20 years, he is also a master gardener and avid hunter. Email him at mark@farmerweather.com and find him on Facebook at facebook.com/mark.torregrossa and Twitter @weathermanmark

Celebrated terrarium artist Paula Hayes visits Meijer Gardens to talk …

“Giant Terrarium GT02,” 2009 (detail) by Paula Hayes 

GRAND RAPIDS, MI – Frederik Meijer Gardens Sculpture Park has gardens surrounding sculpture, and works of art by Rodin, Henry Moore and Mark di Suvero who were sculptors but not gardeners.

Artist and designer Paula Hayes is one of the few who puts the two together.

Frederik Meijer Gardens Sculpture Park

What: Secchia Garden Lecture with Paula Hayes

When: 7 p.m. Tues. April 30, 2013

Where: Meijer Gardens, 1000 E. Beltline Ave. NE

Admission: Lecture is free with normal admission: $12 adults, $9 seniors/students, $6 ages 5-13, $4 ages 3-4,free for children age 2 and younger.

More info: RSVP for the lecture at 616-975-3144 or email skilroy@meijergardens.org

An artist and gardener whose work unifies horticulture and sculpture will speak at Meijer Gardens next week to discuss her high-end terrariums.

Hayes gives the Secchia Garden Lecture at 7 p.m. Tuesday, April 30, 2013 at Meijer Gardens.

The New York City-based artist, who grew up on a farm, blends sculpture and garden design in a way that is uniquely hers.

“She and her work defy simple categorization—she inhabits the aesthetic…of art, sculpture, landscape design, architecture, gardening, horticulture, and environmentalism,” said Richard D. Marshall, art historian, in his forward to her recently published book titled “Paula Hayes.”

She’s best known for art terrariums of organically shaped, hand-blown glass, varying widely in size and scale from tabletop-sized domes, teardrops and “peanuts” to room-sized installations of giant terrariums called “slugs,” 14-feet long mounted to a wall or vertical models standing 13 feet high, each a well-planned landscape in miniature.

Though trained as a sculptor, the direction of Hayes’ career began almost by accident when she was invited to design a garden for an exhibition at Salon 94 in New York City, taking advantage of the fact you could see out through solarium windows into a garden.

“It was in the winter, in November through January, so it was magical,” she said. “Inside was a tropical garden and outside was the New York City winter.”

A new career as a terrarium artist was born.

“It just kind of exploded. People hadn’t really seen terrariums as works of art,” she said. “It kind of struck a nerve with this little world in a bubble that you can take care of.”

Terrariums aren’t new. They were popular in the late 1800s and again at the dawn of the environmental movement.

“In the Victorian era, they were utilitarian — sort of a parlor environment because they were used to bring plants across the ocean from tropical areas,” Hayes said. “In the 1970s, they were kind of a recycled, Mason jar, sort of a grungy thing.”

Hayes has been featured recently on CBS-TV “Sunday” and “MoMA: Behind the Scenes” and was featured in the March edition of ARTNews.

Hayes has exhibited her terrariums internationally, with recent shows at Museum of Modern Art in New York City; in the Wexner Art Center in Columbus, Ohio; and in the Tang Museum in Saratoga Springs, N.Y.

But her passion for “all things green” extends to outdoor gardens as well. She’s been commissioned to create more than 20 private gardens across the United States.

In her lecture at Meijer Gardens, Hayes will discuss her art terrariums as well as her “dumpling” planters, made of soft rubber, and her organically shaped silicone containers designed for outdoor gardens. She’ll discuss how she incorporates them within the landscapes she has designed.

Her new book, “Paula Hayes,” will be available for purchase and signing at the lecture.

“Behind the Scenes: Paula Hayes, Nocturne of the Limax maximus”

E-mail Jeffrey Kaczmarczyk: jkaczmarczyk@mlive.comSubscribe to his Facebook page or follow him on