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How to Grow a Great Garden–With Less Pain: Tips From Topical BioMedics

  • Email a friend


Topricin is a great tool for gardeners who wish to prevent and heal aches, pains, and injuries

According to the U.S. Consumer Product Safety Commission, last year more than 41,200 people were injured while gardening

Rhinebeck, NY (PRWEB) May 29, 2013

It’s the time of year people are tidying up their yards, digging in the dirt, and planting flowers and vegetables in their gardens. However, along with the joy and satisfaction of being active outdoors in nature, gardening also brings with it the risks of pain and injury. Topical BioMedics, Inc., of Rhinebeck, NY, offers insights and tips for enjoying gardening more with less pain.

BENEFITS OF GARDENING

Some of the benefits of gardening include being outside in the fresh air and sunshine as well as getting the blood moving. It’s also great form of exercise because it combines three types of physical activity: strength, endurance, and flexibility. Perhaps surprisingly, it’s possible to burn the same number of calories gardening for 45 minutes as doing 30 minutes of aerobics.

Here’s another benefit. In a study of more than 3,010 women, researchers from the University of Arkansas found that those involved in yard work and gardening had lower rates of osteoporosis than women who jogged, swam and did aerobics. In addition, spending time in nature can reduce stress, lower blood pressure, and relieve muscle tension.

There’s no doubt that gardeners place demands on their bodies and—if done improperly—gardening and yard work can lead to muscle and joint pain, repetitive strain injuries, tendonitis and Carpal Tunnel Syndrome, as well as other injuries and accidents.

“Planting, raking, weeding, digging, pruning, stooping, reaching, bending, kneeling, lifting, crouching, carrying heavy debris, and operating machinery puts stress on different parts of the body,” says Lou Paradise, president and chief of research at Topical BioMedics, Inc., the makers of natural Topricin® Pain Relief and Healing Creams. “Gardeners spend hours performing these activities and without warming up and using proper form, they can lead to a variety of problems such as sprains, strains, twisted ankles, hand and wrist pain, lower back and shoulder pain, foot, and knee pain.”

According to the U.S. Consumer Product Safety Commission, last year, more than 41,200 people were injured while gardening. For a safer 2013, Topical BioMedics offers the following tips to help stay injury free and safe from potential hazards throughout the gardening season:

To avoid/reduce injuries:

–Warm up/stretch as you would before any physical activity, and then cool down and stretch afterwards.

–Wear gardening gloves to lower the risk of skin irritations/cuts and reduce blister formation, and use kneepads or a foam cushion to make the work less stressful on knees.

–Dress to protect yourself from lawn/garden pests and the hot sun. Wear long-sleeved shirts and long, light-colored pants made from breathable cotton, tuck pants into socks or boots, and check yourself and family members for ticks. Wear a hat and sunglasses, and if you use a sunscreen make sure it is as safe and natural as possible (for recommendations, visit the Environmental Working Group at http://www.ewg.org).

–Wear goggles when doing things like weed-whacking or chipping and ear protection when using loud equipment.

–Stay hydrated by drinking lots of water throughout the day. Remember that you’re outside in the heat, working up a sweat and perspiring.

–Use ergonomically designed tools, or ones with padded handles that are kinder to hands. Keep your “tools of the trade” in tip-top shape by making sure your power equipment is working properly and your tools are sharpened and properly stored.

–Do not mow grass when it’s wet and slippery. Before mowing, walk around the yard, checking for sticks, stones, toys, and other foreign objects that could shoot out from under the mower.

–Work at a steady, constant speed, take breaks often, and be sure to change positions every 10 or 15 minutes to avoid overusing any one muscle group.

To prevent and treat injuries:

Aches and pains don’t have to interfere with summer gardening when you practice prevention and follow activities/injuries with appropriate treatment protocol.

Topricin Pain Relief and Healing Cream is a favorite treatment for gardeners around the country. Fueled by nature not chemicals, Topricin is a blend of eleven natural medicines that naturally help the joints detoxify by stimulating the body’s desire to drain toxins and excess fluids from the muscle tissue, which restores blood flow back to normal and helps heal the damage that is causing the pain.

–As a preventative, Topricin can be applied prior to outdoor activities. For example, if you are planting flowers or vegetables, apply Topricin lower back, hands and wrists, which are points of stress. Topricin can also be applied to exposed areas of skin, acting as a barrier to the urushiol oil in poison ivy.

–Topricin helps relieve symptoms of pain from other gardening aliments such as blisters, tick bites, Lyme disease, poison ivy, and minor sunburn and dehydration.

HOT AND COLD THERAPY:

Hot and cold therapy, along with Topricin, can shorten the duration of the recovery so the body heals faster and you feel better sooner.

–ICE is the first course of action, for the first 24 – 48 hours to help with inflammation. Ice therapy has an effect when the ice is REMOVED. Ice stops the blood flow, when removed it releases fluids and toxins, stimulates lymphatic and toxin draining and more blood flow. Basic procedures for ice therapy: 10 minutes on; 5 off; 10 on, 5 off.

–MOIST HEAT and ICE/HEAT:

–HEAT: 48 – 72 hours after injury try using heat on the injured area. You’ll know it’s OK to continue if you don’t feel worse afterwards. Heat draws more blood to the area and removes toxins.

–ALTERNATING HOT AND COLD: Cold and heat can be very powerful when used together at this point. Protocol – takes about 45 minutes: Start with HEAT for 10 minutes; followed by 5 minute break. Then COLD for 10 minutes, followed by 5-minute break, then HEAT again for 10 minutes. Follow with application of Topricin.

Topricin Application Instructions:

–Generously apply Topricin as needed three inches on and around to affected area/injury. Rub in well until absorbed. For best results, apply evenings, morning/after bathing and 3 – 4 or more times during the day as needed.

NOTE: For severe pain and swelling, seek medical attention (Topricin may be applied as a first line first aid treatment while enroute to a medical facility).

To learn more about Topricin Pain Relief and Healing Cream, go to http://www.topricin.com.

About Topical BioMedics, Inc.

Topical BioMedics is the research and development leader in patented topical natural biomedicines for pain relief. The company’s flagship product, Topricin® Pain Relief and Healing Cream, was introduced in 1994 and is now a leading natural therapeutic brand. A combination biomedicine formula, Topricin has been awarded a patent for the treatment of pain associated with fibromyalgia and neuropathy.

Topricin products are formulated with approved medicines as found in the HPUS (Homeopathic Pharmacopoeia of the United States) and are in compliance with federal rules for homeopathic over-the-counter medicines. Safe for diabetics, the products contain: no parabens, petroleum or harsh chemicals, are odorless, greaseless and non-irritating, and produce no known side effects.

For more information or to sign up for the free newsletter Natural Healing, Natural Wellness visit http://www.topricin.com

# # #

SOURCES:

Topical BioMedics

Rodale.com

Mother Nature Network

SparkPeople/The American Institute of Cancer Research

Health.com

Care2.com

Weed Man

Prevention.com

Email a friend


PDF


Print

How to Grow a Great Garden–With Less Pain: Tips From Topical BioMedics

  • Email a friend


Topricin is a great tool for gardeners who wish to prevent and heal aches, pains, and injuries

According to the U.S. Consumer Product Safety Commission, last year more than 41,200 people were injured while gardening

Rhinebeck, NY (PRWEB) May 29, 2013

It’s the time of year people are tidying up their yards, digging in the dirt, and planting flowers and vegetables in their gardens. However, along with the joy and satisfaction of being active outdoors in nature, gardening also brings with it the risks of pain and injury. Topical BioMedics, Inc., of Rhinebeck, NY, offers insights and tips for enjoying gardening more with less pain.

BENEFITS OF GARDENING

Some of the benefits of gardening include being outside in the fresh air and sunshine as well as getting the blood moving. It’s also great form of exercise because it combines three types of physical activity: strength, endurance, and flexibility. Perhaps surprisingly, it’s possible to burn the same number of calories gardening for 45 minutes as doing 30 minutes of aerobics.

Here’s another benefit. In a study of more than 3,010 women, researchers from the University of Arkansas found that those involved in yard work and gardening had lower rates of osteoporosis than women who jogged, swam and did aerobics. In addition, spending time in nature can reduce stress, lower blood pressure, and relieve muscle tension.

There’s no doubt that gardeners place demands on their bodies and—if done improperly—gardening and yard work can lead to muscle and joint pain, repetitive strain injuries, tendonitis and Carpal Tunnel Syndrome, as well as other injuries and accidents.

“Planting, raking, weeding, digging, pruning, stooping, reaching, bending, kneeling, lifting, crouching, carrying heavy debris, and operating machinery puts stress on different parts of the body,” says Lou Paradise, president and chief of research at Topical BioMedics, Inc., the makers of natural Topricin® Pain Relief and Healing Creams. “Gardeners spend hours performing these activities and without warming up and using proper form, they can lead to a variety of problems such as sprains, strains, twisted ankles, hand and wrist pain, lower back and shoulder pain, foot, and knee pain.”

According to the U.S. Consumer Product Safety Commission, last year, more than 41,200 people were injured while gardening. For a safer 2013, Topical BioMedics offers the following tips to help stay injury free and safe from potential hazards throughout the gardening season:

To avoid/reduce injuries:

–Warm up/stretch as you would before any physical activity, and then cool down and stretch afterwards.

–Wear gardening gloves to lower the risk of skin irritations/cuts and reduce blister formation, and use kneepads or a foam cushion to make the work less stressful on knees.

–Dress to protect yourself from lawn/garden pests and the hot sun. Wear long-sleeved shirts and long, light-colored pants made from breathable cotton, tuck pants into socks or boots, and check yourself and family members for ticks. Wear a hat and sunglasses, and if you use a sunscreen make sure it is as safe and natural as possible (for recommendations, visit the Environmental Working Group at http://www.ewg.org).

–Wear goggles when doing things like weed-whacking or chipping and ear protection when using loud equipment.

–Stay hydrated by drinking lots of water throughout the day. Remember that you’re outside in the heat, working up a sweat and perspiring.

–Use ergonomically designed tools, or ones with padded handles that are kinder to hands. Keep your “tools of the trade” in tip-top shape by making sure your power equipment is working properly and your tools are sharpened and properly stored.

–Do not mow grass when it’s wet and slippery. Before mowing, walk around the yard, checking for sticks, stones, toys, and other foreign objects that could shoot out from under the mower.

–Work at a steady, constant speed, take breaks often, and be sure to change positions every 10 or 15 minutes to avoid overusing any one muscle group.

To prevent and treat injuries:

Aches and pains don’t have to interfere with summer gardening when you practice prevention and follow activities/injuries with appropriate treatment protocol.

Topricin Pain Relief and Healing Cream is a favorite treatment for gardeners around the country. Fueled by nature not chemicals, Topricin is a blend of eleven natural medicines that naturally help the joints detoxify by stimulating the body’s desire to drain toxins and excess fluids from the muscle tissue, which restores blood flow back to normal and helps heal the damage that is causing the pain.

–As a preventative, Topricin can be applied prior to outdoor activities. For example, if you are planting flowers or vegetables, apply Topricin lower back, hands and wrists, which are points of stress. Topricin can also be applied to exposed areas of skin, acting as a barrier to the urushiol oil in poison ivy.

–Topricin helps relieve symptoms of pain from other gardening aliments such as blisters, tick bites, Lyme disease, poison ivy, and minor sunburn and dehydration.

HOT AND COLD THERAPY:

Hot and cold therapy, along with Topricin, can shorten the duration of the recovery so the body heals faster and you feel better sooner.

–ICE is the first course of action, for the first 24 – 48 hours to help with inflammation. Ice therapy has an effect when the ice is REMOVED. Ice stops the blood flow, when removed it releases fluids and toxins, stimulates lymphatic and toxin draining and more blood flow. Basic procedures for ice therapy: 10 minutes on; 5 off; 10 on, 5 off.

–MOIST HEAT and ICE/HEAT:

–HEAT: 48 – 72 hours after injury try using heat on the injured area. You’ll know it’s OK to continue if you don’t feel worse afterwards. Heat draws more blood to the area and removes toxins.

–ALTERNATING HOT AND COLD: Cold and heat can be very powerful when used together at this point. Protocol – takes about 45 minutes: Start with HEAT for 10 minutes; followed by 5 minute break. Then COLD for 10 minutes, followed by 5-minute break, then HEAT again for 10 minutes. Follow with application of Topricin.

Topricin Application Instructions:

–Generously apply Topricin as needed three inches on and around to affected area/injury. Rub in well until absorbed. For best results, apply evenings, morning/after bathing and 3 – 4 or more times during the day as needed.

NOTE: For severe pain and swelling, seek medical attention (Topricin may be applied as a first line first aid treatment while enroute to a medical facility).

To learn more about Topricin Pain Relief and Healing Cream, go to http://www.topricin.com.

About Topical BioMedics, Inc.

Topical BioMedics is the research and development leader in patented topical natural biomedicines for pain relief. The company’s flagship product, Topricin® Pain Relief and Healing Cream, was introduced in 1994 and is now a leading natural therapeutic brand. A combination biomedicine formula, Topricin has been awarded a patent for the treatment of pain associated with fibromyalgia and neuropathy.

Topricin products are formulated with approved medicines as found in the HPUS (Homeopathic Pharmacopoeia of the United States) and are in compliance with federal rules for homeopathic over-the-counter medicines. Safe for diabetics, the products contain: no parabens, petroleum or harsh chemicals, are odorless, greaseless and non-irritating, and produce no known side effects.

For more information or to sign up for the free newsletter Natural Healing, Natural Wellness visit http://www.topricin.com

# # #

SOURCES:

Topical BioMedics

Rodale.com

Mother Nature Network

SparkPeople/The American Institute of Cancer Research

Health.com

Care2.com

Weed Man

Prevention.com

Email a friend


PDF


Print

How to Grow a Great Garden–With Less Pain: Tips From Topical BioMedics

  • Email a friend


Topricin is a great tool for gardeners who wish to prevent and heal aches, pains, and injuries

According to the U.S. Consumer Product Safety Commission, last year more than 41,200 people were injured while gardening

Rhinebeck, NY (PRWEB) May 29, 2013

It’s the time of year people are tidying up their yards, digging in the dirt, and planting flowers and vegetables in their gardens. However, along with the joy and satisfaction of being active outdoors in nature, gardening also brings with it the risks of pain and injury. Topical BioMedics, Inc., of Rhinebeck, NY, offers insights and tips for enjoying gardening more with less pain.

BENEFITS OF GARDENING

Some of the benefits of gardening include being outside in the fresh air and sunshine as well as getting the blood moving. It’s also great form of exercise because it combines three types of physical activity: strength, endurance, and flexibility. Perhaps surprisingly, it’s possible to burn the same number of calories gardening for 45 minutes as doing 30 minutes of aerobics.

Here’s another benefit. In a study of more than 3,010 women, researchers from the University of Arkansas found that those involved in yard work and gardening had lower rates of osteoporosis than women who jogged, swam and did aerobics. In addition, spending time in nature can reduce stress, lower blood pressure, and relieve muscle tension.

There’s no doubt that gardeners place demands on their bodies and—if done improperly—gardening and yard work can lead to muscle and joint pain, repetitive strain injuries, tendonitis and Carpal Tunnel Syndrome, as well as other injuries and accidents.

“Planting, raking, weeding, digging, pruning, stooping, reaching, bending, kneeling, lifting, crouching, carrying heavy debris, and operating machinery puts stress on different parts of the body,” says Lou Paradise, president and chief of research at Topical BioMedics, Inc., the makers of natural Topricin® Pain Relief and Healing Creams. “Gardeners spend hours performing these activities and without warming up and using proper form, they can lead to a variety of problems such as sprains, strains, twisted ankles, hand and wrist pain, lower back and shoulder pain, foot, and knee pain.”

According to the U.S. Consumer Product Safety Commission, last year, more than 41,200 people were injured while gardening. For a safer 2013, Topical BioMedics offers the following tips to help stay injury free and safe from potential hazards throughout the gardening season:

To avoid/reduce injuries:

–Warm up/stretch as you would before any physical activity, and then cool down and stretch afterwards.

–Wear gardening gloves to lower the risk of skin irritations/cuts and reduce blister formation, and use kneepads or a foam cushion to make the work less stressful on knees.

–Dress to protect yourself from lawn/garden pests and the hot sun. Wear long-sleeved shirts and long, light-colored pants made from breathable cotton, tuck pants into socks or boots, and check yourself and family members for ticks. Wear a hat and sunglasses, and if you use a sunscreen make sure it is as safe and natural as possible (for recommendations, visit the Environmental Working Group at http://www.ewg.org).

–Wear goggles when doing things like weed-whacking or chipping and ear protection when using loud equipment.

–Stay hydrated by drinking lots of water throughout the day. Remember that you’re outside in the heat, working up a sweat and perspiring.

–Use ergonomically designed tools, or ones with padded handles that are kinder to hands. Keep your “tools of the trade” in tip-top shape by making sure your power equipment is working properly and your tools are sharpened and properly stored.

–Do not mow grass when it’s wet and slippery. Before mowing, walk around the yard, checking for sticks, stones, toys, and other foreign objects that could shoot out from under the mower.

–Work at a steady, constant speed, take breaks often, and be sure to change positions every 10 or 15 minutes to avoid overusing any one muscle group.

To prevent and treat injuries:

Aches and pains don’t have to interfere with summer gardening when you practice prevention and follow activities/injuries with appropriate treatment protocol.

Topricin Pain Relief and Healing Cream is a favorite treatment for gardeners around the country. Fueled by nature not chemicals, Topricin is a blend of eleven natural medicines that naturally help the joints detoxify by stimulating the body’s desire to drain toxins and excess fluids from the muscle tissue, which restores blood flow back to normal and helps heal the damage that is causing the pain.

–As a preventative, Topricin can be applied prior to outdoor activities. For example, if you are planting flowers or vegetables, apply Topricin lower back, hands and wrists, which are points of stress. Topricin can also be applied to exposed areas of skin, acting as a barrier to the urushiol oil in poison ivy.

–Topricin helps relieve symptoms of pain from other gardening aliments such as blisters, tick bites, Lyme disease, poison ivy, and minor sunburn and dehydration.

HOT AND COLD THERAPY:

Hot and cold therapy, along with Topricin, can shorten the duration of the recovery so the body heals faster and you feel better sooner.

–ICE is the first course of action, for the first 24 – 48 hours to help with inflammation. Ice therapy has an effect when the ice is REMOVED. Ice stops the blood flow, when removed it releases fluids and toxins, stimulates lymphatic and toxin draining and more blood flow. Basic procedures for ice therapy: 10 minutes on; 5 off; 10 on, 5 off.

–MOIST HEAT and ICE/HEAT:

–HEAT: 48 – 72 hours after injury try using heat on the injured area. You’ll know it’s OK to continue if you don’t feel worse afterwards. Heat draws more blood to the area and removes toxins.

–ALTERNATING HOT AND COLD: Cold and heat can be very powerful when used together at this point. Protocol – takes about 45 minutes: Start with HEAT for 10 minutes; followed by 5 minute break. Then COLD for 10 minutes, followed by 5-minute break, then HEAT again for 10 minutes. Follow with application of Topricin.

Topricin Application Instructions:

–Generously apply Topricin as needed three inches on and around to affected area/injury. Rub in well until absorbed. For best results, apply evenings, morning/after bathing and 3 – 4 or more times during the day as needed.

NOTE: For severe pain and swelling, seek medical attention (Topricin may be applied as a first line first aid treatment while enroute to a medical facility).

To learn more about Topricin Pain Relief and Healing Cream, go to http://www.topricin.com.

About Topical BioMedics, Inc.

Topical BioMedics is the research and development leader in patented topical natural biomedicines for pain relief. The company’s flagship product, Topricin® Pain Relief and Healing Cream, was introduced in 1994 and is now a leading natural therapeutic brand. A combination biomedicine formula, Topricin has been awarded a patent for the treatment of pain associated with fibromyalgia and neuropathy.

Topricin products are formulated with approved medicines as found in the HPUS (Homeopathic Pharmacopoeia of the United States) and are in compliance with federal rules for homeopathic over-the-counter medicines. Safe for diabetics, the products contain: no parabens, petroleum or harsh chemicals, are odorless, greaseless and non-irritating, and produce no known side effects.

For more information or to sign up for the free newsletter Natural Healing, Natural Wellness visit http://www.topricin.com

# # #

SOURCES:

Topical BioMedics

Rodale.com

Mother Nature Network

SparkPeople/The American Institute of Cancer Research

Health.com

Care2.com

Weed Man

Prevention.com

Email a friend


PDF


Print

Kid-friendly equals bug-friendly in the garden

Tanya Kucak/Special to the Town CrierPhoto Tanya Kucak/Special To The Town Crier

Native mock orange, right, attracts butterflies and other beneficial insects. In the spring, the large shrub is covered with fragrant flowers.

Bugs, insects, creepy crawlers, birds, butterflies – any living organism children can relate to – are among the easiest ways to engage children in the garden, according to garden designer Alrie Middlebrook.

“(Children) like getting their hands dirty and wet” in worm bins, compost, ponds and the vegetable garden, and they like seeing “what’s alive in the soil,” she said.

Middlebrook heads the California Native Garden Foundation, which offers garden-based classes for children in grades 2-8 at its outdoor learning laboratory in San Jose’s Willow Glen neighborhood through its Environmental Laboratory for Sustainability and Ecological Education (ELSEE) project.

The goals and hands-on approach of ELSEE are similar to those of the Los Altos School District’s Living Classroom Program, said Living Classroom founder Vicki Moore.

Both ELSEE and the Living Classroom teach about plants not as individual, interchangeable entities, but as part of an ecosystem and in relation to the animals that depend on it.

To teach pollinator relationships, for example, ELSEE starts with a butterfly. Following its life cycle, the children learn about the butterfly’s host plants during its larval phase (caterpillar). They then explore that same butterfly’s nectar plants in its adult phase.

“The butterfly wouldn’t be there without the plant,” Middlebrook said, so a discussion of pollination leads back to the importance of plants in the ecosystem.

Students learn about the parallel evolution of the butterfly and those critical host and nectar plants.

For those planting a butterfly garden, it’s important to realize that caterpillars eat host plants. If you want butterflies, expect plants to get munched.

To design kid-friendly gardens, Middlebrook focuses on protecting ecosystem services before choosing specific plants. Healthy ecosystems provide such services as pollination, nutrient cycling, water purification and climate regulation. A good garden design allows the natural cycles and processes to operate. In practical terms, the design challenge is to avoid disrupting the natural systems, Middlebrook added.

Following are some design elements that help preserve ecosystem services.

• Don’t use impervious surfaces. Instead, choose pervious concrete or decomposed granite where a hard, uniform surface is needed. Or use stepping stones, gravel or some other surface that allows water to be absorbed into the soil rather than running off.

• Keep rainfall on site. Rain barrels and cisterns can hold a small percentage of annual rainfall, but a small pond, a dry well, grading or other techniques may also be needed to divert water from storm drains.

• Use locally native plants to attract native pollinators. Choose plants that occur together in the wild to more closely approximate a native ecosystem.

• Use local materials. It takes a large amount of energy to transport materials long distances. This energy is a factor in the “embedded cost” of the materials.

• Avoid pesticides and herbicides. Instead, encourage more life in the garden. Attract the bugs that prey on plant-eating bugs by planting native insectary plants from the appropriate ecosystem. Plants such as yarrow and globe gilia have tiny flowers that attract a wide range of pollinators and other beneficial insects. Let your population of aphids grow enough to attract the beneficial insects that eat them.

Tanya Kucak gardens organically. Email her at
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Kid-friendly equals bug-friendly in the garden

Tanya Kucak/Special to the Town CrierPhoto Tanya Kucak/Special To The Town Crier

Native mock orange, right, attracts butterflies and other beneficial insects. In the spring, the large shrub is covered with fragrant flowers.

Bugs, insects, creepy crawlers, birds, butterflies – any living organism children can relate to – are among the easiest ways to engage children in the garden, according to garden designer Alrie Middlebrook.

“(Children) like getting their hands dirty and wet” in worm bins, compost, ponds and the vegetable garden, and they like seeing “what’s alive in the soil,” she said.

Middlebrook heads the California Native Garden Foundation, which offers garden-based classes for children in grades 2-8 at its outdoor learning laboratory in San Jose’s Willow Glen neighborhood through its Environmental Laboratory for Sustainability and Ecological Education (ELSEE) project.

The goals and hands-on approach of ELSEE are similar to those of the Los Altos School District’s Living Classroom Program, said Living Classroom founder Vicki Moore.

Both ELSEE and the Living Classroom teach about plants not as individual, interchangeable entities, but as part of an ecosystem and in relation to the animals that depend on it.

To teach pollinator relationships, for example, ELSEE starts with a butterfly. Following its life cycle, the children learn about the butterfly’s host plants during its larval phase (caterpillar). They then explore that same butterfly’s nectar plants in its adult phase.

“The butterfly wouldn’t be there without the plant,” Middlebrook said, so a discussion of pollination leads back to the importance of plants in the ecosystem.

Students learn about the parallel evolution of the butterfly and those critical host and nectar plants.

For those planting a butterfly garden, it’s important to realize that caterpillars eat host plants. If you want butterflies, expect plants to get munched.

To design kid-friendly gardens, Middlebrook focuses on protecting ecosystem services before choosing specific plants. Healthy ecosystems provide such services as pollination, nutrient cycling, water purification and climate regulation. A good garden design allows the natural cycles and processes to operate. In practical terms, the design challenge is to avoid disrupting the natural systems, Middlebrook added.

Following are some design elements that help preserve ecosystem services.

• Don’t use impervious surfaces. Instead, choose pervious concrete or decomposed granite where a hard, uniform surface is needed. Or use stepping stones, gravel or some other surface that allows water to be absorbed into the soil rather than running off.

• Keep rainfall on site. Rain barrels and cisterns can hold a small percentage of annual rainfall, but a small pond, a dry well, grading or other techniques may also be needed to divert water from storm drains.

• Use locally native plants to attract native pollinators. Choose plants that occur together in the wild to more closely approximate a native ecosystem.

• Use local materials. It takes a large amount of energy to transport materials long distances. This energy is a factor in the “embedded cost” of the materials.

• Avoid pesticides and herbicides. Instead, encourage more life in the garden. Attract the bugs that prey on plant-eating bugs by planting native insectary plants from the appropriate ecosystem. Plants such as yarrow and globe gilia have tiny flowers that attract a wide range of pollinators and other beneficial insects. Let your population of aphids grow enough to attract the beneficial insects that eat them.

Tanya Kucak gardens organically. Email her at
This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Captcha ImageRegenerate code when it's unreadable

Post
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Sculpture studio shapes up as industry leader

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Small business

Date

May 27, 2013

  • (0)


Lump owners Chris Vassallo and Timothea Jewell

Lump owners Chris Vassallo and Timothea Jewell Photo: LITTLE RED PHOTOGRAPHY

For the first time in 100 years, an Australian entry won Best in Show at the prestigious Chelsea Flower Show, described by some as the “Oscars of horticulture” and “Ashes of gardening”. But the Melbourne husband-and-wife whose custom-designed sculptures formed an integral part of the winning garden design weren’t there to toast victory or witness the Queen’s praise.

Instead, Chris Vassallo and Timothea Jewell were at home working at their Lump Sculpture Studio in Fairfield, Victoria, and caring for their young children – truly epitomising the small business way of life.

Since 2001 Lump has quietly established itself as Australia’s leading urban art, design and sculpture studio.

Lump staircase designed and manufactured in their studio.

Lump staircase designed and manufactured in the Lump studio.

Jewell described Lump’s contribution to the winning Trailfinders Australian Garden presented by Fleming’s Nurseries as a “dream come true”. The $2 million exhibit featured a Phillip Johnson-designed naturally occurring Australian eco-system. Custom-designed sculptures by Lump are an integral element of the design, including ten intricate wood stack-patterned screens and a sculptural staircase, all made from laser-cut rusted corten steel.

Despite Vassallo and Jewell’s reputation as industry trendsetters, they are unassuming and simply grateful for their involvement at Chelsea.

“The interactive design was the perfect showcase for our work, and to have it recognised at the world’s most prestigious horticultural show is beyond words – it’s simply the best,” Jewell says.

Having their work displayed on the world stage is big leap from Lump’s first exhibit; Vassallo’s first sculpture still has pride of place in his parents’ garden. They were his first client, and the money he made from that job helped fund the start-up.

Back then Vassallo had worked as a graphic designer for more than a decade and Jewell was restoring antiques. (The couple went to school together, but didn’t meet up again until years later by chance.)

“I was in a suit-and-tie job in town and I was being shipped around from corporate office to corporate office designing corporate websites for the big banks, and I just got lost,” Vassallo says.

“It was lots of fun and I met a lot of amazing people, but it was a little stifling. So I bought a welder and started making stuff in my garage.”

Vassallo says the real turning point for the start-up was when Jewell made a miniature version of what would later become a signature Lump piece; light boxes with hand-cut trees carved into large rectangular panels.

“I was looking at [Jewell’s work] and said, ‘That’s a great idea, let’s do that but on steroids, and make them two metres tall,” he says.

“So we made the very first set of light boxes ever and we took them to a flower show…and then all of a sudden the industry turned around and went, ‘Wow, that’s kind of different, we’ve never seen this before.’

“[Celebrity landscape designer] Jamie Durie came straight up to the stand and brought the crowds and his camera…People were just amazed, saying, ‘What is that?’ and ‘How did you make these?’

“From there, more and more people came to us for inspiration and ideas.”

Vassallo says their work is constantly evolving to meet industry demand for something different.

“We’re always trying to find new materials to work with and also just trying to push the boundaries,” he says.

“We’re now moving into three-dimensional screens, where you can pull them out and push them in, and people can actually interact with their sculpture.”

Lump has a diverse client base, with jobs of varying scales. Homeowners fly in from around country looking for the “wow factor”, Vassallo says.

“It’s amazing how many commissions we get for sculptures priced from $3000 to $15,000 to go into a private home.”

They promote Lump via their website and social media, enter exhibitions and tender for public projects. But a lot of ideas are initiated in-house to satisfy their creative curiosities and demand by industry peers who are “usually gagging for something new”, Vassallo says.

One of their biggest challenges has been policing cheaper reproductions of Lump designs made overseas. Research and development of ideas is time-consuming and costly; an expense the copyists don’t have.

“It’s been happening a lot and it’s getting even more prevalent with the internet. We’re constantly fighting battles in China, where we’re trying to stop reproductions of our work,” Vassallo says.

“It used to bring us to tears, because it was such a personal investment.”

Even locals have been ripping off their work.

“There have even been quite a few small start-ups here in Melbourne, believe it or not, and we do have to engage lawyers in the end.

“It does make us think we must be going in the right direction if everyone keeps copying us.”

Lump now has 10 employees from industrial engineering/design, metal fabrication and fine art backgrounds.

Vassallo adds: “We never thought that we were going to have staff – it was always going to be just Tim and I mucking around.

“It took at least a good five or six years until we were drawing a proper wage. Whatever we did make, we would put back in. People just keep coming to us for more ideas, so we just keep creating.”


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Kid-friendly equals bug-friendly in the garden

Tanya Kucak/Special to the Town CrierPhoto Tanya Kucak/Special To The Town Crier

Native mock orange, right, attracts butterflies and other beneficial insects. In the spring, the large shrub is covered with fragrant flowers.

Bugs, insects, creepy crawlers, birds, butterflies – any living organism children can relate to – are among the easiest ways to engage children in the garden, according to garden designer Alrie Middlebrook.

“(Children) like getting their hands dirty and wet” in worm bins, compost, ponds and the vegetable garden, and they like seeing “what’s alive in the soil,” she said.

Middlebrook heads the California Native Garden Foundation, which offers garden-based classes for children in grades 2-8 at its outdoor learning laboratory in San Jose’s Willow Glen neighborhood through its Environmental Laboratory for Sustainability and Ecological Education (ELSEE) project.

The goals and hands-on approach of ELSEE are similar to those of the Los Altos School District’s Living Classroom Program, said Living Classroom founder Vicki Moore.

Both ELSEE and the Living Classroom teach about plants not as individual, interchangeable entities, but as part of an ecosystem and in relation to the animals that depend on it.

To teach pollinator relationships, for example, ELSEE starts with a butterfly. Following its life cycle, the children learn about the butterfly’s host plants during its larval phase (caterpillar). They then explore that same butterfly’s nectar plants in its adult phase.

“The butterfly wouldn’t be there without the plant,” Middlebrook said, so a discussion of pollination leads back to the importance of plants in the ecosystem.

Students learn about the parallel evolution of the butterfly and those critical host and nectar plants.

For those planting a butterfly garden, it’s important to realize that caterpillars eat host plants. If you want butterflies, expect plants to get munched.

To design kid-friendly gardens, Middlebrook focuses on protecting ecosystem services before choosing specific plants. Healthy ecosystems provide such services as pollination, nutrient cycling, water purification and climate regulation. A good garden design allows the natural cycles and processes to operate. In practical terms, the design challenge is to avoid disrupting the natural systems, Middlebrook added.

Following are some design elements that help preserve ecosystem services.

• Don’t use impervious surfaces. Instead, choose pervious concrete or decomposed granite where a hard, uniform surface is needed. Or use stepping stones, gravel or some other surface that allows water to be absorbed into the soil rather than running off.

• Keep rainfall on site. Rain barrels and cisterns can hold a small percentage of annual rainfall, but a small pond, a dry well, grading or other techniques may also be needed to divert water from storm drains.

• Use locally native plants to attract native pollinators. Choose plants that occur together in the wild to more closely approximate a native ecosystem.

• Use local materials. It takes a large amount of energy to transport materials long distances. This energy is a factor in the “embedded cost” of the materials.

• Avoid pesticides and herbicides. Instead, encourage more life in the garden. Attract the bugs that prey on plant-eating bugs by planting native insectary plants from the appropriate ecosystem. Plants such as yarrow and globe gilia have tiny flowers that attract a wide range of pollinators and other beneficial insects. Let your population of aphids grow enough to attract the beneficial insects that eat them.

Tanya Kucak gardens organically. Email her at
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Sculpture studio shapes up as industry leader

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Small business

Date

May 27, 2013

  • (0)


Lump owners Chris Vassallo and Timothea Jewell

Lump owners Chris Vassallo and Timothea Jewell Photo: LITTLE RED PHOTOGRAPHY

For the first time in 100 years, an Australian entry won Best in Show at the prestigious Chelsea Flower Show, described by some as the “Oscars of horticulture” and “Ashes of gardening”. But the Melbourne husband-and-wife whose custom-designed sculptures formed an integral part of the winning garden design weren’t there to toast victory or witness the Queen’s praise.

Instead, Chris Vassallo and Timothea Jewell were at home working at their Lump Sculpture Studio in Fairfield, Victoria, and caring for their young children – truly epitomising the small business way of life.

Since 2001 Lump has quietly established itself as Australia’s leading urban art, design and sculpture studio.

Lump staircase designed and manufactured in their studio.

Lump staircase designed and manufactured in the Lump studio.

Jewell described Lump’s contribution to the winning Trailfinders Australian Garden presented by Fleming’s Nurseries as a “dream come true”. The $2 million exhibit featured a Phillip Johnson-designed naturally occurring Australian eco-system. Custom-designed sculptures by Lump are an integral element of the design, including ten intricate wood stack-patterned screens and a sculptural staircase, all made from laser-cut rusted corten steel.

Despite Vassallo and Jewell’s reputation as industry trendsetters, they are unassuming and simply grateful for their involvement at Chelsea.

“The interactive design was the perfect showcase for our work, and to have it recognised at the world’s most prestigious horticultural show is beyond words – it’s simply the best,” Jewell says.

Having their work displayed on the world stage is big leap from Lump’s first exhibit; Vassallo’s first sculpture still has pride of place in his parents’ garden. They were his first client, and the money he made from that job helped fund the start-up.

Back then Vassallo had worked as a graphic designer for more than a decade and Jewell was restoring antiques. (The couple went to school together, but didn’t meet up again until years later by chance.)

“I was in a suit-and-tie job in town and I was being shipped around from corporate office to corporate office designing corporate websites for the big banks, and I just got lost,” Vassallo says.

“It was lots of fun and I met a lot of amazing people, but it was a little stifling. So I bought a welder and started making stuff in my garage.”

Vassallo says the real turning point for the start-up was when Jewell made a miniature version of what would later become a signature Lump piece; light boxes with hand-cut trees carved into large rectangular panels.

“I was looking at [Jewell’s work] and said, ‘That’s a great idea, let’s do that but on steroids, and make them two metres tall,” he says.

“So we made the very first set of light boxes ever and we took them to a flower show…and then all of a sudden the industry turned around and went, ‘Wow, that’s kind of different, we’ve never seen this before.’

“[Celebrity landscape designer] Jamie Durie came straight up to the stand and brought the crowds and his camera…People were just amazed, saying, ‘What is that?’ and ‘How did you make these?’

“From there, more and more people came to us for inspiration and ideas.”

Vassallo says their work is constantly evolving to meet industry demand for something different.

“We’re always trying to find new materials to work with and also just trying to push the boundaries,” he says.

“We’re now moving into three-dimensional screens, where you can pull them out and push them in, and people can actually interact with their sculpture.”

Lump has a diverse client base, with jobs of varying scales. Homeowners fly in from around country looking for the “wow factor”, Vassallo says.

“It’s amazing how many commissions we get for sculptures priced from $3000 to $15,000 to go into a private home.”

They promote Lump via their website and social media, enter exhibitions and tender for public projects. But a lot of ideas are initiated in-house to satisfy their creative curiosities and demand by industry peers who are “usually gagging for something new”, Vassallo says.

One of their biggest challenges has been policing cheaper reproductions of Lump designs made overseas. Research and development of ideas is time-consuming and costly; an expense the copyists don’t have.

“It’s been happening a lot and it’s getting even more prevalent with the internet. We’re constantly fighting battles in China, where we’re trying to stop reproductions of our work,” Vassallo says.

“It used to bring us to tears, because it was such a personal investment.”

Even locals have been ripping off their work.

“There have even been quite a few small start-ups here in Melbourne, believe it or not, and we do have to engage lawyers in the end.

“It does make us think we must be going in the right direction if everyone keeps copying us.”

Lump now has 10 employees from industrial engineering/design, metal fabrication and fine art backgrounds.

Vassallo adds: “We never thought that we were going to have staff – it was always going to be just Tim and I mucking around.

“It took at least a good five or six years until we were drawing a proper wage. Whatever we did make, we would put back in. People just keep coming to us for more ideas, so we just keep creating.”


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Sculpture studio shapes up as industry leader

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Small business

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Lump owners Chris Vassallo and Timothea Jewell

Lump owners Chris Vassallo and Timothea Jewell Photo: LITTLE RED PHOTOGRAPHY

For the first time in 100 years, an Australian entry won Best in Show at the prestigious Chelsea Flower Show, described by some as the “Oscars of horticulture” and “Ashes of gardening”. But the Melbourne husband-and-wife whose custom-designed sculptures formed an integral part of the winning garden design weren’t there to toast victory or witness the Queen’s praise.

Instead, Chris Vassallo and Timothea Jewell were at home working at their Lump Sculpture Studio in Fairfield, Victoria, and caring for their young children – truly epitomising the small business way of life.

Since 2001 Lump has quietly established itself as Australia’s leading urban art, design and sculpture studio.

Lump staircase designed and manufactured in their studio.

Lump staircase designed and manufactured in the Lump studio.

Jewell described Lump’s contribution to the winning Trailfinders Australian Garden presented by Fleming’s Nurseries as a “dream come true”. The $2 million exhibit featured a Phillip Johnson-designed naturally occurring Australian eco-system. Custom-designed sculptures by Lump are an integral element of the design, including ten intricate wood stack-patterned screens and a sculptural staircase, all made from laser-cut rusted corten steel.

Despite Vassallo and Jewell’s reputation as industry trendsetters, they are unassuming and simply grateful for their involvement at Chelsea.

“The interactive design was the perfect showcase for our work, and to have it recognised at the world’s most prestigious horticultural show is beyond words – it’s simply the best,” Jewell says.

Having their work displayed on the world stage is big leap from Lump’s first exhibit; Vassallo’s first sculpture still has pride of place in his parents’ garden. They were his first client, and the money he made from that job helped fund the start-up.

Back then Vassallo had worked as a graphic designer for more than a decade and Jewell was restoring antiques. (The couple went to school together, but didn’t meet up again until years later by chance.)

“I was in a suit-and-tie job in town and I was being shipped around from corporate office to corporate office designing corporate websites for the big banks, and I just got lost,” Vassallo says.

“It was lots of fun and I met a lot of amazing people, but it was a little stifling. So I bought a welder and started making stuff in my garage.”

Vassallo says the real turning point for the start-up was when Jewell made a miniature version of what would later become a signature Lump piece; light boxes with hand-cut trees carved into large rectangular panels.

“I was looking at [Jewell’s work] and said, ‘That’s a great idea, let’s do that but on steroids, and make them two metres tall,” he says.

“So we made the very first set of light boxes ever and we took them to a flower show…and then all of a sudden the industry turned around and went, ‘Wow, that’s kind of different, we’ve never seen this before.’

“[Celebrity landscape designer] Jamie Durie came straight up to the stand and brought the crowds and his camera…People were just amazed, saying, ‘What is that?’ and ‘How did you make these?’

“From there, more and more people came to us for inspiration and ideas.”

Vassallo says their work is constantly evolving to meet industry demand for something different.

“We’re always trying to find new materials to work with and also just trying to push the boundaries,” he says.

“We’re now moving into three-dimensional screens, where you can pull them out and push them in, and people can actually interact with their sculpture.”

Lump has a diverse client base, with jobs of varying scales. Homeowners fly in from around country looking for the “wow factor”, Vassallo says.

“It’s amazing how many commissions we get for sculptures priced from $3000 to $15,000 to go into a private home.”

They promote Lump via their website and social media, enter exhibitions and tender for public projects. But a lot of ideas are initiated in-house to satisfy their creative curiosities and demand by industry peers who are “usually gagging for something new”, Vassallo says.

One of their biggest challenges has been policing cheaper reproductions of Lump designs made overseas. Research and development of ideas is time-consuming and costly; an expense the copyists don’t have.

“It’s been happening a lot and it’s getting even more prevalent with the internet. We’re constantly fighting battles in China, where we’re trying to stop reproductions of our work,” Vassallo says.

“It used to bring us to tears, because it was such a personal investment.”

Even locals have been ripping off their work.

“There have even been quite a few small start-ups here in Melbourne, believe it or not, and we do have to engage lawyers in the end.

“It does make us think we must be going in the right direction if everyone keeps copying us.”

Lump now has 10 employees from industrial engineering/design, metal fabrication and fine art backgrounds.

Vassallo adds: “We never thought that we were going to have staff – it was always going to be just Tim and I mucking around.

“It took at least a good five or six years until we were drawing a proper wage. Whatever we did make, we would put back in. People just keep coming to us for more ideas, so we just keep creating.”


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Sculpture studio shapes up as industry leader

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Small business

Date

May 27, 2013

  • (0)


Lump owners Chris Vassallo and Timothea Jewell

Lump owners Chris Vassallo and Timothea Jewell Photo: LITTLE RED PHOTOGRAPHY

For the first time in 100 years, an Australian entry won Best in Show at the prestigious Chelsea Flower Show, described by some as the “Oscars of horticulture” and “Ashes of gardening”. But the Melbourne husband-and-wife whose custom-designed sculptures formed an integral part of the winning garden design weren’t there to toast victory or witness the Queen’s praise.

Instead, Chris Vassallo and Timothea Jewell were at home working at their Lump Sculpture Studio in Fairfield, Victoria, and caring for their young children – truly epitomising the small business way of life.

Since 2001 Lump has quietly established itself as Australia’s leading urban art, design and sculpture studio.

Lump staircase designed and manufactured in their studio.

Lump staircase designed and manufactured in the Lump studio.

Jewell described Lump’s contribution to the winning Trailfinders Australian Garden presented by Fleming’s Nurseries as a “dream come true”. The $2 million exhibit featured a Phillip Johnson-designed naturally occurring Australian eco-system. Custom-designed sculptures by Lump are an integral element of the design, including ten intricate wood stack-patterned screens and a sculptural staircase, all made from laser-cut rusted corten steel.

Despite Vassallo and Jewell’s reputation as industry trendsetters, they are unassuming and simply grateful for their involvement at Chelsea.

“The interactive design was the perfect showcase for our work, and to have it recognised at the world’s most prestigious horticultural show is beyond words – it’s simply the best,” Jewell says.

Having their work displayed on the world stage is big leap from Lump’s first exhibit; Vassallo’s first sculpture still has pride of place in his parents’ garden. They were his first client, and the money he made from that job helped fund the start-up.

Back then Vassallo had worked as a graphic designer for more than a decade and Jewell was restoring antiques. (The couple went to school together, but didn’t meet up again until years later by chance.)

“I was in a suit-and-tie job in town and I was being shipped around from corporate office to corporate office designing corporate websites for the big banks, and I just got lost,” Vassallo says.

“It was lots of fun and I met a lot of amazing people, but it was a little stifling. So I bought a welder and started making stuff in my garage.”

Vassallo says the real turning point for the start-up was when Jewell made a miniature version of what would later become a signature Lump piece; light boxes with hand-cut trees carved into large rectangular panels.

“I was looking at [Jewell’s work] and said, ‘That’s a great idea, let’s do that but on steroids, and make them two metres tall,” he says.

“So we made the very first set of light boxes ever and we took them to a flower show…and then all of a sudden the industry turned around and went, ‘Wow, that’s kind of different, we’ve never seen this before.’

“[Celebrity landscape designer] Jamie Durie came straight up to the stand and brought the crowds and his camera…People were just amazed, saying, ‘What is that?’ and ‘How did you make these?’

“From there, more and more people came to us for inspiration and ideas.”

Vassallo says their work is constantly evolving to meet industry demand for something different.

“We’re always trying to find new materials to work with and also just trying to push the boundaries,” he says.

“We’re now moving into three-dimensional screens, where you can pull them out and push them in, and people can actually interact with their sculpture.”

Lump has a diverse client base, with jobs of varying scales. Homeowners fly in from around country looking for the “wow factor”, Vassallo says.

“It’s amazing how many commissions we get for sculptures priced from $3000 to $15,000 to go into a private home.”

They promote Lump via their website and social media, enter exhibitions and tender for public projects. But a lot of ideas are initiated in-house to satisfy their creative curiosities and demand by industry peers who are “usually gagging for something new”, Vassallo says.

One of their biggest challenges has been policing cheaper reproductions of Lump designs made overseas. Research and development of ideas is time-consuming and costly; an expense the copyists don’t have.

“It’s been happening a lot and it’s getting even more prevalent with the internet. We’re constantly fighting battles in China, where we’re trying to stop reproductions of our work,” Vassallo says.

“It used to bring us to tears, because it was such a personal investment.”

Even locals have been ripping off their work.

“There have even been quite a few small start-ups here in Melbourne, believe it or not, and we do have to engage lawyers in the end.

“It does make us think we must be going in the right direction if everyone keeps copying us.”

Lump now has 10 employees from industrial engineering/design, metal fabrication and fine art backgrounds.

Vassallo adds: “We never thought that we were going to have staff – it was always going to be just Tim and I mucking around.

“It took at least a good five or six years until we were drawing a proper wage. Whatever we did make, we would put back in. People just keep coming to us for more ideas, so we just keep creating.”


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4,000 bonus Qantas Frequent Flyer points for New Customers

For new mobile postpaid customers, available on selected plans. Offer Ends 30/06/13.

Optus

 

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8,000 bonus Qantas Frequent Flyer points Optus Upgrade Offer

8,000 bonus Qantas Frequent Flyer points Optus Upgrade Offer

For existing mobile postpaid customers, available on selected plans. Offer Ends 30/06/13.

Optus

 

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Min. total cost $1,176
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over 24 months

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From $48/Month on Virgin Mobile
Min. total cost $1,152
over 24 months

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Nokia Lumia 820 / Wireless Charger

Nokia Lumia 820 / Wireless Charger

Bonus wireless charger, available via redemption with Optus and Nokia. Offer ends 31/5/2013

Optus

 

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Now $0 on $59 Big Plan

Now $0 on $59 Big Plan

Samsung Galaxy S3 4G, $0 on the $59 Big Plan
Min. total cost $1,152
over 24 months

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Pollies fail start-ups

Tony Featherstone - The Venture

When was the last time you heard a member of parliament use … 

Workers of the world unite!

James Adonis  - Work In Progress

Should workers own a slice of the business they toil for? 

Working with bloggers to …

Valerie Khoo - Enterprise

It’s a brave new blogging world out there and your business … 

Featured advertisers

Editor’s picks

Angel

Angel investors at the table

This is what happened when ten top start-ups competed to take their pitch to cashed-up investors.


Sponsored links

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Refinance Save

Refinance at UBank’s new low rate of 4.87%

Cheap Personal Loans

Compare personal loans from 7.85% and apply online

Low Rate Credit Card

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