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Tips for turning junk into creative garden decor

Some people hunt for new-found treasures at yard sales or flea markets for their home. But for me the real thrill comes from transforming those treasures into intriguing art or purposeful pieces for the garden. One of my favorites began as a broken piece (5 feet long) of concrete drain pipe and a well-weathered whiskey barrel  that was falling apart. We stood the drain pipe upright in our herb garden to create a plantable pillar and grew thyme and trailing rosemary. My husband used the metal bands from the whiskey barrel to make an armillary  sphere for the center. And it cost us nothing.

When it comes to creating an artful landscape with personality, it’s time to uncover the hidden potential of salvage materials, recycled items, unused objects around the home and flea market finds. Just as accessories can influence the way your home looks and feels, they can also reflect your individual style in your outdoor space. Any decorative object can be used to add that personal touch, whether as an eye-catching focal point, whimsical display or creative piece of art.

Use your creative sense to combine salvaged finds with existing elements in the garden, such as a broken-down piano or outdated washing machine filled with plants. Arrange a medley of colorful birdhouses to brighten up a shady area. Tuck in yard sale finds such as old frames, garden hats or glass insulators into a customized collection that is subtly positioned for an element of surprise. Set your sights even higher and attach your unlikely treasures to a fence, wall or post. Or suspend them in the air from a balcony,  arbor, pergola or even a tree.

Remember to use your imagination when looking at objects and the ideas will begin to flow. If you need a dose of inspiration you can browse through garden centers, craft fairs, display gardens and public gardens. While thrift stores and yard sales will usually unearth interesting finds, a good place to start digging for architectural treasures may be right at home with items you no longer use: the kids’ red wagon, old toys, a broken bicycle or a metal headboard painted bright red.

An outdated toy chest, a discarded wooden tool caddy or a long-forgotten bathtub can be brought back to life as creative containers. Even found objects — such as a rustic wash basin, worn wheelbarrow or leaky birdbath — can be recycled into intriguing planters with panache.

Your yard can serve as a canvas of opportunity for staging items you collect as decorative outdoor displays. Use a wood fence or a concrete or rock wall to showcase an art gallery of like items, such as a collection of vases, watering cans, set of old scales or ensemble of napkin rings or utensils strung into wind chimes. Bring new life to old metal tools by turning them into a sculpture piece for the yard. In the mood for more privacy? You can use several old paneled wood doors as an outdoor divider, privacy screen or the undiscovered portal to a hidden garden room.

Go ahead — nurture your creative side by using salvage and other household items to decorate your yard. All it takes are a few tweaks or embellishments to transform unused, found or recycled objects from trash to treasures. With a little innovation you’ll discover that just about anything, including the kitchen sink, can be turned into a functional and distinctive piece of art. Ultimately, you’ll be setting a scene that is anything but ordinary.

11 DESIGN TIPS FOR SALVAGED ART

* Use your garden art as traffic signals that cause the viewer to slow down or stop at various locations and destination points within your yard.

* Group larger garden art as pairs that serve as portals to another location, level or garden room. For example, a pair of leaky birdbaths used as containers for colorful plants can frame a garden gate.

* Consider individual appeal and focus on pieces and placement that reflect your personality and set the mood for your overall design.

* Create effect and make your garden art magnetic. Position your salvaged sculpture piece, recycled art or creative containers as a destination piece at the end of a meandering path or as a focal point of attraction that captures your attention and draws you in.

* Use your creative sense to combine garden art with plants.

* Large groupings of small-scale pieces or collections create a cohesive flow that lures you into the garden, whereas a mass of different elements or like elements scattered throughout the yard looks jumbled and chaotic.

* Use all the levels of the vertical space within your yard by displaying or arranging your salvaged garden art at various heights.

* Think about how you can use your garden art to play up the positive features while disguising or modifying the less attractive features of your yard. For example, an artistic arch, a divider of bicycles or a wrought-iron bed of flowers can stop the eye and deflect your vision from an unattractive element that lies beyond.

* Keep in mind that less is often more. Keep clutter under control and give your garden art a sense of purpose or cohesiveness, whether linking objects through a theme, style or color, or composing them into an eye-catching vignette or focal point that confines your collection into one attention-grabbing scene.

* Remember that most unlikely-treasures-turned-garden-art are changeable and can be rearranged or enhanced at whim to compose an entirely different setting or feel simply by changing the plants or by moving your salvaged finds to a new location.

* Above all, let your garden art be an artistic expression of you.
 
Garden writer Kris Wetherbee is the author of “Attracting Birds, Butterflies Other Winged Wonders to Your Backyard“: wetherbee@centurytel.net

Midsummer garden trends from Europe

 

Cape Town – Kirstenbosch’s participation at London’s Chelsea Flower Show – 38 exhibits winning 33 gold medals – has provided a direct interest for South Africans for decades. But for all of Chelsea’s prestige, the largest flower show in the world takes place at Hampton Court Palace every July.

Much younger than Chelsea, the Royal Horticultural Society’s Hampton Court Palace Flower Show was established in 1990, and takes place in 34 acres of garden surrounding one of Britain’s most famous palaces. Situated 20km south-west of London, this major midsummer gardening event includes 34 gardens, 600 exhibitors and a spectacle of flowering roses.

This year it ran from July 9 to 14.

Of particular interest to South African gardeners is the fact the Hampton flower show focuses on environmental issues, outdoor patio gardens, designs by young landscapers, school food gardens and growing your own food. In 1998, a gold medal award-winning food garden created by the Leyhill Open Prison at Hampton Court Palace interestingly provided the basis for the film Greenfingers (2001), starring Dame Helen Mirren.

Internationally acclaimed wildlife exhibits were to be seen at this year’s show. The Eden Project created a massive butterfly dome that featured a magnificent array of beautiful tropical butterflies, and an entire Bee Garden marquee provided demonstrations and advice on gardening for bees and bee-keeping.

The gloomy recession in Britain remains a backdrop to all garden shows, and celebrity customised henhouses were auctioned for charity at the show.

The large grounds at Hampton Court Palace offer young designers a platform for experimenting. A conceptual garden category with the theme of “the changing environment” drew a huge amount of media attention, and succeeded in ruffling the feathers of many traditionalists. Young designers included a range of old fridges in one garden, and a giant grass claw gouging the earth in another. Several exhibits were stylishly blackened visions of burnt-out forests – complete with 2m artistic flames and tombstones dedicated to nature destroyed.

Among the 34 large gardens created by landscape designers for this year’s Hampton Court Palace Flower Show were a number of trends relevant to local gardeners:

 

Multi-cultural gardening:

Secluded, sociable patio spaces are now being designed to celebrate and mirror the diverse and dynamic cultural make-up of modern society. The vibrant colour of walls and floor surfaces, together with sculptures and plants from across the world, reflect different cultures and horticultural traditions – all in one garden.

The gold-medal winning “Layers and Links” garden was created by a designer of Turkish descent who blended diverse elements – blue walls, artistic ironwork, patterned floors and English meadow garden – into a single garden.

The garden “August 1963 – I have a dream” celebrated 50 years of progress in racial integration and equality since Martin Luther King jr’s famous speech that month. Designed as a place for contemplation, the garden included paving and water features inspired by the Lincoln Memorial in Washington. Blocks of planting represented racial segregation and racial equality, while water features with white and black water cascades flowed into the centre of the garden to meet in a single pool.

 

Colour your garden:

Bright colours dominated many of the patio gardens this year. The “Four Corners” meadow garden included only plants that flowered in sunset shades of burnt orange, rust and gold. The design was inspired by the ancient Chahar Bagh Persian-style garden layout, and was divided into four areas by rills around a water fountain. Picture frames on the fence of the garden were filled with miniature succulents (Sempervivum) in the tradition of vertical gardening.

Bright orange was also the backdrop for a 1950s-themed garden which celebrated the low-cost, high-impact era of “Mid Century Modern”. Inspired by a vintage advertising poster, the garden included a patio and pool in a secluded seating area.

Blooms in red, orange and yellow also dominated “The Hot Stuff Garden”, which had a circular terrace with patio chairs.

 

Food gardens:

The Hampton Court Palace Flower Show specialises in cooking demonstrations and food gardens. The most impressive food garden created last week was entitled “A movable feast”. Inspired by army wives, the garden showed how to create a food garden that can be transported to wherever army families are relocated, making use of inexpensive, colourful containers.

The planting scheme featured the ingredients needed for a feast, while a river of yellow planting symbolised the ribbon of hope used by military families when a loved one is away on a tour of duty.

Promoting the establishment of school food gardens has taken on a new urgency in recessionary Britain. The Royal Horticultural Society’s Campaign for School Gardening uses the Hampton Court Palace Flower Show as a stage to honour the country’s best school gardens and identify heroes in school gardens across the country.

Notwithstanding the glamorous platform given to British schools at Hampton Court, South Africa’s own school food gardening initiative is still well ahead of the curve internationally.

Established in 1990 by Food and Trees for Africa, and sponsored by Engen and The Woolworths Trust, the Edu-Plant campaign has trained more than 40 000 educators in food gardening and greening for schools.

More than 600 schools across the country are assessed annually, and 60 make it to the finals, with 21 honoured by winning in various categories. Last year, the top award for the best school food garden in the Western Cape was won by Vergesig Primary School in Robertson.

 

 

GENERAL GARDEN TIPS

* Get ready to prune roses in the last week of July. Not all rose bushes respond well to heavy pruning. A modern rose that particularly resents heavy cutting back is Iceberg.

* A general rule with bush roses is to create a vase shape by removing any inward growing stems. Cut away all dead and diseased wood, and spindly growth. Cut back bush roses by a third, and train canes of climbing roses as horizontally as possible to encourage more flowers.

* Never prune or cut back shrubs that flower in spring. These include rambling roses such as the banksia rose, azalea, camellia, deutzia, philadelphus (mock orange) and rhododendron.

* Take out spent vegetables, dig over the beds and fork in compost and well-rotted manure in preparation for spring planting. Start seed potatoes in shallow trays of soil in a warm place in preparation for planting out in August.

* Don’t wait until August before staking plants securely to prevent damage. New plants are at great risk from wind rocking and loosening emerging roots. Shrubs and trees with brittle branches should be reduced to avoid tearing and breaking.

* There is still time to plant the bulbs of tiger lilies and tall white St Joseph lilies. If planted now, good drainage is vital, so they’re best planted in containers where they can be protected from snail and slug damage.

* There is still time to plant colourful winter bedding plants such as primula and pansy. Established seedlings of these bright annuals can be planted directly into prepared beds or containers. Pansies do best in a sunny corner, whereas primulas will do better in the shade. – Weekend Argus

Calvert Garden Club offers design demo during Annmarie exhibit





















The fourth annual Art Blooms exhibit brought flowers and color to Solomons last weekend and, this year, featured a floral design demonstration.

The Calvert Garden Club recruited designers from around the state to create their best floral arrangements for the art show, which ran July 19 through 21 at Annmarie Sculpture Garden and Arts Center. Last Saturday, garden club members demonstrated for eight local floral aficionados how to put together one of the designs.

“We want to show people how you can be inspired by a piece of art,” Calvert Garden Club President Joyce Fletcher said during Saturday’s demonstration.

Fletcher, of Huntingtown, and fellow garden club members Mary Smolinski of St. Leonard and Shahla Butler of Huntingtown showed up at Annmarie with buckets of fresh blossoms ready to be joined into a masterpiece that, like the other Art Blooms pieces, was inspired by a work of art in either “Elements in Balance: earth, air, fire, water” or “Text/message: a teen art exhibit,” two exhibits currently displayed at the arts center. They chose to use a mosaic, “Earth Medicine Wheel,” by Lori Goodman, for their inspiration.

“What we want to do today was go over the process of what you see around here,” said Butler.

Even though a group of designers had already created a representation of the same piece, the three ladies said they thought it would be helpful for the audience to see an alternative method.

Smolinski said she and the other garden club members wanted to create a piece to “compare with other interpretations” and show their guests different options they have when making a floral arrangement. The main difference attendees could notice was how Saturday’s creation was a flat adaptation, and the original Art Blooms designers had constructed their interpretation vertically.

The flat approach is a technique known as “pavé,” the club members said.

The piece they worked on Saturday was a much more literal interpretation than the one presented at the art show. The designers adopted the shapes and colors almost directly from the artwork, while continuing to teach their audience about the different approaches they can take when designing.

“It’s not always the colors we pick up on,” said Butler. “Sometimes it’s the shapes, sometimes it’s the feel.”

The garden club members started out with a block of Oasis floral foam as their base and continued to place flowers in the designated pattern.

The arrangement began with the dark leaves of a coleus plant, as the artists worked their way to the center of the piece with a variety of blooms. They enlisted hydrangeas, carnations, coxcombs, thistles, lily grass, eucalyptus leaves and St. John’s Wort buds to complete their interpretation.

Eventually, it was all hands on deck as the club members recruited their audience to help finish the design.

The hands-on approach helped those in attendance understand the process better, as well as enjoy the demonstration more completely, according to visitors who participated in the demonstration.

“It was ambitious when they started,” said Roseanna Vogt of Chesapeake Beach. “It certainly opens your mind to what you can do. It was worth coming down for and seeing how they balance the art and the flowers.”

Many attendees left Saturday’s demonstration saying they felt inspired to complete a floral arrangement of their own.

“We don’t have any restrictions for this, which is why a lot of people like it,” said Butler. “You just get to be creative.”

“This is a wonderful blend of everything I love — art and flowers — so I always show up,” St. Mary’s Garden Club member Karen Doherty said of the Art Blooms exhibit. “It’s a wonderful show this year.”

The Art Blooms weekend is a joint effort between Annmarie and the Calvert Garden Club. Annmarie decides on a theme for the show and puts the word out to local artists, said exhibit co-chair and former Calvert Garden Club president Denise Moroney of Huntingtown. The club finds interested designers and assigns each team or individual a piece of artwork to interpret, she said.

This year’s exhibit was inspired by an array of artwork from “Elements in Balance” and “Text/Message.” The floral interpretations were paired with their corresponding pieces and displayed for the weekend only. The annual corresponding Art Blooms Gala reception was held July 19.

The public is welcome to submit designs for the Art Blooms exhibit. Those interested in participating in the 2014 event should go to www.annmariegarden.org for more information.

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Garden lesson: Great Britain garden tour inspires design ideas

The huge decorative mirror in the corner of this garden makes an interesting wall full of character and interest.

The huge decorative mirror in the corner of this garden makes an interesting wall full of character and interest.


A garden wall made from the hedgerow of European beech with its burgundy foliage is colorful and functional.$RETURN$$RETURN$

A garden wall made from the hedgerow of European beech with its burgundy foliage is colorful and functional.$RETURN$$RETURN$


Every garden needs great walls! That’s the horticultural inspiration I took away from a two-week jaunt through English and Scottish gardens I recently made. It’s not a new lesson for me but one of which it is good to be reminded.

Every student of garden design has probably been taught to approach creating a garden much like an interior designer does a room inside a home. You pay attention to the floor, walls, and ceiling, which all impact the overall feel and look of the design.

In garden design these elements are the “bones” of your garden, the non-living elements around which you add living plants. Another way to look at it is as the backdrop or canvas upon which you paint or build your garden.

If you’ve ever been to England and Scotland, you see very quickly that they are blessed with fabulous walls around which to build their gardens. Of course you can’t go wrong with buildings and ruin walls that are at least 800+ years old. Almost any planting up against such historical walls looks great!

But built walls don’t have to be old to provide a great backdrop for a garden. I’ve visited a few gardens in the United States that had purposely built “ruin walls” to provide a stunning backdrop to their gardens. The brick wall of the side of my home has provided wonderful color and vertical structure to my garden. I have purposely chosen orange- and coral-colored plants to harmonize with the terra cotta color of my home’s brick. Whether wood, brick, plaster or stone, you’ll find building walls to serve as an excellent wall to your garden.

Other outstanding garden walls I saw on my trip were not made of inert materials but of plants themselves. Fabulous hedgerow walls of European beech, hawthorn, yew, arborvitae, Leyland cypress, and espalier apple trees made great garden backgrounds. The color and or texture of these hedgerows provided stunning surroundings for their gardens. I especially liked the burgundy-colored walls of the European beech hedgerows which proved to be a great backdrop color for many gardens. Hedgerows are nice and provide a solid canvas as a wall but with so many plants of one species planted together, they are prone to insect and disease attacks. Planting a mixture of plants that blend complimentary evergreens and deciduous trees and shrubs is one of my favorite walls to use for a garden because of the variety and interest it can provide. Choose a color theme for your varied planted wall, and it will be stunning and hard to beat.

Fences, whether wood, stone, wrought iron or a variety of other materials, work well for a garden wall. I’m especially fond of materials that can be painted a color that you would like to use in the garden. I’ve painted my wood paneled fence that runs across the back of my driveway a rusty-orange color that not only complements my home’s brick but accentuates the orange- and coral-colored plants in the small garden I’ve created in front of it. Wrought iron, split-rail, or other see-through fences allow plants that creep or cascade over and through the structure to add interest and character to the garden’s backdrop.

Think outside the box when you select a wall for your garden. I’ve seen a variety of interesting elements used to create a fantastic garden backdrop — everything from windows to mirrors, bookcases, pallets, and crates. One of the coolest gardens I’ve seen used a huge decorative mirror as a wall that added so much interest and at the same time made the small garden seem bigger.

So survey your garden. What are its walls? Can you enhance them to make your garden more stunning?

Local auto racing: Rogers evolves into top driver

David Rogers grew up around racing machines. There were snowmobiles, four-wheelers among others.

“I actually traded my snowmobile for a go-kart,’’ Rogers recalled. “My father, Dee Rogers, said it was OK with him, so we made the trade.”

Rogers raced the go-kart for about a year. After the elder Rogers saw that his son liked racing, he bought him a new go-kart.

“I raced a go-kart from the age of 12 until I was 17,’’ Rogers said. “I won championships over the years.

“In my last year in go-karts I competed at the Route 58 track near Gouverneur and won all of them. I wanted to race cars so I sold the go-kart at the end of that season.”

Rogers started competing in the pure stock class at Can-Am Motorsports Park in LaFargeville and at the former Thunder Alley in Evans Mills when it had a dirt surface.

“In my rookie year I won the track championship at Thunder Alley,” Rogers said. “I won five race features between the two speedways.”

He didn’t make all the races at Can-Am in his rookie year, but still managed to finish in fifth place in the point standings. In 2012, Rogers moved up to the pro-stock division.

“It was a rough year,” Rogers said. “I had motors going south on me. It seems that every time I would moved up toward the front an accident happened, and we were usually involved in it.”

Rogers said he was getting quite discouraged until late in the season he won a race at Can-Am, giving his confidence a boost. This season he is leading the points race.

He has been in the top four all season. He said he’s won two races this season. One was a special 25-lap race that paid $1,000.

“You really don’t have to win a lot of races to win a track title,” Rogers said. “If you have a lot of top-five or better finishes, one should have a pretty good chance to win their division.”

Rogers was all set to either win or have a good finish last week at Can-Am when the weather had other ideas.

“I had won a heat race and was in my car as we were getting ready to weigh the car on the scales when it started to rain,” Rogers said.

Besides racing at Can-Am, Rogers has also competed at Rolling Wheels Raceway and Canandaigua Speedway.

“I also raced in the Keith Doxtater Memorial race on the black top last month at Evans Mills,” Rogers said. “I was running has high as second and third. With about 50 laps in the 60-lap feature, my tires started to go and we finished fourth.”

Rogers has a lot on his plate for a 23-year-old. He own an auto detailing business on West Main Street, and a lawn and landscaping business. During the winter, it is snow plowing that keeps the business busy.

The businesses help fuel his love for racing. It appears Rogers has many years ahead of him to continue pursuing his love of auto racing.

CTA begins 3rd phase of major upgrade to Purple Line

CTA begins 3rd phase of major upgrade to Purple Line

Daily file photo by Skylar Zhang

Commuters wait for a Chicago-bound train at the Davis Street CTA station in April. Earlier this year, the CTA began its first major upgrade to the Purple Line in nearly four decades.

July 25, 2013

The Chicago Transit Authority this month entered the third phase of its first major construction on the Purple Line in nearly 40 years.

The $2 million project involves replacing over 6,000 aging and deteriorated rail ties with new, longer steel bridge spans, according to the CTA. Some sections of the track are more than 100 years old.

“It will help increase commute speeds and improve service reliability for customers,” CTA spokeswoman Catherine Hosinski said.

The project is expected to decrease travel time by eliminating slow zones on the route.

The renovated section of the Purple Line will also see new sidewalks, fencing and landscaping.

The CTA began the project earlier this year near its South Boulevard station and has moved north since then. The latest phase covers the track between Lee and Church streets.

Hosinski said the project will improve the Purple Line’s reliability until funding is secured for a new Red Purple Modernization project. RPM is a part of a CTA program to maintain and modernize its El system.

Other construction ideas are under consideration for the next RPM project, such as widening platforms or eliminating stops.

The CTA recently changed its construction method so that most of the work on the Purple Line will be done earlier on weekday evenings.

Evanston resident Olga Jasinsky said she relies on the Purple Line to get to work every day.

“It’s been a little challenging getting to work with the construction,” Jasinsky said. “But I’m glad they are making sure the train will work safely and quickly.”

Construction is expected to be completed in November.

Summer reporter Amanda Gilbert can be reached at amandagilbert2015@u.northwestern.edu. Follow her on Twitter at http://www.twitter.com/amandadance5.

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Weekend event picks, July 26-28

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From left: Futures at Fenway (Boston Red Sox); “Audubon’s Birds, Audubon’s Words” (Museum of Fine Arts); Angelique Kidjo will be at Summer Arts Weekend (Andrea de Silva/Reuters)

Making plans? Short on ideas? No worries. See Milva DiDomizio and June Wulff’s picks for the top things to do around the Hub this weekend.

FRIDAY

TGI FRIDAY Citizens Bank, The Boston Globe, and WGBH team up to make summer in the city even hotter with the 2nd annual Summer Arts Weekend. Opening night features Italian guitar/harmonica player Noe Socha, all-female bluegrass band Della Mae, and in the category of venerable, established artists, Dr. John and the Preservation Hall Jazz Band. Saturday’s offerings include a line-up of family concerts, and a focus on world music with Galician piper Carlos Nunez, ukulele virtuosos Jake Shimabukuro, singer-songwriter Angelique Kidjo, Bhangra band Red Baraat, and Boston ensemble Session Americana. The festival closes on Sunday with a performance by Grammy-winning bluegrass superstar Alison Krauss. July 26, 7 p.m. July 27, 11 a.m. July 28, 1 p.m. Free. See website for full schedule of performances and events. Copley Square, Boston. www.bostonsummerarts.com

SPICY VARIETY The all gender, all genre variety cabaret show celebrates nine years of drag, burlesque, aerials, and performance art with MC Heywood Wakefield at “Traniwreck: Old + Now.” Performers include Madge of Honor, Johnny Blazes, Boston Sass Attack, and Rainbow Frite. DJ Brian Halligan provides music for dancing. July 26, 8 p.m.-1 a.m. $15-$35. Oberon, 2 Arrow St., Cambridge. www.cluboberon.com

SATURDAY

DOGS AND MORE DOGS When is the last time you saw dogs at Fenway that weren’t the eating kind? For Futures at Fenway, you can bring your pooch to the park for photos and a pre-game dog parade around the warning track at this celebration of minor league baseball. At noon, it’s game time when the Portland Sea Dogs (more dogs) play the Harrisburg Senators. July 27, noon (gates at 11 a.m.; dog owners must bring completed waiver from website). $5-$30. Fenway Park, 4 Yawkey Way, Boston. 877-733-7699, www.redsox.com/futures

A BIRD’S LIFE John James Audubon didn’t wait for the birds to come to him, he went to the birds. During the early 1800s, he traveled all over the eastern US and Canada to observe North American birds where they live, and create his famous drawings for “The Birds of America.” “Audubon’s Birds, Audubon’s Words” features 30 works (including prints from “The Birds of America”) paired with writings that illuminate the artist’s methods, obsessions, and difficulties he encountered. July 27-May 11. Mon-Tues and Sat-Sun, 10 a.m.-4:45 p.m. Wed-Fri 10 a.m.-9:45 p.m. $25, discounts for students, seniors, and kids. Museum of Fine Arts, Edward and Nancy Roberts Family Gallery, 465 Huntington Ave., Boston. 617-267-9300, www.mfa.org

IT’S REAL Do you think art is something fun you can participate in? It’s not all in your imagination, it’s at Figment Boston. The weekend of art, performance, and creativity features interactive art projects, dance performances, and music. July 27, 11 a.m.-11 p.m. July 28, noon-6 p.m. Free. Rose Kennedy Greenway, Boston. www.figmentproject.org

PAULA’S RETURN One of the reasons we love NPR’s “Wait Wait Don’t Tell Me” is comic Paula Poundstone. The Massachusetts native who now resides in California returns to the venue where her recent CD “I Heart Jokes: Paula Tells Them in Boston” was recorded. July 27, 7:30 p.m. (rescheduled from April). $22, $35. Wilbur Theatre, 246 Tremont St., Boston. 800-745-3000, www.thewilburtheatre.com

SUNDAY

EXTERIOR DECORATING Head for the financial district to see the city in a new, geometric, art deco kind of light. Boston By Foot’s Art Deco Tour features Harold Field Kellog’s Batterymarch Building, Arthur Bowditch’s Paramount Theater, and other architectural and landscaping examples of the 20th-century design style. July 28, 2-3:30 p.m. $15. Meet at Angell Memorial Fountain, Post Office Square, Congress and Milk St., Boston. 617-367-2345, www.bostonbyfoot.org

Vassar Revives Garden Nurtured by Early Promoter of Native Plants

“It feels great to be doing something with your hands after being in the classroom all year,” said Mr. Valdez, of Palm Springs, Calif., who is pursuing a double major, in geography and Latin American studies.

The students, working with a biology professor, Meg Ronsheim, were resurrecting a native plant garden that was cultivated by botany professors and students in the 1920s, long before native species became a rage, and then forgotten for decades. The garden was the life’s passion of Edith A. Roberts, a professor of plant science who, after being hired by Vassar in 1919, set out to document every species of plant in Dutchess County. Over the next three decades, she and colleagues transformed the four-acre plot into what would be called the Dutchess County Outdoor Ecological Laboratory.

Dr. Roberts, a farmer’s daughter from New Hampshire who earned a doctorate in botany from the University of Chicago, was in the forefront of a group of women who blazed trails in academia, just as the suffrage movement won them the right to vote.

“They drove around the county in these crank cars on God knows what kind of roads,” said Professor Ronsheim, who teaches conservation biology and environmental studies at Vassar and who stumbled upon the overgrown garden in the 1990s. “She was trying to understand what plants grow together, where they grow and how they reproduce. That’s what an ecologist did. This was cutting-edge science and she brought it to Vassar.”

Dr. Roberts, who died in 1977, was an early advocate of gardening and landscaping using native species, which require less water and fewer pesticides than imported plants. She wrote about them first in a series of articles in House Beautiful magazine, and then in a 1929 book, “American Plants for American Gardens,” in collaboration with Elsa Rehmann, a landscape architect.

After Dr. Roberts retired in 1948, the garden, which runs along a creek called the Fonteyn Kill, was still maintained for a few years. But by the 1960s it had been abandoned, and “American Plants” had long since gone out of print.

Several years ago, Dr. Ronsheim began taking walks along the creek and teaching classes outdoors.

“I start seeing these spring ephemerals, but it was only later that I realized they had been planted,” she recalled. She slowly pieced together the history of the ecological laboratory through journal articles, newspaper clippings and conversations with the college faculty and staff.

Reclaiming and nurturing the outdoor laboratory, which once contained 675 different species of trees, shrubs, vines, flowers, ferns and mosses, became her own passion. Time and neglect have worn away much that was there. Of 47 different species of ferns, for example, only 10 remained by 2011. Of 108 species of shrubs and vines, 16 survived.

But now, native plants are having a moment.

This spring, both the New York Botanical Garden, in the Bronx, and Brooklyn Botanic Garden turned a spotlight on native plants. The Botanical Garden in May opened its new Native Plant Garden, which includes 454 species found east of the Mississippi River, while in Brooklyn, a newly expanded Native Flora Garden, designed by Darrel Morrison, a prominent landscape architect and proponent of native plants, made its debut in June.

Mr. Morrison was also responsible for the republication of Dr. Roberts’s treatise in 1996. In a new foreword, he wrote, “Now, at a time when we often lament the loss of a sense of place, and as ‘sustainability’ becomes an increasingly popular catchword in landscape design and management, this volume has a message that is as valid today as it was the day it was published.”

At Vassar, with the help of students and staff members, Dr. Ronsheim has documented many survivors from the 1920s, including red osier dogwood, alder trees, royal ferns and jack-in-the-pulpit, and has continued to yank out the invasive competitors.

Now, a major new science center is under construction on a portion of the former garden, and Dr. Ronsheim has been busy tagging and moving native plants from the building site to the college’s nearby preserve. Initially, she worried about the fate of the former laboratory, but she is now determined to put the new science building at the service of the native plants there.

“I took a deep breath at first,” she recalled. “I said, ‘Wait, you want to put the building where?’ ”

She has worked closely with Michael Van Valkenburgh Associates, a landscape architecture firm, on plans to restore the wetlands around the new science center, which will straddle the creek and feature up-to-the-minute green building techniques, including a cistern to capture rain water for the fern glen. And she will eventually bring back the ramps, bloodroot, Mayapple, trout lily and Christmas ferns she and her students had carefully moved out of harm’s way.

“There are many restored wetlands, but very few are assessed,” she said. “There’s a long history of using this site to understand ecological processes. This will continue that tradition.”

In the Garden: Tropical touch

Trellised-walls of the building support roses, clematis and a climbing hydrangea, which flower in sequence to deliver formidable displays in spring.

A grove of spruce trees, planted in a semicircle on the west side of the property, means the complex gets bright, unimpeded morning light, but is screened from the scorching heat of the afternoon sun.

To the right of the pond, a small wooden pavilion, offering a sheltered view of the koi in the water, leads to a Japanese-style shade garden.

Janko and Langteigne say they spent more than two years planting a dozen kinds of cyclamen as well as sanguinaria, maidenhair ferns, unusual arisaema and shade-loving ornamental grasses, such as Hakonechloa ‘Nicholas’, which turns red-and-orange in the fall.

The ground here is pumped full of autumn crocus, which put on yet another striking flower show in early fall.

Janko and Langteigne’s own patio garden is consistent with the planting in rest of the complex. It also has a clearly exotic, tropical feel.

From the main garden, the entrance is via a narrow path that winds up a gentle slope from the pond and pavilion and through an arch of clematis and pink abutilon.

Flanking the gate are two sizable pots filled with pelargoniums and scented heliotrope.

Inside, a small water feature has a fog-maker that puffs bursts of white mist into the air. The small space is filled with plants with exotic foliage and sultry flower colours: fuchsias, coleus, pineapple lilies and passion vine.

A greenhouse is home to Janko’s private collection of carnivorous plants — sundews and pitcher plants, sarracenia and nepenthes, bladderworts and Venus flytraps. Elsewhere, he has a diverse collection of air plants (Tillandsia).

It all adds up to a colourful, tropical, South American jungle-like environment but at the centre of it all there is a calm, quiet sitting area, shaded by an arching canvas canopy.

What drew them to the tropical palate, the exotic end of the plant spectrum for a garden? Was it, perhaps, because they both came from colder, botanically challenging regions of Canada — Janko from Red Deer, Alberta, and Langteigne from New Brunswick?

“I have always been fascinated by the old and vintage gardening of the past, especially the British tradition, such as the hothouses at Kew,� says Janko.

“But we both like plants that have an exotic look. They stop you in your tracks and make you stare and gasp with wonder. They are thrilling to be around.

“We like hot colours — fuchsia, purple, pink and red. Hummingbirds love those colours, too, and we love hummingbirds, so all it works.�

My journey from the start, along the avenue of trees and shrubs to the koi pond and on into the shade garden and up the hill to Janko and Langteigne’s private pleasant patio brought to mind Frederick Delius’s beautiful orchestral interlude, ‘The Walk to the Paradise Garden’.

All condo complexes should have such a pretty garden of delights.

swhysall@vancouversun.com

Walk the Region: Cancer Resource Centre gardens inspire patients’ art

Research shows walking benefits both the body and the mind, and the Northwest Indiana region is full of parks, trails and nature preserves that highlight the beauty and diverse landscape of the area. Throughout the summer in Home and Garden, the Times will highlight some of the best places to walk and enjoy the unique topography this region has to offer.

MUNSTER | The Cancer Resource Centre is a place where people come to be inspired and empowered.

So it only seemed natural to hold a garden walk where visitors will enjoy the beauty and inspiration of nature while learning more about the services the center provides.

The Cancer Resource Centre will host an “Inspirations from the Garden” benefit from 9 a.m. to noon Saturday at 926 Ridge Road in Munster.

Event organizers say the garden walk is a great opportunity to walk through a healing water garden while learning about a variety of other healthful practices.

“Visitors can come to be inspired by the people they will meet and by the experiences from the beautiful garden, artwork and landscaping ideas, as well as hear tips on cooking, floral arranging and relaxation,” said Mylinda Cane, Cancer Resource Centre advisory board member and a member of the Friends group that organized the benefit.

The event also is an opportunity to learn more about how the Cancer Resource Centre services are helping patients and their loved ones cope with a cancer diagnosis.

The healing garden, in particular, is part of the therapeutic environment at the center, “offering patients a tranquil retreat to help manage their stress and tap into the restorative power of nature,” Cane said.

One of the artists featured at the event taps into nature through her artwork – fine art garden photography by Schererville resident Joanne Markiewicz.

Visitors also will view the nature-inspired paintings of David Renfro that are featured throughout the healing garden. Renfro, a Griffith resident, was diagnosed with an inoperable brain tumor and had to relearn to draw and paint with his left hand.

Artist Shari Smith LeMonnier of Munster will use the healing garden as her inspiration for a painting she’ll create at the event.

Designed around a series of small ponds and waterfalls with connecting streams, the healing garden visitors will tour is an ever-changing landscape of perennials, large oak trees and medicinal plants.

“A patio at the top of the garden serves as a place for patients to participate in yoga, chi gong, art therapy and other mind-body programs,” Cane said.

Visitors will receive a list of plants in the garden, along with the plant combinations featured in planters donated by local landscapers. Some of those planters will serve as door prizes, Cane said.

Tickets purchased in advance are $10 and are available at the Cancer Resource Centre, the box office at the Center for the Visual and Performing Arts, or in the gift shops of Community Hospital in Munster, St. Catherine Hospital in East Chicago and St. Mary Medical Center in Hobart.

Tickets purchased at the event are $12. All proceeds benefit the Cancer Resource Centre.

For more information, call (219) 836-3349.